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“Correggio, Caravaggio, Titian, Tintoretto. In them she saw distance and cruelty. Bodies pierced, flayed, crucified. A parade of morbid flesh.”
― Richard House, The Kills

“In Campo San Casiano, because he felt no need to hurry, he decided to have a look at the Tintoretto Crucifixion. Brunetti had always been struck by how bored this Christ looked, stuck artfully up there on his cross, posed in front of the hedge of perpendicular spears that divided the painting in half. Christ seemed finally to have come to accept the truth of those warnings that all this business about becoming human would come to no good; He seemed eager to get back to the job of being God.”
― Donna Leon, The Girl of His Dreams