Fabian's Reviews > The Adventures of Huckleberry Finn
The Adventures of Huckleberry Finn
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THE Greatest American Novel?
Well...
No wonder the Spanish think themselves intellectually/culturally superior with their Quixote, undoubtedly a blueprint for this mischievous Every Boy! Huck Finn is the full embodiment of THE American Fantasy: mainly that dire misconception that the protagonist of the world is you and that everything gravitates around that essential nucleus. Everyone in town thinks Huck dead, and what does he do but follow the tradition of a plot folding unto itself (as Don Q finds his story become medieval pop culture in Part II of that superior novel) as he disguises himself as a little girl and tries to squeeze information out of some lady about his myth-in-the-making trek. It seems everyone cares for this vagrant, a perpetual Sancho P to Tom Sawyer's Quixote, whose redeemable features include (a pre-transcendental) openmindedness and an inclination to live only in the NOW. But the narrator, a very unreliable one at that, surrounds himself with bad bad men, playing the role of accomplice often, always safe and sound under the dragon's wing. Very American in his lemming mentality & in his misconceptions (though about his hometown and wilderness he knows much indeed).
So: disguise used as an integral plot device several times throughout; brawny men taking a boy hostage; nakedness by the riverbed; costume changes, improvised Shakespearean shows, men almost always described as "beautiful" (and women solely as "lovely")....
***GAY!!***
Yeah, it really is hard to discern the allegory behind all of this hype. The humor is obvious, but I have to admit that this picaresque novel about a boy who avoids "sivilization" at all costs is beaten mercilessly by a more modern, therefore more RELEVANT tale of the South, "Confederacy of Dunces." Although it must be admitted that "Huck Finn" does manage to surpass other often-praised classics, like the droll "Wuthering Heights."
Well...
No wonder the Spanish think themselves intellectually/culturally superior with their Quixote, undoubtedly a blueprint for this mischievous Every Boy! Huck Finn is the full embodiment of THE American Fantasy: mainly that dire misconception that the protagonist of the world is you and that everything gravitates around that essential nucleus. Everyone in town thinks Huck dead, and what does he do but follow the tradition of a plot folding unto itself (as Don Q finds his story become medieval pop culture in Part II of that superior novel) as he disguises himself as a little girl and tries to squeeze information out of some lady about his myth-in-the-making trek. It seems everyone cares for this vagrant, a perpetual Sancho P to Tom Sawyer's Quixote, whose redeemable features include (a pre-transcendental) openmindedness and an inclination to live only in the NOW. But the narrator, a very unreliable one at that, surrounds himself with bad bad men, playing the role of accomplice often, always safe and sound under the dragon's wing. Very American in his lemming mentality & in his misconceptions (though about his hometown and wilderness he knows much indeed).
So: disguise used as an integral plot device several times throughout; brawny men taking a boy hostage; nakedness by the riverbed; costume changes, improvised Shakespearean shows, men almost always described as "beautiful" (and women solely as "lovely")....
***GAY!!***
Yeah, it really is hard to discern the allegory behind all of this hype. The humor is obvious, but I have to admit that this picaresque novel about a boy who avoids "sivilization" at all costs is beaten mercilessly by a more modern, therefore more RELEVANT tale of the South, "Confederacy of Dunces." Although it must be admitted that "Huck Finn" does manage to surpass other often-praised classics, like the droll "Wuthering Heights."
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Reading Progress
March 3, 2011
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Started Reading
March 3, 2011
– Shelved
March 8, 2011
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Finished Reading
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Terri
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Mar 09, 2011 07:56AM

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