Julie's Reviews > Homecoming
Homecoming (The Hundred, #3)
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by

Julie's review
bookshelves: young-adult, i-am-a-masochist, endcoming, futuristic
Feb 05, 2015
bookshelves: young-adult, i-am-a-masochist, endcoming, futuristic
Reading for the 2nd time. Most recently started July 30, 2022.
I read this just a couple days after it came out in February, but never got around to writing a review—if I don’t do it now, I never will, so time to bite the bullet and possibly risk the ire of more fans!
Note: Lots and lots of spoilers in my general discussion below; I've only spoiler-marked the quotes themselves.
THE GOOD:
- Bellamy’s characterisation, and Clarke & Bellamy’s relationship. I actually genuinely really like this!! Bellamy is tough and relatively sensible, and they support each other implicitly. And I’m very up-front about the fact that Bellarke is one of the main reasons I’m reading the series, and their chemistry/dynamic is better now that they’ve settled into a relationship: they’ve found their groove, and it’s the exact sort of groove I hope to see in the show someday. Some cute moments on both those lines:
ONE, AS EARTHBORN VILLAGERS VOLUNTEER TO PROTECT BELLAMY FROM THE COLONIST GUARDS:
TWO, AS HE AND CLARKE PREP TO FIGHT THE GUARDS W/ THE EARTHBORN:
THREE, END OF CHAPTER AFTER HE'S INVITED TO JOIN THE COUNCIL:
THE BAD:
- They fridge Sasha. She wasn’t even a character I especially liked—we didn't really have enough time with her to get to know her, imo—but she deserved more than this. Why does she have to die while Wells lives? WHY IS SHE KILLED OFF FOR MANPAIN? It’s the laziest trope and plot device, and I’m so tired of seeing authors using it!
- Wells remains a pestilence. Kass Morgan commits the biggest crime that I’d been dreading this whole time: she has Clarke blindly forgive him for his monstrous actions, soothing him and petting his ego. The narrative isn’t giving him his comeuppance for what he did. I’m fine with characters being atrocious shits (hello, Wuthering Heights is one of my favourite books of all time and I loved Gone Girl), but the narrative can’t laud them as heroes for it.
- Wells misses a huge, clearly-telegraphed plot point in a way that just makes the character seem inconsistent and stupid? After suspecting that something was wrong with Kendall, watching Kendall possibly poison their water supply, outright warning the guards about Kendall sneaking around, then watching Kendall smirk and stride off into the woods� then he’s somehow surprised when the Earthborn invade? “Jeez, it’s almost as if they had a spy within our camp! How in the world did they do this???� Kendall: *struts on-screen* Wells: GASP. IT WAS KENDALL ALL ALONG
I thought Kass Morgan had actually been setting up Kendall’s inevitable betrayal pretty well, but then she ruins it by having Wells be surprised/aghast by the very thing that he was warning others about. It just doesn’t make narrative sense.
- The way Kass Morgan introduces plotlines then drops them. Octavia spies Clarke flirting with a guard, shoots her an ugly look, Clarke frets over what’ll happen if word gets back to Bellamy about it, and then� it just never materialises? I’m absolutely fine with not introducing unnecessary romantic drama, but if so, I don’t understand the point of Octavia catching them in the first place.
- The climactic battle is over in about a page. Our moustache-twirling villain does a sudden 180 heel-face turn in morality, everything gets conveniently wrapped up, others going back to gamely accepting his leadership, and he even offers Wells & Bellamy (BUT NOT CLARKE?) a position on his council. Guys: just kill him already.
- Lack of depth in said moustache-twirling villain. There was potential here, because I wanted to see some addressing of the fact that he saved Glass & her mother... but after one token mention, it’s never brought up again, and Glass never gets to speak to him about it. File under: more plotlines that are introduced but nothing’s done with.
- Glass remains useless. She passes along one important warning about Bellamy’s impending execution, but then� ?? Her and Luke’s decision to go ~off-grid~ to stymie Rhodes� plans makes zero sense. They’re all “his executioner will be gone! he won’t know what to do! it won’t stop it completely, but it’ll buy you some time!!�. Um. Rhodes has 20+ guards at his beck and call. It would delay him for like 5 minutes until he can decide who else should pull the trigger?? I highly doubt that having specifically Luke conduct the execution matters so strongly to the villain that it’ll throw him in a tizzy for days.
- They settle down in a love shack and do absolutely nothing and then, unsurprisingly, get attacked by the violent residents of Earth. At one point, Glass even wakes up in the middle of the night, thinks she hears something� then rolls over and goes back to sleep. Useless! Luke is dull. I am 110% of the opinion that he should have lost his leg in this book, to make SOMETHING matter beyond Sasha's death, esp. considering how fucked up his leg was, his old status as a guard, to experience some consequences to their actions, and for there to be something more to him than generic cute brave white boy...... but nope, this idiot gets off scot free.
- The Bad Grounders, leering and jeering and looking mean and cruel~, to the extent that Glass can literally see the evil radiating off them. Ugh. Real life isn’t so cut-and-dried, Kass Morgan. You shouldn’t be able to tell villains from good guys at a single glance.
- Clarke’s parents just conveniently strolling into Mt. Weather at the end?? She didn’t have to do anything whatsoever to earn that reunion besides sit next to a radio for a while. SIGH.
- In general, the writing’s still just very expository, telling rather than showing.
THE UGLY:
I mentioned it before but seriously, this book's greatest sin is that it deals not with Wells' redemption or any particular sacrifice he makes, but the ending is all about him ~*~forgiving himself~*~ and learning to keep on truckin' on as their leader. Let me just quote:
This made me livid, because the most harmful shit and what I was afraid of Kass Morgan pulling: that Clarke's reaction is a starry-eyed "You did that for me??" instead of justified horror. & fast forward to Clarke processing it after:
UMMMMMMM. moral relativity my ass!!!!! She had a brief perioud of nausea, but I am ENRAGED at the fact that she forgave him so easily. Her parents' trials were a few children dying for the sake of helping the human race survive radiation on earth (still bad reasoning, and Vice Chancellor Rhodes is a monster, but you can see how it was geared For The Greater Good). This, however, was endangering THE ENTIRE HUMAN RACE to save ONE GIRL that he was mooning over romantically. At least all of the 'hard sacrifice' moral relativity calls that have been made in the show have been for legitimate, strategic reasons, which are the type you can justify with "moral relativity"—not something done to save ONE GIRL.
Also you can see how the writing still is all expository, tell tell tell tell telling about Clarke’s feelings and internal turmoil.
In short: not as awful as the precious book in the series, but this is still not very good YA. I review them because I can, and wanted to—plus I’m interested in seeing how two mediums starting with the same premise/framework can go in such completely different directions. And these books are fast reads that I can knock out in a single day, so I don’t mind the time investment—or the money, I paid my cold hard cash for this, so I’ve a right to say what I think about them.
(Is it maybe a little silly that I had to include a disclaimer about why I’m reading these books? Maybe yes, but there’s been trouble on my reviews in the past, so�)
My reviews:
- The 100 (#1)
- Day 21 (#2)
- Rebellion (#4)
Note: Lots and lots of spoilers in my general discussion below; I've only spoiler-marked the quotes themselves.
THE GOOD:
- Bellamy’s characterisation, and Clarke & Bellamy’s relationship. I actually genuinely really like this!! Bellamy is tough and relatively sensible, and they support each other implicitly. And I’m very up-front about the fact that Bellarke is one of the main reasons I’m reading the series, and their chemistry/dynamic is better now that they’ve settled into a relationship: they’ve found their groove, and it’s the exact sort of groove I hope to see in the show someday. Some cute moments on both those lines:
ONE, AS EARTHBORN VILLAGERS VOLUNTEER TO PROTECT BELLAMY FROM THE COLONIST GUARDS:
(view spoiler)
TWO, AS HE AND CLARKE PREP TO FIGHT THE GUARDS W/ THE EARTHBORN:
(view spoiler)
THREE, END OF CHAPTER AFTER HE'S INVITED TO JOIN THE COUNCIL:
(view spoiler)
THE BAD:
- They fridge Sasha. She wasn’t even a character I especially liked—we didn't really have enough time with her to get to know her, imo—but she deserved more than this. Why does she have to die while Wells lives? WHY IS SHE KILLED OFF FOR MANPAIN? It’s the laziest trope and plot device, and I’m so tired of seeing authors using it!
- Wells remains a pestilence. Kass Morgan commits the biggest crime that I’d been dreading this whole time: she has Clarke blindly forgive him for his monstrous actions, soothing him and petting his ego. The narrative isn’t giving him his comeuppance for what he did. I’m fine with characters being atrocious shits (hello, Wuthering Heights is one of my favourite books of all time and I loved Gone Girl), but the narrative can’t laud them as heroes for it.
- Wells misses a huge, clearly-telegraphed plot point in a way that just makes the character seem inconsistent and stupid? After suspecting that something was wrong with Kendall, watching Kendall possibly poison their water supply, outright warning the guards about Kendall sneaking around, then watching Kendall smirk and stride off into the woods� then he’s somehow surprised when the Earthborn invade? “Jeez, it’s almost as if they had a spy within our camp! How in the world did they do this???� Kendall: *struts on-screen* Wells: GASP. IT WAS KENDALL ALL ALONG
I thought Kass Morgan had actually been setting up Kendall’s inevitable betrayal pretty well, but then she ruins it by having Wells be surprised/aghast by the very thing that he was warning others about. It just doesn’t make narrative sense.
- The way Kass Morgan introduces plotlines then drops them. Octavia spies Clarke flirting with a guard, shoots her an ugly look, Clarke frets over what’ll happen if word gets back to Bellamy about it, and then� it just never materialises? I’m absolutely fine with not introducing unnecessary romantic drama, but if so, I don’t understand the point of Octavia catching them in the first place.
- The climactic battle is over in about a page. Our moustache-twirling villain does a sudden 180 heel-face turn in morality, everything gets conveniently wrapped up, others going back to gamely accepting his leadership, and he even offers Wells & Bellamy (BUT NOT CLARKE?) a position on his council. Guys: just kill him already.
- Lack of depth in said moustache-twirling villain. There was potential here, because I wanted to see some addressing of the fact that he saved Glass & her mother... but after one token mention, it’s never brought up again, and Glass never gets to speak to him about it. File under: more plotlines that are introduced but nothing’s done with.
- Glass remains useless. She passes along one important warning about Bellamy’s impending execution, but then� ?? Her and Luke’s decision to go ~off-grid~ to stymie Rhodes� plans makes zero sense. They’re all “his executioner will be gone! he won’t know what to do! it won’t stop it completely, but it’ll buy you some time!!�. Um. Rhodes has 20+ guards at his beck and call. It would delay him for like 5 minutes until he can decide who else should pull the trigger?? I highly doubt that having specifically Luke conduct the execution matters so strongly to the villain that it’ll throw him in a tizzy for days.
- They settle down in a love shack and do absolutely nothing and then, unsurprisingly, get attacked by the violent residents of Earth. At one point, Glass even wakes up in the middle of the night, thinks she hears something� then rolls over and goes back to sleep. Useless! Luke is dull. I am 110% of the opinion that he should have lost his leg in this book, to make SOMETHING matter beyond Sasha's death, esp. considering how fucked up his leg was, his old status as a guard, to experience some consequences to their actions, and for there to be something more to him than generic cute brave white boy...... but nope, this idiot gets off scot free.
- The Bad Grounders, leering and jeering and looking mean and cruel~, to the extent that Glass can literally see the evil radiating off them. Ugh. Real life isn’t so cut-and-dried, Kass Morgan. You shouldn’t be able to tell villains from good guys at a single glance.
- Clarke’s parents just conveniently strolling into Mt. Weather at the end?? She didn’t have to do anything whatsoever to earn that reunion besides sit next to a radio for a while. SIGH.
- In general, the writing’s still just very expository, telling rather than showing.
THE UGLY:
I mentioned it before but seriously, this book's greatest sin is that it deals not with Wells' redemption or any particular sacrifice he makes, but the ending is all about him ~*~forgiving himself~*~ and learning to keep on truckin' on as their leader. Let me just quote:
(view spoiler)
This made me livid, because the most harmful shit and what I was afraid of Kass Morgan pulling: that Clarke's reaction is a starry-eyed "You did that for me??" instead of justified horror. & fast forward to Clarke processing it after:
(view spoiler)
UMMMMMMM. moral relativity my ass!!!!! She had a brief perioud of nausea, but I am ENRAGED at the fact that she forgave him so easily. Her parents' trials were a few children dying for the sake of helping the human race survive radiation on earth (still bad reasoning, and Vice Chancellor Rhodes is a monster, but you can see how it was geared For The Greater Good). This, however, was endangering THE ENTIRE HUMAN RACE to save ONE GIRL that he was mooning over romantically. At least all of the 'hard sacrifice' moral relativity calls that have been made in the show have been for legitimate, strategic reasons, which are the type you can justify with "moral relativity"—not something done to save ONE GIRL.
Also you can see how the writing still is all expository, tell tell tell tell telling about Clarke’s feelings and internal turmoil.
In short: not as awful as the precious book in the series, but this is still not very good YA. I review them because I can, and wanted to—plus I’m interested in seeing how two mediums starting with the same premise/framework can go in such completely different directions. And these books are fast reads that I can knock out in a single day, so I don’t mind the time investment—or the money, I paid my cold hard cash for this, so I’ve a right to say what I think about them.
(Is it maybe a little silly that I had to include a disclaimer about why I’m reading these books? Maybe yes, but there’s been trouble on my reviews in the past, so�)
My reviews:
- The 100 (#1)
- Day 21 (#2)
- Rebellion (#4)
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Reading Progress
February 5, 2015
– Shelved
February 5, 2015
– Shelved as:
to-read
February 26, 2015
–
Started Reading
February 26, 2015
– Shelved as:
young-adult
February 26, 2015
– Shelved as:
i-am-a-masochist
February 27, 2015
–
100.0%
"I read these books mostly so you don't have to, and yet I'm also strangely addicted to them now. Frick."
February 27, 2015
–
Finished Reading
October 5, 2015
– Shelved as:
endcoming
February 15, 2016
– Shelved as:
futuristic
July 30, 2022
–
Started Reading
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message 1:
by
Puja
(new)
Apr 28, 2015 09:47AM

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The funny thing is, even though I think it's a good show, I have lots of problems with it, and at some point I thought maybe they rushed through it and the book would address my problems better...but clearly that's not the case, since it's not even the same story.
I'm just gonna stick with the show.

I also thought the pacing in the show's S3 was a bit rushed -- you could obviously tell they were in a hurry to get through various arcs/developments in that relatively short number of episodes -- but gosh, I still love love love it.

Anyways, after having found out what the books were all about (sounds like the whole story was put together shoddily just so she could write about the romance), I have much greater respect for the show. :P