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“The stars are the apexes of what wonderful triangles! What distant and different beings in the various mansions of the universe are contemplating the same one at the same moment! Nature and human life are as various as our several constitutions. Who shall say what prospect life offers to another? Could a greater miracle take place than for us to look through each other's eyes for an instant?”
― Henry David Thoreau, Walden

“Kessler depicts his developing intimacy with a handful of dairy goats and offers an enviable glimpse of the pastoral good life. Yet he also cautions, "Wherever the notion of paradise exists, so does the idea that it was lost. Paradise is always in the past." The title Goat Song is a literal rendering of the Greek word traghoudhia, tragedy. Reading it, I was reminded of Leo Marx's analysis of Thoreau's Walden. In The Machine in the Garden, Marx names Thoreau a tragic, if complex pastoralist. After failing to make an agrarian living raising beans for commercial trade (although his intent was always more allegorical than pecuniary), Thoreau ends Walden by replacing the pastoral idea where it originated: in literature. Paradise, Marx concludes, is not ultimately to be found at Walden Pond; it is to be found in the pages of Walden.”
― Heather Paxson, Life of Cheese: Crafting Food and Value in America (California Studies in Food and Culture)

“I felt my own self-sufficiency, my own Walden Pond, seeping out of me as if I'd sprung a leak. Self soaked into everything around me—the floor, the walls, the one window, the grass. The words on the page.”
― Olivia Sudjic, Sympathy

“What I have observed of the pond is no less true in ethics. ... Such a rule ... draws lines through the length and breadth of the aggregate of a man's particular daily behaviors ... where they intersect will be the height or depth of his character.”
― Thoreau