Michael's Reviews > Nine Princes in Amber
Nine Princes in Amber (Amber Chronicles, #1)
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Roger,
No, it would be no problem at all! I'd be happy to respond to the first draft of your new fantasy novel.
Lets start with the good: I enjoyed your method of immersing the reader in your fantasy world. The protagonist's case of amnesia makes it so he must learn all the same things the reader needs to know. Protagonist Corwin regains his memory gradually, creating a sense of mystery throughout the first hundred pages that is quite entertaining.
Then. . . well, you lost me. I mean, it's so esoteric. SHADOW REALMS, one for every combination of things that could be. Nine princes who can travel at will between these Shadow Realms. But there's really only ONE REAL WORLD, the world of Amber, of which all the other worlds are shadows. All of these princes want to be the king of Amber, and they struggle against each other for the throne . . .
Well, one issue I have is that I'm not sure why I should side with Corwin. I'm not entirely convinced he's the "good guy." It's sort of like voting for Zeus instead of Hera. They're all egomaniacal wackjobs.
And then you tell us, most of the way through the novel, each one of these brothers could technically make their own perfect reproduction of the original world of Amber, and ALL be kings of identical territories, AND COMPLETELY BYPASS ALL OF THIS FIGHTING TO THE DEATH?! So WHY. The FUCK. Should your reader care? As Tim Gunn would say, "This part has me worried."
Before attempting to get this published, I HIGHLY recommend reconsidering how omnipotent this set-up will make your protagonist. At the very least, don't point out to your reader how ludicrous this whole war is.
Another big issue I had was with your voice in this novel. I mean, sometimes you're all "If thou will help me to smote down ye evyl brother Eric, your noble brother Corwin shall be beholden to you." Then, a scene later, you're all, "I snuck out of the prison because I'm just that good. Dig? Solid." Are we casual? Are we not casual? Let's just decide. Either could work, but both don't.
Also, you should know my interest tapered off drastically at the exact moment when things should've started getting exciting. The actual battle over Amber seemed . . . well, dull. First off, it's narrated kind of like an eight-year-old would narrate an action figure battle: "seven of the big furry red guys were killed. Three of their soldiers died. Seventy of the goodguys got blown off the snowy mountain. I stabbed some guy in the neck." You start a hell of a lot of sentences with "I did this." I was distracted by this. I could not visualize much of anything. I was tempted to skim.
I'm sure this is your rough draft, despite the artificially yellowed pages and cool imitation 70's cover, mostly because of the excessive typos. My personal favorite: "the doors of good food." Did you mean Odors? I think so. I would fix that, and also doublecheck your punctuation. Commas seem like an unpredictable force in this book, happening sporadically and without logic. So, as I tell all my writing students, allways proofread. By the way, I loved the ironic quip on the front about "Hugo and Nebula Winning." After a few more drafts, that may become a reality, but remember my mantra: revise, revise, revise!
No, it would be no problem at all! I'd be happy to respond to the first draft of your new fantasy novel.
Lets start with the good: I enjoyed your method of immersing the reader in your fantasy world. The protagonist's case of amnesia makes it so he must learn all the same things the reader needs to know. Protagonist Corwin regains his memory gradually, creating a sense of mystery throughout the first hundred pages that is quite entertaining.
Then. . . well, you lost me. I mean, it's so esoteric. SHADOW REALMS, one for every combination of things that could be. Nine princes who can travel at will between these Shadow Realms. But there's really only ONE REAL WORLD, the world of Amber, of which all the other worlds are shadows. All of these princes want to be the king of Amber, and they struggle against each other for the throne . . .
Well, one issue I have is that I'm not sure why I should side with Corwin. I'm not entirely convinced he's the "good guy." It's sort of like voting for Zeus instead of Hera. They're all egomaniacal wackjobs.
And then you tell us, most of the way through the novel, each one of these brothers could technically make their own perfect reproduction of the original world of Amber, and ALL be kings of identical territories, AND COMPLETELY BYPASS ALL OF THIS FIGHTING TO THE DEATH?! So WHY. The FUCK. Should your reader care? As Tim Gunn would say, "This part has me worried."
Before attempting to get this published, I HIGHLY recommend reconsidering how omnipotent this set-up will make your protagonist. At the very least, don't point out to your reader how ludicrous this whole war is.
Another big issue I had was with your voice in this novel. I mean, sometimes you're all "If thou will help me to smote down ye evyl brother Eric, your noble brother Corwin shall be beholden to you." Then, a scene later, you're all, "I snuck out of the prison because I'm just that good. Dig? Solid." Are we casual? Are we not casual? Let's just decide. Either could work, but both don't.
Also, you should know my interest tapered off drastically at the exact moment when things should've started getting exciting. The actual battle over Amber seemed . . . well, dull. First off, it's narrated kind of like an eight-year-old would narrate an action figure battle: "seven of the big furry red guys were killed. Three of their soldiers died. Seventy of the goodguys got blown off the snowy mountain. I stabbed some guy in the neck." You start a hell of a lot of sentences with "I did this." I was distracted by this. I could not visualize much of anything. I was tempted to skim.
I'm sure this is your rough draft, despite the artificially yellowed pages and cool imitation 70's cover, mostly because of the excessive typos. My personal favorite: "the doors of good food." Did you mean Odors? I think so. I would fix that, and also doublecheck your punctuation. Commas seem like an unpredictable force in this book, happening sporadically and without logic. So, as I tell all my writing students, allways proofread. By the way, I loved the ironic quip on the front about "Hugo and Nebula Winning." After a few more drafts, that may become a reality, but remember my mantra: revise, revise, revise!
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Reading Progress
June 28, 2010
–
Started Reading
June 28, 2010
– Shelved
July 2, 2010
–
Finished Reading
March 8, 2013
– Shelved as:
sf-fantasy
June 30, 2014
– Shelved as:
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Comments Showing 1-50 of 59 (59 new)
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Kelly
(last edited Jul 02, 2010 06:11PM)
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Jul 02, 2010 06:11PM

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Although I'm tempted to get crotchety about all the lame-ass urban fantasy coming out these days, I can't really say it's any worse than the days of Dragonlance or Robert Jordan. It's probably just a different kind of lame.

For the record's sake, his SF short stories are like they're written by this entirely different person full of linguistic minor brilliance and mainlining a syringe of distilled '60s post-scarcity mythic future. "Doors of His Face, the Lamps of His Mouth", "The Keys to December, and "24 Views of Mount Fuji" just blew my mind when I was first discovering all those New Wave writers and discovering that literary technique was actually something usable in fantastic genre fiction.
And, take it or leave it, his non-Amber novels seem like they're written by the arithmetical average of the dude in your review and the dude in my preceding paragraph. So even if it turns out you like those short stories, proceed with CAUTION.

I may or may not read more books of Amber later (after all, it was a fun enough read, just not super-memorable). I'm certainly going to track down Lord of Light, which sounds much more complex than this teen fic stuff. That said, I'll keep an eye out for collections of his short fiction too. Thanks, fellow Michael!


First off, it's narrated kind of like an eight-year-old would narrate an action figure battle: "seven of the big furry red guys were killed. Three of their soldiers died. Seventy of the goodguys got blown off the snowy mountain. I stabbed some guy in the neck."




Since you give no evidence to support this claim, and since the comments and 'likes' on this review indicate many people disagree with you, I may just have to assume you don't think the joke is funny. That's fine, but it doesn't mean the joke actually isn't funny.
You sound like someone that looks down on others when you write! We "random internet" people are turned off by that.
No, I don't look down on others! At least not all of them! This is why I write to entertain. I have made fun of everyone in my reviews, from authors, to reviewers on Å·±¦ÓéÀÖ, to book critics, to myself. But I am most concerned with writing reviews that I find entertaining--and that my friends on Å·±¦ÓéÀÖ find entertaining--than I am the random passers-by. I'm not trying to be a diplomat, since that job sounds very boring.
You can be way more educated than your reader but when you flaunt it you just come off as a prick.
You got this from "No, it would be no problem at all! I'd be happy to respond to the first draft of your new fantasy novel"? Which of these words did you have to look up?
I'll tell you what. I like being trolled as much as the next random internet Michael does, but if we're going to continue this conversation, you're gonna have to be more specific about where my annoying East-coast snobbery is shining through. Since I live in the Southwest, I find the Hudson comment especially funny.
ERMERGERD MICHAEL YOU ARE TOTES UNFUNNY AND AN ELITIST SNOB FROM NEW YORK OR SOMETHING. YOU R PLANE CONDESCENDING.

I know you are serious, Ceridwen, because you are in capitols!
But I will have you know that I have just as much respect for planes as the next NYC hipster intellectual from Arizona! Planes carry people over the Hudson ever day, which is important for diversity! PLANES FLY WITHOUT FLAPPING THEIR WINGS! THIS IS TOTES BADASS!
Man, way to go eat worms. It's a cheap shot, I admit, mirroring your spelling error, but you have to admit coming in here barfing and calling Michael some kind of snob is seriously over the top. It's rad you love this book, but Michael not exactly digging it doesn't harm you or this book in any way. And acting like Michael's implying that you're reading it wrong is just ironic.

The stick up my ass probably helps with getting good TV reception since it's aluminum, but the wifi can be spotty.
but you have to admit coming in here barfing and calling Michael some kind of snob is seriously over the top.
I'm used to people barfing in my reviews. What I really can't stand is when someone says something and then deletes it later, making the rest of us look like we're talking to ourselves. We've all been annoying on the internets, I'd imagine, but you can at least have the humility to deal with your less-well-thought-out moments and not delete them.
We should try to communicate better instead of just acting as though negative conversations never happened. Doing so can help the lesser people become more articulate and thoughtful. That way, they can be more like me and the other tweed-clad liberals in my ivory tower.
I have never been annoying on the Internet.

remember the ABQTs: always be quoting trolls. they can't delete your posts!
Good thinking. From now on, I'm gonna just copy and paste the whole damn message. There are always hidden gems in troll messages that you don't notice until the second or third re-read. They're like great books in that way.
I swear, I should learn the ABQT lesson every time this happens, and I never do. Just last week some dude called me an obdurate illiterate and some other really awesome stuff, and then deleted all his posts! Crying shame, really.
I know! The posts were all full of pedantic puns too. It was really great, and I can only remember the one phrase that stuck in my mind.



Really not sure how people can get over the unsympathetic Godlike main character. Really seems like a killer to me.






What is the practical difference between the recreations and the real Amber? Not only are they described as being imperceptibly different, since there are infinite AUs, there are just as many "shadows" of the recreations as there are of the original Amber.

Authenticity. Possibly a weird thing to be obsessed about, but Corwin and Co. are the sort of people who would kill to have *the* Mona Lisa when they could settle for each having a perfect reproduction of it.

Dear sir, yes you have the right to free speech, but still someone must say to you how incredibly rude you sound. Writing directly to Zelazny and treating him like a first time author begging you to be published, making fun of his Hugo and Nebula? Your self-insert here is obnoxious. I pity your creative writing students, if you, in fact, have any at all. Have you ever heard that Goethe's quote that 'criticism accomplishes much, but encouragement much more'? Persons like you are to blame that many young authors don't have the courage to send their works to the publisher.


Anyway, the reviewer does make some good points about some things a reader may not like. But most of them were done on purpose by zelazny and addressed later on in the series.
The entire book is basically the reader and narrator trying to figure out what’s going on because the narrator has some form of amnesia. So yeah not everything makes sense right away.
This series is fantastic and has been genre defining and extremely influential on many of today’s fantasy authors. So you can listen to this reviewer or you can listen to guys like Neil Gaiman and Michael Moorcock to help you decide it you should give Amber a chance.

Well that's the thing. To your average observer the shadows, particularly the closer ones are practically indistinguishable. And many of the siblings, like Julian & Llewella, seem perfectly content ruling their own shadow or shadows, while others like Random just hop from one to another.
But the story is about those for whom that isn't enough, and with more ambition than caution like Corwyn, Eric & Brand.
EDIT: Incidentally, while I don't agree with it I do think your review is one of the better ones. A pity some people have felt the need to resort to personal attacks.

As for the war being ridiculous - of course it is! Are not most wars? The war is all about pride, rivalry, and vainglory. Again, must every war in books be "just" and "righteous?"




I had a similar experience with Robert Jordan's Wheel of Time.
