欧宝娱乐

“He's often wished that he could capture the full essence of each woman's laugh on canvas, but he settles instead, on watching how, when a woman chuckles, her head moves slightly to the left or right so that the light grazes it at a new angle and creates a new pattern of highlight and shadow. It's this subtle shifting that he finds astounding - how everything and nothing can be written on a face through its lines, through the way skin around the eyes crinkle or how the shifting of a mouth belies joy or sarcasm or simple placation. He wonders what Vermeer might have said to that girl with the pearl earring, what words could have stirred in her that wanton expression, because even amateurs understand that faces allow an entry point and that negative space is the key to any good painting: what isn't included is sometimes more important than what is.”
― Adam Gallari, We Are Never As Beautiful As We Are Now

“This is the second Old Master I have encountered that has the signatures of another artist forged over it. A painting that has been created by another artist entirely. It's like they played mix and match.”
― Dayna Rubin, Code of Siman: All is not Lost