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Hannah Greendale (Hello, Bookworm)'s Reviews > On Writing: A Memoir of the Craft

On Writing by Stephen        King
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it was amazing
bookshelves: memoir, writing-guides, non-fiction, adult

On Writing: A Memoir of the Craft offers an illuminating look at Stephen King's life, highlighting moments that shaped him as an author and revealing lessons he gained from decades of practice and publication.

King is unapologetically himself, blending whit and honesty with sophomoric humor and the occasional curse word. For example, when discussing the sin of using passive voice, King provides an example of how not to construct a sentence, followed by the type of commentary one can expect to find throughout his book:

How about this: My first kiss will always be recalled by me as how my romance with Shayna was begun. Oh, man - who farted, right?

When it comes to writing, King offers advice in a comprehensive manner; he is concise and straightforward in his presentation of the fundamental approaches to writing that have shaped him as an author.

There is no Idea Dump, no Story Central, no Island of the Buried Bestsellers; good story ideas seem to come quite literally from nowhere, sailing at you right out of the empty sky: two previously unrelated ideas come together and make something new under the sun. Your job isn't to find these ideas but to recognize them when they show up.

King explains his approach to writing and reveals, without indirectly stating, that he is a discovery writer. He goes so far as to dismiss the validity of first plotting a book before writing. This was the only element of the book that warranted a raised eyebrow. Some authors are plotters and some are discovery writers. Readers are well advised to remember that either approach to writing is acceptable.

From simple stories about writing newspaper articles as a child, to the gut wrenching tale of his recovery from a near-fatal accident, Stephen King's narrative of his own life is arresting from start to finish. On Writing: A Memoir of the Craft is a go-to book for aspiring authors, fans of Stephen King, and any artist feeling creatively stumped that would benefit from a kick in the rear.
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Quotes Hannah Liked

Stephen        King
“Whenever I see a first novel dedicated to a wife (or a husband), I smile and think, There's someone who knows. Writing is a lonely job. Having someone who believes in you makes a lot of difference. They don't have to make speeches. Just believing is usually enough.”
Stephen King, On Writing: A Memoir of the Craft


Reading Progress

November 18, 2016 – Started Reading
November 18, 2016 – Shelved
November 19, 2016 – Finished Reading
November 21, 2016 – Shelved as: memoir
November 21, 2016 – Shelved as: writing-guides
December 5, 2016 – Shelved as: non-fiction
December 31, 2020 – Shelved as: adult

Comments Showing 1-17 of 17 (17 new)

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message 1: by Choko (new)

Choko Amazing review, Hannah! As always:-)


Hannah Greendale (Hello, Bookworm) @Choko: Such kind words. Thank you. :)


Michelle Curie Great review, didn't even know it existed - putting this on my TBR list!


Lata It is interesting hearing Stephen King's thoughts on what goes into his craft. Thank you for this review.


Hannah Greendale (Hello, Bookworm) @Michelle: Thank you. A lot of ŷ pals have recommended this book to me, and I resisted because I'm not a particular fan of Stephen King's fiction. Now I know that doesn't matter; this book is fantastic.


Hannah Greendale (Hello, Bookworm) @Lata: You're welcome. :)


Jessica ❥Chatterbooks Book Blog❥ Fantastic review, Hannah! :D


message 8: by Dolors (new)

Dolors The perfect book for King's fans. A pithy, enlightening review, Hannah.


message 9: by Jaksen (new) - added it

Jaksen And he does use adverbs. Open any of his books to the middle, select a page at random, count.

I say this as I've heard many writers (and wanna-be writers) claim he says he doesn't use adverbs. So I opened one of his novels to the middle and...

Not read this book, though, so don't know if that advice is contained within.


Hannah Greendale (Hello, Bookworm) @Jessica, @Dolors: Thank you, ladies.


Hannah Greendale (Hello, Bookworm) @Jaksen: King does talk about adverbs in this book, warning writers to steer clear of them whenever possible, though he admits that sometimes an adverb sneaks in because it has a place on the page. He even uses a few in On Writing and jokes about their presence in the book.


Janell Michaels Thanks for this review!

Yes, to those who commeted, King does mention avoiding adverbs, but few if any writers *never* use them at all. He admits he's no exception. The advice was more like avoiding them if they become a lazy alternative to something that would make the writing richer. Sometimes, an adverb works best or fits the pacing of a scene better.

I credit this book, which I read while attempting my first novel, along with an author friend as the reason I managed to make the switch from short fiction to full length.


Hannah Greendale (Hello, Bookworm) @Janell: You're welcome. :)

I can see how this book would inspire a shift from short stories to full length novels.


message 14: by Jaksen (new) - added it

Jaksen I'll find the page (in his book) where I found 20+ adverbs on one page. The thing is adverbs aren't just the 'ly' words. Here are some we can't live without: almost, even, far, fast, hard, here, already, back, so, still, soon, then, late, long, low, today, more, near, never, next, now, too, tomorrow, yesterday, afterward, and there are a ton more. I love King, but his adverb 'rule' drives me buggy.


message 15: by Hannah (last edited Nov 23, 2016 08:35AM) (new) - rated it 5 stars

Hannah Greendale (Hello, Bookworm) @Jaksen: Typically when authors or editors warn against use of adverbs, they're referring to the words that end in ly. Budding writers who struggle to convey their meaning sometimes lean too heavily on ly adverbs. The result is writing that's cluttered and clunky.

Here's an example sentence, borrowed from a friend of mine who wished to emphasize how ly adverbs can be used to the point of excess: Sometime editors and agents experience those writers who wildly, and awkwardly, even sometimes innocently, but still honestly and perhaps foolishly, anxiously, dramatically, often poorly (and most accidentally), as well as defiantly and obnoxiously, provide singularly and overly-abundantly the copiously profuse array of madly placed adverbly-based prose.

I have yet to read a writing guidebook that warns against using adverbs like almost, even, far, hard, here, already, and so on, though I have encountered a few books that caution against excessive use of the word very. I thought that recommendation was odd, at first, but since applying it to my own writing, I've seen that very is rarely needed, and the writing is more streamline without it.


message 16: by Allen (new) - added it

Allen Dominique Great great review! It was always on my "must read" list now I have to get it today. Excellent work!


Hannah Greendale (Hello, Bookworm) @Allen: Many thanks! I resisted reading this book, but I'm so glad I finally picked it up. Read it soon. I hope you enjoy it as much as I did.


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