Hannah Greendale (Hello, Bookworm)'s Reviews > On Writing: A Memoir of the Craft
On Writing: A Memoir of the Craft
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Hannah Greendale (Hello, Bookworm)'s review
bookshelves: memoir, writing-guides, non-fiction, adult
Nov 21, 2016
bookshelves: memoir, writing-guides, non-fiction, adult
On Writing: A Memoir of the Craft offers an illuminating look at Stephen King's life, highlighting moments that shaped him as an author and revealing lessons he gained from decades of practice and publication.
King is unapologetically himself, blending whit and honesty with sophomoric humor and the occasional curse word. For example, when discussing the sin of using passive voice, King provides an example of how not to construct a sentence, followed by the type of commentary one can expect to find throughout his book:
How about this: My first kiss will always be recalled by me as how my romance with Shayna was begun. Oh, man - who farted, right?
When it comes to writing, King offers advice in a comprehensive manner; he is concise and straightforward in his presentation of the fundamental approaches to writing that have shaped him as an author.
There is no Idea Dump, no Story Central, no Island of the Buried Bestsellers; good story ideas seem to come quite literally from nowhere, sailing at you right out of the empty sky: two previously unrelated ideas come together and make something new under the sun. Your job isn't to find these ideas but to recognize them when they show up.
King explains his approach to writing and reveals, without indirectly stating, that he is a discovery writer. He goes so far as to dismiss the validity of first plotting a book before writing. This was the only element of the book that warranted a raised eyebrow. Some authors are plotters and some are discovery writers. Readers are well advised to remember that either approach to writing is acceptable.
From simple stories about writing newspaper articles as a child, to the gut wrenching tale of his recovery from a near-fatal accident, Stephen King's narrative of his own life is arresting from start to finish. On Writing: A Memoir of the Craft is a go-to book for aspiring authors, fans of Stephen King, and any artist feeling creatively stumped that would benefit from a kick in the rear.
King is unapologetically himself, blending whit and honesty with sophomoric humor and the occasional curse word. For example, when discussing the sin of using passive voice, King provides an example of how not to construct a sentence, followed by the type of commentary one can expect to find throughout his book:
How about this: My first kiss will always be recalled by me as how my romance with Shayna was begun. Oh, man - who farted, right?
When it comes to writing, King offers advice in a comprehensive manner; he is concise and straightforward in his presentation of the fundamental approaches to writing that have shaped him as an author.
There is no Idea Dump, no Story Central, no Island of the Buried Bestsellers; good story ideas seem to come quite literally from nowhere, sailing at you right out of the empty sky: two previously unrelated ideas come together and make something new under the sun. Your job isn't to find these ideas but to recognize them when they show up.
King explains his approach to writing and reveals, without indirectly stating, that he is a discovery writer. He goes so far as to dismiss the validity of first plotting a book before writing. This was the only element of the book that warranted a raised eyebrow. Some authors are plotters and some are discovery writers. Readers are well advised to remember that either approach to writing is acceptable.
From simple stories about writing newspaper articles as a child, to the gut wrenching tale of his recovery from a near-fatal accident, Stephen King's narrative of his own life is arresting from start to finish. On Writing: A Memoir of the Craft is a go-to book for aspiring authors, fans of Stephen King, and any artist feeling creatively stumped that would benefit from a kick in the rear.
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Quotes Hannah Liked

“Whenever I see a first novel dedicated to a wife (or a husband), I smile and think, There's someone who knows. Writing is a lonely job. Having someone who believes in you makes a lot of difference. They don't have to make speeches. Just believing is usually enough.”
― On Writing: A Memoir of the Craft
― On Writing: A Memoir of the Craft
Reading Progress
November 18, 2016
–
Started Reading
November 18, 2016
– Shelved
November 19, 2016
–
Finished Reading
November 21, 2016
– Shelved as:
memoir
November 21, 2016
– Shelved as:
writing-guides
December 5, 2016
– Shelved as:
non-fiction
December 31, 2020
– Shelved as:
adult
Comments Showing 1-17 of 17 (17 new)
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Choko
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Nov 21, 2016 10:51AM

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I say this as I've heard many writers (and wanna-be writers) claim he says he doesn't use adverbs. So I opened one of his novels to the middle and...
Not read this book, though, so don't know if that advice is contained within.


Yes, to those who commeted, King does mention avoiding adverbs, but few if any writers *never* use them at all. He admits he's no exception. The advice was more like avoiding them if they become a lazy alternative to something that would make the writing richer. Sometimes, an adverb works best or fits the pacing of a scene better.
I credit this book, which I read while attempting my first novel, along with an author friend as the reason I managed to make the switch from short fiction to full length.

I can see how this book would inspire a shift from short stories to full length novels.


Here's an example sentence, borrowed from a friend of mine who wished to emphasize how ly adverbs can be used to the point of excess: Sometime editors and agents experience those writers who wildly, and awkwardly, even sometimes innocently, but still honestly and perhaps foolishly, anxiously, dramatically, often poorly (and most accidentally), as well as defiantly and obnoxiously, provide singularly and overly-abundantly the copiously profuse array of madly placed adverbly-based prose.
I have yet to read a writing guidebook that warns against using adverbs like almost, even, far, hard, here, already, and so on, though I have encountered a few books that caution against excessive use of the word very. I thought that recommendation was odd, at first, but since applying it to my own writing, I've seen that very is rarely needed, and the writing is more streamline without it.
