Coates apparently set out to write a book about writing but instead wrote a book about some of the things that haunt him. America. Imperialism. AparthCoates apparently set out to write a book about writing but instead wrote a book about some of the things that haunt him. America. Imperialism. Apartheid. Trump. Our refusal to look our history in the face.
It takes its name from the Grandmaster Flash and the Furious Five song of the same name. I remember that song blowing off the top of my head when I was a teenager. A cry for justice and a cry of outrage.
It takes its shape from three trips Coates took, to Senegal, South Carolina, and Israel.
In Senegal, he grieved and wondered. A passage that will haunt me:
“We are, Black people, here and there, victims of the West—a people held just outside its liberal declarations, but kept close enough to be enchanted with its promises. We know the beauty of this house � its limestone steps, its wainscoting, its marble baths. But more, we know the house is haunted, that there is blood in the bricks and ghosts in the attic.� (59)
Always coming home. Never there.
In South Carolina, he went braced for a fight and instead got to celebrate. He sat with a teacher Mary Wood, who was teaching his book, Between the World and Me, at the risk of her job. She had learned the truth from bell hooks. "When she finished, she called her mother and said, 'this is why things are so fucked up.'" (104).
There were parents who condemned Between the World and Me because the injustices it cataloged made them feel bad, which they could not abide.
“We have lived under a class of people who ruled American culture with a flaming cross for so long that we regularly cease to notice the import of being ruled at all. But they do not. And so the Redeemers of this age look out and see their kingdom besieged by trans Barbies, Muslim mutants, daughters dating daughters, sons trick-or-treating as Wakandan kings. The fear instilled by this rising culture is not for what it does today but what it augurs for tomorrow—a different world in which the boundaries of humanity are not so easily drawn and enforced. In this context, the Mom for Liberty shrieking “Think of the children!� must be taken seriously. What she is saying is that her right to the America she knows, her right to the biggest and greenest of lawns, to the most hulking and sturdiest SUVs, to an arsenal of infinite AR-15s, rests on a hierarchy, on an order, helpfully explained and sanctified by her country’s ideas, art, and methods of education.� (109)
But allies stepped up. A sweet interlude, for all the statutes of confederate war heroes and book bans.
The third essay, which is the bulk of the book, concerns is trip to Israel. He starts with a vivid description of visiting the Yad Vashem, the World Holocaust Remembrance Center. (115-21). It includes, among so much else, The Book of Names -- the names of millions of victims of the holocaust, in man sized books. He details some of the stories and artifacts there, including the story of the Struma. The Struma carried 781 Jews out of certain death in Romania. They were turned away from the British Mandate. All but one died. (119). This will haunt me.
He goes on to catalog how he begins to see an analogy between Blacks in America and Palestinians in Israel. He describes their treatment as apartheid and makes a serious case for it; internal passports; residence permits; regularly being forced off their land and into small enclaves. I do not know enough to evaluate his conclusion, but I will say that those reviews I have read that have condemned Coates as anti-Semitic for reaching that conclusion have made no effort to refute it.
While he was there, he was guided for a while by Avner Gvaryahu and Yehuda Shaul of Breaking the Silence, an organization of Israeli military veterans who are horrified by the work they have done in the occupied territories. This section has a passage that I felt like a physical weight:
When I was young, I felt the physical weight of race constantly. We had less. Our lives were more violent. And whether by genes, culture, or divine judgment, this was said to be our fault. The only tool to escape this damnation—for a lucky few—was school. Later I went out into the world and saw the other side, those who allegedly, by genes, culture, or divine judgment, had more but—as I came to understand—knew less. These people, white people, were living under a lie. More, they were, in some profound way, suffering for the lie. They had seen more of the world than I had—but not more of humanity itself. Most stunningly, I realized that they were deeply ignorant of their own country’s history, and thus they had no intimate sense of how far their country could fall. A system of supremacy justifies itself through illusion, so that those moments when the illusion can no longer hold always come as a great shock. The Trump years amazed a certain kind of white person; they had no reference for national vulgarity, for such broad corruption and venality, until it was too late. The least reflective of them say, “This is not America.� But some of them suspect that it is America, and there is great pain in understanding that, without your consent, you are complicit in a great crime, in learning that the whole game was rigged in your favor, that there are nations within your nation who have spent all of their collective lives in the Trump years. The pain is in the discovery of your own illegitimacy—that whiteness is power and nothing else. I could hear that same pain in Avner’s and Guy’s words. They were raised under the story that the Jewish people were the ultimate victims of history. But they had been confronted with an incredible truth—that there was no ultimate victim, that victims and victimizers were ever flowing.
It ends with the mitzvah to save the world. (232)
So much will haunt me. “The late Jamal Khashoggi was fond of the Arabic proverb 'Say your word, then leave.'� (90). May we be forgiven.
Searingly powerful book on what is necessary for freedom and how Trump, Musk, and Putin and working to thwart it for their own malignant ends.
Snyder Searingly powerful book on what is necessary for freedom and how Trump, Musk, and Putin and working to thwart it for their own malignant ends.
Snyder does an elegant job of weaving together how true freedom is more than freedom from some constraint; that it also requires us to be positively empowered to be free. That we need sovereignty, mobility, factuality, and solidarity. We must also be free to be unpredictable.
He introduced me a term that will haunt me: Sadopopulism. "Populism offers redistribution, something to the people from the state; sadopopulism offers only the spectacle of others being still more deprived. Sadopopulism salves the pain of immobility by directing attention to others who suffer more. One group is reassured that, thanks to its resilience, it will do less poorly than another from government paralysis. Sadopopulism bargains, in other words, not by granting resources but by offering relative degrees of pain and permission to enjoy the suffering of others.
Donald Trump proved to be a compelling sadopopulist, teaching his supporters contempt for others during his campaigns, then declining to build infrastructure as president -- precisely because it would have helped people." (148)
I feel this in my bones.
"Do not vote for a party that denies climate change. People who lie about the end of the world will keep lying until the world ends." (234)
Beautiful prose; insightful text; and absolutely heartbreaking. ...more
This is a big book about a lot of things. Knowing that destruction is around the corner and doing almost nothing about it. Using a big crisis to leverThis is a big book about a lot of things. Knowing that destruction is around the corner and doing almost nothing about it. Using a big crisis to leverage personal gain. The Kantian imperative. Rebecca Solnit's observations about disasters. Lovecraftian horrors who hate us. Post-humanism. Plucky bands of space scavengers. Deeply traumatized soldiers. Scientists made of flesh and scientists made of mechanical insects.
In a lot of ways, this is a space opera retelling of Death's fight with the Auditors in Discworld. Only instead of Susan as his secret weapon, it's a band of deeply traumatized scavengers, spies, scientists, soldiers, and one post-human guy name Idris doing their best both against an existential horror that turns planets into abstract art and powerful forces in their own civilization that are looking to win some value out of the apocalypses.
I enjoyed reading it. I'm not sure how the pieces work together. Like Idris through much of this, I can almost see something deep and important.
A feel good story about a Campbellian hero tasked with saving the world with her trusty sidekick, a talking dog. Turns out she hasn't understood some A feel good story about a Campbellian hero tasked with saving the world with her trusty sidekick, a talking dog. Turns out she hasn't understood some important things about the world. When she does, she adjusts and saves the world in a whole new way.
A story of resistance, betrayal, grooming, adventure, and doing the hard things. Great fun. ...more
Chronicles some of the many, many Americans who sided with the Nazis in the run up to World War II; some of the heroic few who, often at great risk anChronicles some of the many, many Americans who sided with the Nazis in the run up to World War II; some of the heroic few who, often at great risk and at their own expense, stepped up to oppose them; and the shameful decision not to root Nazis out from our government.
Among the things I learned from this book:
In 1935, a ship flying the swastika sailed into New York harbor. 2000 people gathered at the harbor to protest. Five got onto the ship, hauled down the flag, and tossed it into the harbor. They were arrested. Judge Louis B. Brodsky released four of them, observing that the swastika "symbolizes all that is antithetical to American ideals of the God given and inalienable rights of all people to life, liberty, and the pursuit of happiness." He also said the Nazis were "a revolt against civilization." (30). Judge Brodsky was still alive when I was born.
Warner Brothers put out a movie, Confessions of a Nazi Spy, based on FBI agent Leon G. Turruo's investigation of Nazi spy rings operating in the US. J. Edger Hoover was so angry that Turruo had cooperated he not only fired him, he managed to get his pension pulled. What an asshole. (150). The head of MGM, Louis B. Mayer, required all MGM employees to attend Lionel Barrymore's 61st birthday celebration, broadcast live on Good News of 1939, to stop them from going to the premiere. (148-51). That entertainment culture war has been going on a long time.
At the time of Dunkirk, Americans were still 13-1 against going into the war. We would have let the Nazis win. (186).
In one of the first trials of Nazi collaborators, of a group that explicitly wanted to overthrow the US government and murder Jews, ended in a hung jury. The jury foreman was the cousin of one of those involved who boasted of the connection to cheering crowds soon after. (188)
Another trial was made into an absolute circus by the defendants. (276). The defendants tried to slow everything to a crawl and made ridiculous motions to call Goebbels and Hitler as witnesses. (276). Part of the charges involved using the franking privilege of members of Congress to spread Nazi propaganda. Defendants were stuffing pre-franked envelopes in the courtroom. (290). The judge died during the trial.
The prosecutor, O. John Rogge, kept trying to prosecute. He was fired. (302). His prosecution implicated dozens of members of congress, some of which were buddies with the president. We never did the hard work of coming to terms with some of our fellow citizens' complicity with one of the most evil regimes history has every seen.
I fear we're reaping the whirlwind on that now.
So many things that American Nazis and their allies did then they're doing now. Undermining American institutions, especially courts. Lionizing people who denigrate people by their race or religion. Indulging in ridiculous conspiracy theories. Specifically spreading malicious lies about Jews. Believing fervently that there is a "real" America and it's white, Christian, straight, and rich.