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“When I got home, I took a bat and examined my back in detail in the bathroom mirror. This tattoo would be for myself and no-one else. It wasn’t just because I was about to end my relationship with Iro, it was because I wanted to make some serious changes deep down inside me�� My torso - my back and front �� and my shoulders, breasts, and upper arms were decorated with a vibrantly coloured work of art. I knew it had been the right thing to do�� When I looked at that beautifully crafted tattoo, I was filled with a sense of total contentment I had never experienced before. I felt as though I had been set free.”
― Shoko Tendo, Yakuza Moon: Memoar seorang Putri Gangster Jepang

“Granting that there is some truth to the theory that defects in society give rise to the emergence of criminals, I still maintain that those who use this theory as a defense of criminality are overlooking the fact that there are many people in this defective society who survive without resorting to crime. The argument to the contrary is pure sophistry.”
― Akira Kurosawa, Something Like an Autobiography

“A complete back tattoo, stretching from the collar of the neck down to the tailbone can take one hundred hours. Such extensive tattooing, then, became a test of strength, and the gamblers eagerly adopted the practice to show the world their courage, toughness, and masculinity. It showed, at the same time, another, more humble purpose - as a self-inflicted wound that would permanently distinguish the outcasts from the rest of the world. The tattooing marks the yakuza as misfits, forever unable or unwilling to adapt themselves to Japanese society.”
― David E. Kaplan, Yakuza: Japan's Criminal Underworld

“Revenge requires taking oneself apart from the noise of men and of things, even from what resembles them; only the twisted soul remains. The consequences of my actions can not be remedied nor can they be wiped away. Eight deaths I must atone for in the afterlife. I’m cursed in both worlds. But one more job and my obligation ends. One more kill and I am free. �� Akira Sato, Twisted Threads”
― Kaylin McFarren, Twisted Threads

“Once in the mob, always in the mob. The tattoos mark you for life.”
― Amy Winters-Voss, Rise: The Liminal Chronicles

“The pinball business was dirty, they said; pachinko gave off a strong odor of poverty and criminality”
― Min Jin Lee, Pachinko

“When I reach to pick up the glass pieces, my heart sinks as the distinctive blue-black wave and red maple leaf designs of my irezumi tattoo sleeve show through the transparent wet fabric of my shirt. Despite the deafening silence, the hint of the ink that marks my past wails like a siren, warning all in my vicinity.”
― Amy Winters-Voss, Rise: The Liminal Chronicles

“Letting the old swagger back into my step lacks the feeling of control it used to give as I walk past neighborhoods of traditional and modern housing.”
― Amy Winters-Voss, Rise: The Liminal Chronicles

“Due diligence involves a lot of paperwork and sometimes more footwork than you could possibly imagine; hopefully you’ll find the process of getting the job done as fascinating as I do. Real-world puzzle-solving is always going to interest me more than any novel, escape room, or video game. I do believe that the truth is out there; there is an answer if you ask the right questions.”
― Jake Adelstein, Tokyo Noir: In and Out of Japan's Underworld