leynes's Reviews > Great Expectations
Great Expectations
by
by

I adore this book, and I'm honestly amazed at the literary genius that went into it. I attempted reading Great Expectations as a teenager and I utterly failed. I didn't make it past chapter 3. The language was too challenging for me, and overall I felt like I didn't know where the story was going.
I recently picked this back up because I wanted to buddy read it with some friends, and that was such a good decision. I geniuenly feel like I've read this book at the perfect time in my life.
Great Expectations is a bildungsroman by Charles Dickens which was published between 1860 and 1861, and it deals with timely themes such as wealth and poverty, love and rejection and the differences between a rural environment and the London metropolis. In this novel we follow the psychological and moral developement of the young orphaned boy Pip to his maturity. It exhibits his hopes and youthful dreams and their metamorphosis through the hardships of adulthood.
I have to admit that my reading experience of this novel wasn't necessarily worthy of five stars. There were times when the novel dragged, and didn't manage to hold my interest, but overall, and especially looking back on it, I have to give credit where credit is due: The novel in itself is such a well-rounded story, in which every narrative thread was picked up again and resolved, thus weaving a complexity into this narrative which was honestly impressive.
Dickens created a lot of unlikeable characters for this tale: The cold-hearted bitch that is Estella. The crazy, egocentric spinster that is Miss Havisham. The disloyal ambitious boy that is Pip. However, all of these characters have a certain depth to them that makes them multi-layered and most importantly, real. Estella learns the hard way that her mannerism was cruel. Miss Havisham sees the flaws of her behaviour as well. And even Pip aspires to improve eventually, and pays his dues.
Great Expecations glistens with its side characters. I will never forget Wemmick and the comic relief he provided to the story. I will forever cherish his entertaining and loveable relationship to Mr Jaggers. Also, Orlick is a character that I'll think about for a long time. (Am I the only one who thought of Caliban from The Tempest whenever he popped up?)
Great Expecations is such an atmospheric tale and seems to draw heavily on the gothic novel, especially with Miss Havisham, the bride frozen in time and the ruins of Satis House filled with weeds and spiders. And even the aristocratic Drummle and his bursts of extreme cruelty, and Pip himself who spends his youth chasing for beauty fit the picture. Then again, it displays comedic, almost satirical moments, highlighting the novel's most eccentric characters. One only has to remember Pip's christmas dinner, Wopsle's performance of Hamlet or Wemmick's marriage, and the comedic traits of this story can't be denied.
I could literally praise this novel all day. It provides a rich basis for an analysis through the postcolonial lens (the book reinforces the standards that support the authority of the British empire and thus the exploitation of the Middle East through trade and travel), but also a basis for psychoanalytical criticism (the construction of identity in relation to the social order) and feminist criticism (the silence of women in the novel, and the glorification of domestic violence).
Moreover, in the centre of the novel stands the idea that wealth is only acceptable to the ruling class if it comes from the labour of others. Miss Havisham's wealth is considered 'pure', because it comes from rent collected on properties she inherited from her father and not from the sweat of her brow. Whereas, Magwitch's wealth is socially unacceptable, even repugnant to Pip, because he earned it through his own hard work, and because he was a convict.
The setting of the metropolis functions almost as a prison for Pip. In London, neither wealth nor gentility brings him happiness. His experience is dominated by chronic unease, weariness and feelings of insecurity. In the crowded metropolis, Pip grows disenchanted, disillusioned and lonely. Just like Estella (at the end of the novel), he learned the hard way how he took for granted what was most precious to him � his native Kent and the support provided by his dearest friends Joe and Biddy.
And I have to say that I've never read a better last chapter to any story. Ever. I saw no shadow from another parting from her. My mind is blown. Only few authors can pull of ambigious endings, but they all pale in comparison to Dickens. When Pip returns to the ruins of Satis House and meets Estella there, the whole scene had such a melancholic vibe to it, that I could literally feel it in my body. We witnessed two characters intentionally and unintentionally wreck the lives of the other, both have grown from the hardships that life has thrown in their way. They are 'bent and broken � but perhaps into a better shape.' Will they leave together or go seperate ways? It's up to the reader to decide, and I was never more satisfied after finishing a novel.
I recently picked this back up because I wanted to buddy read it with some friends, and that was such a good decision. I geniuenly feel like I've read this book at the perfect time in my life.
Great Expectations is a bildungsroman by Charles Dickens which was published between 1860 and 1861, and it deals with timely themes such as wealth and poverty, love and rejection and the differences between a rural environment and the London metropolis. In this novel we follow the psychological and moral developement of the young orphaned boy Pip to his maturity. It exhibits his hopes and youthful dreams and their metamorphosis through the hardships of adulthood.
I have to admit that my reading experience of this novel wasn't necessarily worthy of five stars. There were times when the novel dragged, and didn't manage to hold my interest, but overall, and especially looking back on it, I have to give credit where credit is due: The novel in itself is such a well-rounded story, in which every narrative thread was picked up again and resolved, thus weaving a complexity into this narrative which was honestly impressive.
Dickens created a lot of unlikeable characters for this tale: The cold-hearted bitch that is Estella. The crazy, egocentric spinster that is Miss Havisham. The disloyal ambitious boy that is Pip. However, all of these characters have a certain depth to them that makes them multi-layered and most importantly, real. Estella learns the hard way that her mannerism was cruel. Miss Havisham sees the flaws of her behaviour as well. And even Pip aspires to improve eventually, and pays his dues.
Great Expecations glistens with its side characters. I will never forget Wemmick and the comic relief he provided to the story. I will forever cherish his entertaining and loveable relationship to Mr Jaggers. Also, Orlick is a character that I'll think about for a long time. (Am I the only one who thought of Caliban from The Tempest whenever he popped up?)
Great Expecations is such an atmospheric tale and seems to draw heavily on the gothic novel, especially with Miss Havisham, the bride frozen in time and the ruins of Satis House filled with weeds and spiders. And even the aristocratic Drummle and his bursts of extreme cruelty, and Pip himself who spends his youth chasing for beauty fit the picture. Then again, it displays comedic, almost satirical moments, highlighting the novel's most eccentric characters. One only has to remember Pip's christmas dinner, Wopsle's performance of Hamlet or Wemmick's marriage, and the comedic traits of this story can't be denied.
I could literally praise this novel all day. It provides a rich basis for an analysis through the postcolonial lens (the book reinforces the standards that support the authority of the British empire and thus the exploitation of the Middle East through trade and travel), but also a basis for psychoanalytical criticism (the construction of identity in relation to the social order) and feminist criticism (the silence of women in the novel, and the glorification of domestic violence).
Moreover, in the centre of the novel stands the idea that wealth is only acceptable to the ruling class if it comes from the labour of others. Miss Havisham's wealth is considered 'pure', because it comes from rent collected on properties she inherited from her father and not from the sweat of her brow. Whereas, Magwitch's wealth is socially unacceptable, even repugnant to Pip, because he earned it through his own hard work, and because he was a convict.
The setting of the metropolis functions almost as a prison for Pip. In London, neither wealth nor gentility brings him happiness. His experience is dominated by chronic unease, weariness and feelings of insecurity. In the crowded metropolis, Pip grows disenchanted, disillusioned and lonely. Just like Estella (at the end of the novel), he learned the hard way how he took for granted what was most precious to him � his native Kent and the support provided by his dearest friends Joe and Biddy.
And I have to say that I've never read a better last chapter to any story. Ever. I saw no shadow from another parting from her. My mind is blown. Only few authors can pull of ambigious endings, but they all pale in comparison to Dickens. When Pip returns to the ruins of Satis House and meets Estella there, the whole scene had such a melancholic vibe to it, that I could literally feel it in my body. We witnessed two characters intentionally and unintentionally wreck the lives of the other, both have grown from the hardships that life has thrown in their way. They are 'bent and broken � but perhaps into a better shape.' Will they leave together or go seperate ways? It's up to the reader to decide, and I was never more satisfied after finishing a novel.
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Reading Progress
November 10, 2016
– Shelved
May 19, 2017
–
Started Reading
May 21, 2017
–
36.91%
"I did not expect (hehe) to love this as much as I do. It is brilliantly written, and I can't wait to learn more about Pip's upbringing."
page
189
June 13, 2017
–
Finished Reading
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by
leynes
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rated it 5 stars
Jun 20, 2017 07:27AM

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Thank you! And I couldn't agree more, "rewarding" is the perfect way to put my reading experience of Great Expectations.



Interesting. I think reading more Victorian authors would help in finding it easier to get accustomed to their writing style. Great Expectations was one of my first Dickens novels, when I read A Tale of Two Cities last year it was already much easier to comprehend and get through. So yes, I would say that the more we expose ourselves to these authors and their writing styles, the easier and more natural it becomes!



Hope you ended up enjoying it! :)

"He only gave us Pip’s conviction at a moment in time, frozen forever." YES YES YES! I like the ending he settled on. It's perfect in its ambiguity.