J.G. Keely's Reviews > Eragon
Eragon (The Inheritance Cycle #1)
by
by

** spoiler alert **
Standard fantasy fare, except that while most fantasy authors lift their plots only vaguely from a previous author, Eragon is simply the plot of Star Wars with a Lord of the Rings paintjob:
Princess flees, trying to keep precious item out of the evil emperor's hands. Boy finds item. Bad guys burn down his farm and kill his uncle. Old mysterious man helps him, and turns out to be part of a secret order of knights to which boy's (now evil) father belonged. Gives boy father's sword and takes him (eventually) to princess, then dies tragically. Boy learns how to fly X-Wings (er, dragons) and goes to take on his father and the evil emperor, &c., &c.
Paolini also resembles other fantasy authors by denying that he is a fantasy author, instead imagining that he is a great literary talent. In his own words:
"In my writing, I strive for a lyrical beauty somewhere between Tolkien at his best and Seamus Heaney's translation of Beowulf"
Unfortunately, his control of language is more akin to a piece of Harry Potter fanfic. There are some days that I wish my parents ran their own publishing company, too. However, if such a boon would require me to write as obliviously as Paolini, I would have to decline.
Yeah, I know he was eighteen, but so was Byron when he wrote "Hours Of Idleness" and Pope when he wrote his "Essay on Criticism". If Paolini doesn't hesitate to compare himself to (what he sees as) literary greats, I certainly have no problem with letting my criticism fall with equal weight on his little bit of fluff.
I think the reason I keep returning to Pulp writers like Robert E. Howard is that those authors just wanted to write exciting stories instead of the next 'literary event'. Authors who lack pretension often write very good stories, because they aren't forcing themselves to write overblown, overly-complex stories. Many modern fantasy authors do the opposite: they write redundant escapist yarns and then get upset that no one considers them to be literary greats, yet.
There is nothing new or interesting here for anyone who has read fantasy before--it's just a rehash of old cliches. The writing, pacing, and characterization are substandard. I wasn't surprised to find that a teen boy wrote this book--it's exactly what I would expect a teenage fantasy fan to write.
Princess flees, trying to keep precious item out of the evil emperor's hands. Boy finds item. Bad guys burn down his farm and kill his uncle. Old mysterious man helps him, and turns out to be part of a secret order of knights to which boy's (now evil) father belonged. Gives boy father's sword and takes him (eventually) to princess, then dies tragically. Boy learns how to fly X-Wings (er, dragons) and goes to take on his father and the evil emperor, &c., &c.
Paolini also resembles other fantasy authors by denying that he is a fantasy author, instead imagining that he is a great literary talent. In his own words:
"In my writing, I strive for a lyrical beauty somewhere between Tolkien at his best and Seamus Heaney's translation of Beowulf"
Unfortunately, his control of language is more akin to a piece of Harry Potter fanfic. There are some days that I wish my parents ran their own publishing company, too. However, if such a boon would require me to write as obliviously as Paolini, I would have to decline.
Yeah, I know he was eighteen, but so was Byron when he wrote "Hours Of Idleness" and Pope when he wrote his "Essay on Criticism". If Paolini doesn't hesitate to compare himself to (what he sees as) literary greats, I certainly have no problem with letting my criticism fall with equal weight on his little bit of fluff.
I think the reason I keep returning to Pulp writers like Robert E. Howard is that those authors just wanted to write exciting stories instead of the next 'literary event'. Authors who lack pretension often write very good stories, because they aren't forcing themselves to write overblown, overly-complex stories. Many modern fantasy authors do the opposite: they write redundant escapist yarns and then get upset that no one considers them to be literary greats, yet.
There is nothing new or interesting here for anyone who has read fantasy before--it's just a rehash of old cliches. The writing, pacing, and characterization are substandard. I wasn't surprised to find that a teen boy wrote this book--it's exactly what I would expect a teenage fantasy fan to write.
Sign into 欧宝娱乐 to see if any of your friends have read
Eragon.
Sign In 禄
Reading Progress
Comments Showing 1-50 of 166 (166 new)



Amen. Not all, but most.



I haven't yet read the Earthsea books (though they're definitely on my list), but I'm told that the "true language" in which you can't lie and the words of which create magic is kind of exactly the same as the language of the dragons in Earthsea. :P

I can't even remember now exactly why it impacted me. I loved the use of "true names" (which I know is a common magic/elven theme). I think I loved the simplicity. To use magic you had to know the Word, use some problem solving skills (ie transform sand to water or raise water from the deep), have enough energy for it, and have enough faith.
I love the way it acknowledges simple physics and has magic actually require energy to be used.
I like that magic dimishes over distances.
I think the rules are so simple, I just liked them.

So unfair

The real problem seems to be when an author has a very limited set of inspirations from which to draw (like Paolini). This results in a very cliche, familiar story.
The secret to writing well is to develop a wide and varied experience. That way, the author is not tied down to one way, but can choose from many different methods, selecting the one which best fits the situation at hand. So we must all keep reading!



Thanks for the comment.

But, I do not really want to just copy someone else. I kind of want them to copy me

I'm not sure how much of a difference that makes, since all works are inspired by earlier works. Show me a modern story that hasn't been affected by Shakespeare.
And then, there is Shakespeare himself, who never wrote an original plot in his life. All of his stories were based on plots from earlier tales which he rewrote. The only two which didn't come from older stories simply didn't have much plot.
Synesthesia said: "[[Star Wars] was inspired by an Akira Kurosawa movie."
Actually, if you compare Star Wars to Hidden Fortress, there are a lot of large differences, it's hardly the same kind of plot carryover as Star Wars to Eragon. There is the bumbling comedic duo, roguish general, and tomboy princess, but otherwise, the two films are very divergent. There isn't even a 'young hero' figure in Hidden Fortress, for example.
I'd say a lot of the success of Star Wars was because it drew on so many different inspirations: movie serials, Kurosawa, Joseph Campbell, the French comic book 'Valerian', and others. In my experience, the more varied the inspirations an author draws on, the less derivative and predictable their work will be.
"But, I do not really want to just copy someone else. I kind of want them to copy me"
I've always found that desire kind of problematic, since 'being different' isn't really a choice (despite what some identically-dressed rebellious teens may think). Every book is a response to what that author has read, taking inspiration from they admire and attempting to be different from what they condemn.
I've never seen an author who was capable of divorcing themselves from their inspirations and writing something 'original', usually, authors who attempt to do so are ironically more predictable and less unique.
After all, those who fail to study history are doomed to repeat it, so those who fail to study the history of literature are doomed to write repetitive stories. Look at Goodkind, Martin, and Paolini: all authors who claimed they were completely reinventing the genre, but who all wrote fairly predictable monomyth fantasies of one sort or another.
If an author does want to develop a unique voice, they're better off finding a myriad of different inspirations to synthesize rather than insisting on fewer inspirations. I'm not saying Paolini shouldn't have taken inspiration from Star Wars, or Lord of the Rings, I'm saying that his inspirations were too narrow, so he ended up directly copying instead of combining sources (though I think, like most inexperienced authors, he didn't realize he was doing it).

I mean, The Worm Ouroboros wasn't published until Eddison was forty, even though it was based on stories and characters he had been working on since he was a child.


The fact that many fully-grown, thick-bearded authors also write like guileless, mooning teenagers not withstanding.







Elain, what you're saying could be extended to mean that if one isn't going to give a five star review, one shouldn't give a review at all. By being concerned with the pride and ego of an author we are limiting the entire point of goodreads. An author I respect said that she would not do the above, because she would not want to be on the receiving end. With all due respect, I feel that is a foolish mistake because then you close yourself off from positive growth. What Keely said isn't necessarily mean, it is a criticism and if there's one thing I hope all precocious teenagers should be able to do, it is to learn from their past actions and grow into capable adults. One can only hope that Paolini will try again and be even more successful. As a fan, I would think you might want that as well.


Actually, that is often the process I go through when I write reviews, though you only get to see the side that 'wins'. However, if you look closely (and I'm not suggesting it's worth your time to do so), you may notice I sometimes say things like 'some might argue that the author was going for X' or something like that, and that's usually an indication that I'm pitting two different theories against one another and seeing which is stronger.
Writing reviews often reminds me of doing lab reports in Chem, where I would always have to state the limits of my experiments, the weak points in my arguments, and contradictory hypothesis which might change my interpretation. Though I sometimes hope that someone will come along and give me a really different view, and maybe even change my mind, in most cases, I end up being my own strongest critic. Then again, it's easier for me to see my weaknesses from the inside, just as it is in a game of solo chess.

I mean, someone can like something without actually understanding it, and I would rather be understood than liked. What tends to affect me--and it's fairly rare--is when someone comes along and comments on some specific, subtle point which they recognize and find interesting, because those small moments are really what motivate me to write--they're the things I want to be able to share with the world.

Now that you mention it, some Star Wars traits are beginning to stand out.
Now I'm not so sure about it but...I am still going to read it.
Btw, did you say the author was eighteen when he wrote this?





You know, TBH I've been thinking about the unoriginality lately, and while I don't think it's any less original than before, I also don't think it's entirely ripped off from Star Wars and LotR. It's more cliche than ripped off from those elements--the princess fleeing with the special object, yadda yadda, is a lot more of a common plot device than something uniquely used by Star Wars. So I wouldn't say it's ripped off from those works, it's simply very generic.
(That's not a defense of Eragon, btw--I do agree that it does not make Eragon any less unoriginal.)
And I definitely agree that the "he's fifteen!" thing is not very valid. Not only does he compare his work to other literary greats, like Keely said, it's obvious that it's written by a teenager. I read Eragon, searched up the author, found out his age--yep, saw that coming a long way before. And I NEVER give any slack to authors simply because it's their debut book, or that they were young when they wrote it, or some other clumsy excuse. I read good books PERIOD, not good books by this standard or that standard.
And not to mention the awful, awful prose and pacing of this book. There's a passage that really stands out in my mind when Paolini spends half a page describing a lamp. A lamp that has zero relevance to the plot or characterization and does nothing but bring the entire narrative to a grinding halt.
(That's not a defense of Eragon, btw--I do agree that it does not make Eragon any less unoriginal.)
And I definitely agree that the "he's fifteen!" thing is not very valid. Not only does he compare his work to other literary greats, like Keely said, it's obvious that it's written by a teenager. I read Eragon, searched up the author, found out his age--yep, saw that coming a long way before. And I NEVER give any slack to authors simply because it's their debut book, or that they were young when they wrote it, or some other clumsy excuse. I read good books PERIOD, not good books by this standard or that standard.
And not to mention the awful, awful prose and pacing of this book. There's a passage that really stands out in my mind when Paolini spends half a page describing a lamp. A lamp that has zero relevance to the plot or characterization and does nothing but bring the entire narrative to a grinding halt.
Keely wrote: "I'm sure he was just setting up really important lamp-related plotlines in later books."
*laughs*
If only, Keely. If only. *disappointed face*
*laughs*
If only, Keely. If only. *disappointed face*



Even as fun as I found the books they are definitely based off 40 percent Lord of the Rings, 40 percent Star Wars and a whole mixture of other archetypical fantasy books....

never mind i just found out how lol

it's kind of a funny story because even though i recognized the blatant copies and his low-developed writing skills i enjoyed the book, mainly because it made me work really hard imagining it because paolini is not good describing, i liked the second one more but that's just because i had some experience with the characters and the world, it's not a masterpiece but for me it was an entertaining way to lose my time
The publishing company part made me chuckle... heheh.