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The first paragraph of The Secret History roughly sums up the mood of the book. In it, the narrator, Richard Papen, says that he thinks his fatal flaw is 'a morbid longing for the picturesque at all costs'. If you can relate to these words, chances are you'll love The Secret History. If not, you'll probably wonder what the fuss is all about. Personally, I can totally relate to these words, so I love the book. I've read it over half a dozen times, and while I do think it has its problems, I never fail to find it utterly gripping.

The Secret History is both an intellectual novel of ideas and a murder mystery without the whodunnit element. The reader learns right on the first page that Richard and his friends have killed one among their midst. The rest of the book goes on to explain how they came to their gruesome deed and what happened to them afterwards. Against all odds, it makes for compelling reading, despite the fact that you know right from the start who the killers are. Such is the power of Tartt's writing that you find yourself turning page after page, waiting for answers, justifications and possibly a sign of remorse. Once these have been dealt with, the book loses a bit of its power, but until that time, it's near perfect.

Donna Tartt's great gift as a writer is her magnificent talent for description. Her evocation of life at a small private university in New England with its oddball mix of ivory-tower intellectuals and ditzy cokeheads is rich in detail, both shocking and funny. If it's not entirely realistic, she makes it so. Likewise, her skill at characterisation is superb. While Richard is not entirely convincing as a male narrator (a fact I find more noticeable every time I re-read the book), he and his friends make up a fascinating cast of characters: six aloof, self-absorbed and arrogant intellectuals who are obsessed with ancient Greece and don't particularly care for modern life. They're snobs and they have major issues, but somehow that only makes them more alluring. Together, they form the ultimate inner circle, the kind of tight-knit group you know should always stay together. Which makes it almost understandable that they should be willing to kill anyone who might jeopardise that group dynamic, incomprehensible though this may seem to the average reader.

I can think of many reasons why The Secret History strikes such a chord with me. For one thing, I have a thing for timeless and ethereal stories, and this is one of those. Somehow the book has a dreamlike, almost hypnotic quality, despite it being very firmly set in the rather unromantic 1980s. I love that. For another thing, I have always been drawn to the unabashedly intellectual, and this book has that in spades. It makes geekdom alluring, and I just love Tartt for that. I wish I were as geeky as Henry!

Ultimately, what I think I respond to most in The Secret History is the friendship aspect. The Secret History is very much a book about friendship. It's about the very human yearning to belong and be accepted by people we admire. It's about the sacrifices we make to keep friendships intact, the insecurity we feel when we think we might not be completely accepted by our friends after all, and the paranoia we experience when it seems our friends may have betrayed us. About the feeling of invincibility we get from having great friends, and the melancholy and loneliness that follow the disintegration of a once-great friendship. The book basically reads like an elegy on a great friendship, and one doesn't necessarily have to share Richard's intellectual attitude towards life, his morality or even his morbid longing for the picturesque to be able to relate to that. It's enough to have yearned for close friendship and been insecure in friendship. And let's face it, who hasn't?

I do not think The Secret History is a perfect book. As I said, I find Richard somewhat unconvincing as a male character; there is too much about him that screams 'female author' to me. Furthermore, the ending is decidedly weak, although to be fair, I have no idea how else Tartt could have finished her book. The story does seem to be inexorably heading in that particular direction. Insofar as the ending reflects the disintegration that is going on in the characters' lives, it could probably be said to be appropriate. Still, I wish Tartt could have come up with something on a par with the rest of the book. If she had, this would have been a six-star book. I don't know many of those.