Ted's Reviews > Manchild in the Promised Land
Manchild in the Promised Land (Scribner Classics)
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by

Ted's review
bookshelves: have, biography-autobiography, lit-african-american, classics, americana, afro-american-connections
Nov 27, 2016
bookshelves: have, biography-autobiography, lit-african-american, classics, americana, afro-american-connections
I started going to night school� Most of the cats who were out there on the corners dealing stuff now were the newcomers. Most of the cats I came up with were in jail or dead or strung out on drugs. I’d been out on street life long before these cats ever knew how to role a reefer. I could do what I wanted � and not worry about anybody naming me lame. I’d been through the street life thing. At seventeen, I was ready to retire from it. I’d already had ten or eleven years at it.

Claude Brown. Born in 1937. This “fictional� autobiography tells of his youth and young manhood in Harlem. If you’re like me, you spend time wondering, ‘what’s true�? Well the first person narrator, whose name is definitely Claude Brown, though he’s usually called ‘Sonny� in dialog, is certainly the same age as the writer, 15 years old in 1952. The way Harlem ‘was� when he was different ages certainly has the ring of truth to me, but I wouldn’t really know. The names of all the characters? Probably not true, maybe some are. The names and tales of his family? Who knows? The general experiences he had? Sure, probably the way it was. Specific things he did? Maybe some made up. Was he really in those reform schools at those young ages? I guess he was.
The first sections of the book find Sonny at a very young age. Before he was even ten he was on the streets, stealing, fighting, sometimes out all night. His dad would beat him if provoked enough, his mother fretted and worried but could do nothing with him. In this part of the book Claude Brown is not likable at all. I just sort of shuddered every once in a while.
Later in the book, reflecting back on his youth in the forties, Claude says this.
But Sonny tells us that as he began to approach the age of eighteen, getting in trouble became something that he became more fearful of. He didn’t want to actually end up in jail for a serious crime, and he tells us that he resolved that he would never kill anyone, even though he carried weapons sometimes.
The book takes us up to around 1960, Claude in his early twenties. Over the last few years he’s moved out of Harlem, down to the Village, got a job or two, finished high school, started playing a bit of piano, had an eye-opening fling with Judy, a white Jewish girl, which doesn’t last - but still goes back to Harlem frequently, sees the plague that heroin brought in the late fifties, the coming of the Black Muslims, the way they take over a small section of Harlem and preach to the people about standing up, taking pride in themselves as blacks, rejecting the white merchants who suck all the money out of Harlem. They never rope Sonny into their movement, but he sees the good it does.
At the end of the book he’s still hanging loose, doesn’t really have concrete goals, but is no longer in the City, is off somewhere starting more schooling.
He’s a young man who looks back on the streets as his real home, but who somehow turned out different from most of his old friends. It’s a story that’s hard to take sometimes, but ultimately inspiring. And if you’re white, and lived through those times quite differently than Claude Brown did, it really makes you think.
. . . . . . . . . . . . . . . . . . . .
Previous review: George Passant novel
Next review: The Wapshot Chronicle novel
Older review: On Native Grounds lit. crit, social history
Previous library review: Between the World and Me Ta-Nehisi Coates
Next library review: The Autobiography of Malcolm X

Claude Brown. Born in 1937. This “fictional� autobiography tells of his youth and young manhood in Harlem. If you’re like me, you spend time wondering, ‘what’s true�? Well the first person narrator, whose name is definitely Claude Brown, though he’s usually called ‘Sonny� in dialog, is certainly the same age as the writer, 15 years old in 1952. The way Harlem ‘was� when he was different ages certainly has the ring of truth to me, but I wouldn’t really know. The names of all the characters? Probably not true, maybe some are. The names and tales of his family? Who knows? The general experiences he had? Sure, probably the way it was. Specific things he did? Maybe some made up. Was he really in those reform schools at those young ages? I guess he was.
The first sections of the book find Sonny at a very young age. Before he was even ten he was on the streets, stealing, fighting, sometimes out all night. His dad would beat him if provoked enough, his mother fretted and worried but could do nothing with him. In this part of the book Claude Brown is not likable at all. I just sort of shuddered every once in a while.
Later in the book, reflecting back on his youth in the forties, Claude says this.
Throughout my childhood in Harlem, nothing was more strongly impressed upon me than the fact that you had to fight and that you should fight. Everybody would accept it if a person was scared to fight, but not if he was so scared that he didn’t fight.Thus the youngster fights, even though he’s afraid, and gains a reputation as a tough guy, way tougher than his age would warrant. So at the age of eleven he spends his first time in the Wiltwyck School for Boys (which does exist, in Esopus New York), where he makes new friends who then reenter his life back on the streets. As a young teen Sonny goes back and forth between Wiltwyck more than once.
As I saw it in my childhood, most of the cats I swung with were more afraid of not fighting than they were of fighting.
But Sonny tells us that as he began to approach the age of eighteen, getting in trouble became something that he became more fearful of. He didn’t want to actually end up in jail for a serious crime, and he tells us that he resolved that he would never kill anyone, even though he carried weapons sometimes.
The book takes us up to around 1960, Claude in his early twenties. Over the last few years he’s moved out of Harlem, down to the Village, got a job or two, finished high school, started playing a bit of piano, had an eye-opening fling with Judy, a white Jewish girl, which doesn’t last - but still goes back to Harlem frequently, sees the plague that heroin brought in the late fifties, the coming of the Black Muslims, the way they take over a small section of Harlem and preach to the people about standing up, taking pride in themselves as blacks, rejecting the white merchants who suck all the money out of Harlem. They never rope Sonny into their movement, but he sees the good it does.
At the end of the book he’s still hanging loose, doesn’t really have concrete goals, but is no longer in the City, is off somewhere starting more schooling.
He’s a young man who looks back on the streets as his real home, but who somehow turned out different from most of his old friends. It’s a story that’s hard to take sometimes, but ultimately inspiring. And if you’re white, and lived through those times quite differently than Claude Brown did, it really makes you think.
. . . . . . . . . . . . . . . . . . . .
Previous review: George Passant novel
Next review: The Wapshot Chronicle novel
Older review: On Native Grounds lit. crit, social history
Previous library review: Between the World and Me Ta-Nehisi Coates
Next library review: The Autobiography of Malcolm X
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Reading Progress
September 17, 2015
– Shelved as:
to-read
September 17, 2015
– Shelved
September 17, 2015
– Shelved as:
have
September 17, 2015
– Shelved as:
biography-autobiography
September 17, 2015
– Shelved as:
lit-african-american
September 17, 2015
– Shelved as:
classics
June 21, 2016
–
Started Reading
June 21, 2016
– Shelved as:
currently-reading-sh-stories-misc
June 21, 2016
–
12.98%
"When I got into the show that day I yelled out "Forty Thieves" to see if any of my friends in the gang were there. I got a loud "yo!" from one of the front rows. It was Bucky. He hadn't been to school that day and had sneaked into the show. "Goldie was in a little while ago, but he hadn't been home for the past few nights, so he had to go and steal something to eat."
They're all about ten years old."
page
54
They're all about ten years old."
June 29, 2016
–
29.57%
"I said, "Look man, you don't ever, long as you live, have to worry about me messin' wit any more horse [heroin] as long as I live." I was sick for about two days after that. I didn't even want a reefer. I didn't want anything, anything, that was like a high. I started drinking some of Dad's liquor after that, but I was scared of those dry highs. Anyway, that was the big letdown with horse.
[At age thirteen]"
page
123
[At age thirteen]"
August 6, 2016
–
40.63%
""I was pulling farther away from the Harlem scene. I'd go up to Harlem and party, but I wasn't for going to jail any more. One thing began to scare me about jail - the fact that if I went to jail and got that sheet on me, any time I decided that I didn't want to go the crime way, I'd have a lot of trouble doing it with ... that sheet on me. I decided to move out of Harlem." He's maybe seventeen."
page
169
August 17, 2016
–
45.67%
"I gave my gun away when I moved out of Harlem. I felt free. This was one of the things that made me feel free, that I didn't need a gun. I didn't need any kind of protection, because I wasn't afraid any more. I had been afraid in Harlem all my life. Even though I did things that people said were crazy - people who thought that I must not be afraid of anything - I was afraid of almost everything. [age 17]"
page
190
August 18, 2016
–
51.2%
"I had started hanging out with a new group. I found a new groove in the Harlem thing. I was with the young jazz musicians now. I was still living down in the Village, but now I had a companion in my room with me. It was a piano, something that I had needed or a long time. I played it from four to eight hours a day, and I liked it ... For the first time in ages, I felt as though I was really doing things. [age 19]"
page
213
October 6, 2016
–
57.93%
"After that, it seemed that Tito, Dunny, Mac, and Alley Bush all went their separate ways. We were too old to hang out any more, and the Harlem we’d known was gone. In three years, it had all gone. Everybody had changed so much, and we didn’t need one another any more. There was nothing else for us to do but say good-bye to the old way of life and we had known and try to find something new."
page
241
October 7, 2016
–
61.78%
"Throughout my childhood in Harlem, nothing was more strongly impressed upon me than the fact that you had to fight and that you should fight. Everybody would accept it if a person was scared to fight, but not if he was so scared that he didn’t fight.
As I saw it in my childhood, most of the cats I swung with were more afraid of not fighting than they were of fighting."
page
257
As I saw it in my childhood, most of the cats I swung with were more afraid of not fighting than they were of fighting."
November 15, 2016
–
72.84%
""Man, do you ever remember bein' a kid? Not me. Shit, kids are happy, kids laugh, kids are secure. They ain't scared-a nothin'. You ever been a kid Sonny? Damn, you lucky. I ain't never been a kid, man. I don't ever remember bein' happy and not scared. I don't know what happened, man, but I think I missed out on that childhood thing, because I don't ever recall bein' a kid.""
page
303
November 19, 2016
–
78.13%
"The rise of the Black Muslims in Harlem, starting in the mid-50s. "The Black Muslim movement was closer to most Harlemites than any of the other organizations, much closer than the NAACP or the Urban League ... (They) were the home team. They were the people, talking for everyone." 125th Street & 7th Avenue, they took it over, that's where they did their speaking. But no mention of Malcolm X. Can't yet decide why."
page
325
November 19, 2016
–
81.97%
"Claude meets Judy at night school, a young Jewish girl. They fall for each other, hard. But come summer she disappears. "For a long time, I was sorry I'd ever stopped that time when Judy called to me in the hall with that "Hey, there." I remembered it for a long time. For a long time, I expected the phone to ring or thought I'd get a letter. Nothing came.""
page
341
November 19, 2016
–
86.3%
"Moves back to Harlem, in with a crowd of young jazz musicians. Passes the entrance exam to Columbia, but no money, can't go. Sells cosmetics, likes it okay. "I had a funny feeling about everything, about the past, about my childhood, and I kind of wondered if the childhood had been real, if we had all gone through all that stuff. I wondered if it weren't really just a dream." He's twenty-one."
page
359
November 27, 2016
–
99.76%
"Pimp thought his whole problem was not being able to get away from Harlem. "Man, this place is ... it just ruins me, Sonny. I feel like I'm being smothered to death sometimes. If it weren't for you, I guess I could have spent my whole life here and never been downtown, except for the trips that you take in grade school... My whole life has revolved around Harlem, man, uptown. Shit, I don't know anything, man.""
page
415
November 27, 2016
–
Finished Reading
October 13, 2017
– Shelved as:
afro-american-connections
October 13, 2017
– Shelved as:
americana
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Funnily enough, I've shelved it as fiction and as a novel. I guess that's how it was introduced to me. It was obviously autobiographical but that's true of many, many novels. I see most people have it shelved as biography/non-fiction.