Shannon 's Reviews > Leviathan
Leviathan (Leviathan, #1)
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Shannon 's review
bookshelves: ya, steampunk, alternate-history, historical-fiction, 2010, favourite, cover-love
Sep 01, 2010
bookshelves: ya, steampunk, alternate-history, historical-fiction, 2010, favourite, cover-love
Just look at this cover, isn't it GORGEOUS?! I absolutely love it. It's so rich, with such sumptuous detail, wonderful design and use of colour and all the elements of the story and its genres. It's simply RIPPING!! It feels nice too, with embossed bits, shiny bits, matte bits, texture in places so that if you run your fingers over it they get all excited and tingly! The one and only thing that bothers me is the cardstock used - the cover never lies flat but is constantly (even brand new and sitting on the bookshop display table) lifting up into the air almost vertically. Hey, it's a keen book, but covers get damaged this way.
This is one of those books where the gorgeous cover completely matches - and does credit to - the absolutely wonderful story inside. I'm loving this - two YA novels in a row that I can utterly GUSH over! (Count how many times I capitalise my words as a cheap way of conveying enthusiasm - actually don't count, it'll get embarrassing!) Not only is Westerfeld an utter GENIUS here, but Keith Thompson's sketches are simply STUNNING! I found myself gazing and gazing at them. They match the scenes perfectly, and really make the world come alive. Oh, and would you just look at the stunning map:
Here you can see Europe, at the time of the Great War, separated along ideological lines of a new kind: the "Darwinists" depicted with impressive beasts, and the "Clankers" bristling with steam-powered machinery and weapons. The Darwinist countries, like Great Britain, have embraced not just natural selection but gene splicing, cross-breeding animals and creating incredible beasts called "fabrications" - including the Leviathan itself, an immense hydrogen ship that's not just one living organism - mostly whale - but a whole colony of organisms and beasts that each have a role to play. It's absolutely fascinating.
The Clankers, on the other hand - the Germans and Hungarians etc. - have the kind of machines that are clearly inspired by Star Wars, like this giant war machine. They come in smaller two-legged varieties as well.
But I best stop long enough to give you a summary, eh:
Prince Aleksandar, son to Archduke Franz Ferdinand of Austria-Hungary, grandson to the emperor, is secretly bundled out of the palace on the night his parents are assassinated in Serbia. His fencing master, Count Volger, and his master of mechaniks, Otto Klopp, get fifteen year old Alek away in a Cyklop Stormwalker (a two-legged machine), but it takes Alek a while to understand the seriousness of his position. Even though his grandfather made it so Alek could never inherit the empire (because he disapproved of the woman Ferdinand decided to marry), his father and Count Volger understood that with the continent bristling for war, Alek could prove a very useful hostage, or pawn.
Meanwhile, in England, sixteen year old Deryn is ready to take her middy's test and join the Air Service like her older brother Jaspert - as long as she can convince them she's really a boy. The test consists of being strapped into the seat below one of the earliest types of air ship - a Huxley. In essence a giant jelly fish filled with hydrogen that panics at the slightest thing, the Huxley goes mostly up or down and can't really be steered. But as Deryn is aloft, a storm comes and the Huxley panics - to save being smashed against a wall in its descent, she's forced to cut the rope that tethers it.
Deryn keeps a calm head, and while she is drifting out to the Channel, is picked up by the Leviathan, one of the earliest and still the best air ship in the Service. Determined to be kept on board, she learns the way of the ship fast. When they make an unprecedented stop at Hyde Park in London to pick up a scientist and a very precious cargo, it is the first step in an adventure that will see Deryn and Alek meet in surprising circumstances - and form an even more unusual friendship.
So, how about some more gushing? Westerfeld has created a superb world, an alternate world of steampunk technology and inventive science, with a wealth of detail and imagination. But it would be a hollow world if the characters and the story weren't equally as entrancing. Oh, and Westerfeld gets extra points for including a !! (Well he is somewhat Australian, after all.) I love this animal, and it was great to see it in a story, finally.
Deryn is the kind of protagonist I instantly love - a tomboy in the best possible way, with a mouth full of slang and stable talk (often invented for the world), a quick mind and passion - in this case, a passion to be in the air service and serve on board the Leviathan. She has her flaws, but she's got so much spunk and bravery - and she doesn't fret or panic. True to her more humble upbringing, she provides the perfect counter-point to the palace-bred Alek, though he too rises to the occasion, learns from his mistakes and shows courage in a time of peril. He sometimes comes across as a tad sullen and spoilt, but he's also willing to admit his mistakes, apologise for them, or do what's right despite the dangers. And then when you get the two of them together, they're just great. Their personalities are vibrant but the details are subtle and come across in dialogue and action. There's not so much of that reflective instrospection (did I just make up a word there?) that's so prevalent in YA and which drives me nuts.
Aside from being a wonderful adventure novel in a highly creative world, Leviathan also presents some interesting themes on the nature of science, technology, ethics and attitudes and so on. The best stories for examining interesting themes like this are the ones that don't deal with them head-on. The ones that let them play out, that let the reader notice them, think about them, question their own thoughts and reactions. Books like, say, Fahrenheit 451 are great for what they do but are also deliberately obvious and in-your-face, which doesn't always leave much room for gaining perspective.
I could ramble on but I better not - I think you get how much I enjoyed this, yeah? I'm looking forward to the next book, Behemoth, with great anticipation!
This is one of those books where the gorgeous cover completely matches - and does credit to - the absolutely wonderful story inside. I'm loving this - two YA novels in a row that I can utterly GUSH over! (Count how many times I capitalise my words as a cheap way of conveying enthusiasm - actually don't count, it'll get embarrassing!) Not only is Westerfeld an utter GENIUS here, but Keith Thompson's sketches are simply STUNNING! I found myself gazing and gazing at them. They match the scenes perfectly, and really make the world come alive. Oh, and would you just look at the stunning map:
Here you can see Europe, at the time of the Great War, separated along ideological lines of a new kind: the "Darwinists" depicted with impressive beasts, and the "Clankers" bristling with steam-powered machinery and weapons. The Darwinist countries, like Great Britain, have embraced not just natural selection but gene splicing, cross-breeding animals and creating incredible beasts called "fabrications" - including the Leviathan itself, an immense hydrogen ship that's not just one living organism - mostly whale - but a whole colony of organisms and beasts that each have a role to play. It's absolutely fascinating.
The Clankers, on the other hand - the Germans and Hungarians etc. - have the kind of machines that are clearly inspired by Star Wars, like this giant war machine. They come in smaller two-legged varieties as well.
But I best stop long enough to give you a summary, eh:
Prince Aleksandar, son to Archduke Franz Ferdinand of Austria-Hungary, grandson to the emperor, is secretly bundled out of the palace on the night his parents are assassinated in Serbia. His fencing master, Count Volger, and his master of mechaniks, Otto Klopp, get fifteen year old Alek away in a Cyklop Stormwalker (a two-legged machine), but it takes Alek a while to understand the seriousness of his position. Even though his grandfather made it so Alek could never inherit the empire (because he disapproved of the woman Ferdinand decided to marry), his father and Count Volger understood that with the continent bristling for war, Alek could prove a very useful hostage, or pawn.
Meanwhile, in England, sixteen year old Deryn is ready to take her middy's test and join the Air Service like her older brother Jaspert - as long as she can convince them she's really a boy. The test consists of being strapped into the seat below one of the earliest types of air ship - a Huxley. In essence a giant jelly fish filled with hydrogen that panics at the slightest thing, the Huxley goes mostly up or down and can't really be steered. But as Deryn is aloft, a storm comes and the Huxley panics - to save being smashed against a wall in its descent, she's forced to cut the rope that tethers it.
Deryn keeps a calm head, and while she is drifting out to the Channel, is picked up by the Leviathan, one of the earliest and still the best air ship in the Service. Determined to be kept on board, she learns the way of the ship fast. When they make an unprecedented stop at Hyde Park in London to pick up a scientist and a very precious cargo, it is the first step in an adventure that will see Deryn and Alek meet in surprising circumstances - and form an even more unusual friendship.
So, how about some more gushing? Westerfeld has created a superb world, an alternate world of steampunk technology and inventive science, with a wealth of detail and imagination. But it would be a hollow world if the characters and the story weren't equally as entrancing. Oh, and Westerfeld gets extra points for including a !! (Well he is somewhat Australian, after all.) I love this animal, and it was great to see it in a story, finally.
Deryn is the kind of protagonist I instantly love - a tomboy in the best possible way, with a mouth full of slang and stable talk (often invented for the world), a quick mind and passion - in this case, a passion to be in the air service and serve on board the Leviathan. She has her flaws, but she's got so much spunk and bravery - and she doesn't fret or panic. True to her more humble upbringing, she provides the perfect counter-point to the palace-bred Alek, though he too rises to the occasion, learns from his mistakes and shows courage in a time of peril. He sometimes comes across as a tad sullen and spoilt, but he's also willing to admit his mistakes, apologise for them, or do what's right despite the dangers. And then when you get the two of them together, they're just great. Their personalities are vibrant but the details are subtle and come across in dialogue and action. There's not so much of that reflective instrospection (did I just make up a word there?) that's so prevalent in YA and which drives me nuts.
Aside from being a wonderful adventure novel in a highly creative world, Leviathan also presents some interesting themes on the nature of science, technology, ethics and attitudes and so on. The best stories for examining interesting themes like this are the ones that don't deal with them head-on. The ones that let them play out, that let the reader notice them, think about them, question their own thoughts and reactions. Books like, say, Fahrenheit 451 are great for what they do but are also deliberately obvious and in-your-face, which doesn't always leave much room for gaining perspective.
I could ramble on but I better not - I think you get how much I enjoyed this, yeah? I'm looking forward to the next book, Behemoth, with great anticipation!
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Reading Progress
September 1, 2010
– Shelved
September 2, 2010
– Shelved as:
ya
September 2, 2010
– Shelved as:
steampunk
September 2, 2010
– Shelved as:
alternate-history
September 2, 2010
– Shelved as:
historical-fiction
Started Reading
September 4, 2010
–
Finished Reading
September 7, 2010
– Shelved as:
2010
May 20, 2013
– Shelved as:
favourite
May 21, 2013
– Shelved as:
cover-love
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Rusty
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rated it 4 stars
Sep 07, 2010 09:08AM

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I've noticed that about a lot of covers on YA and adult books these days, that the cover stock is cheap and curls. I have to keep flipping the books over if they're not on the shelves.

Thanks Steph! I don't even know what that really means but sounds nice! ;)

I've noticed that about a lot of covers on YA and adult books these days, that the cover stoc..."
I don't think I've seen all that many, but ANY is too many! I need to displace another book so this one can go on the shelf somewhere, tightly sandwiched in - even then, even if it spent years flattened like that, as soon as I took it out it'd curl again. I might have to splurge on the hardcover for book 2 just to avoid this, but the hardcover cover images weren't as nice for book 1... I know, I'm superficial! :P