Brad's Reviews > The Amber Spyglass
The Amber Spyglass (His Dark Materials, #3)
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My entire review could be this: Phillip Pullman's "The Amber Spyglass" is one of the poorest closing books of a trilogy ever written.
But I feel compelled to continue. At one point, I actually stopped reading "The Amber Spyglass," put it down and vowed not to finish, but I wanted to be able to slag off the book with authority, so finishing became a must. And I even had a slight hope that Pullman could save his series
I did finish, but it never got any better.
Mulefa? Gallivespians? Iorek Byrnison fixing the incredibly fragile subtle knife? The knife breaking at all? Mrs. Coulter continuing to live? The incredible coincidence of everyone meeting the same Citt脿gazze kids? It was all too much, and it only got worse as the book went on.
Thematically it was equally frustrating. There has been so much talk about Pullman's anti-religiosity, but the most offensive part of The Amber Spyglass is Pullman's portrayal of women. I wouldn't go so far as to say that Pullman is a misogynist , but he does seem to have a poor understanding of women.
The five main women in "His Dark Materials" are a catalogue of feminine stereotypes. Lyra, as her name so clumsily suggests, is a consummate liar, who eventually becomes a moony-eyed, love sick teen, subordinating herself to her lover Will. Mrs. Coulter is a manipulative femme fatale whose only hint of goodness is her inexplicable maternal instinct. Mary Malone is the pure ex-nun full of kindness and curiosity, blessedly open to all new things. Seraphina Pekkala, the loyal witch, is the classic "heart of gold" character (usually she'd be a whore with a heart of gold, but in a kids book witch with a heart of gold will do). Then there is Mrs. Parry, Will's mom, and her madness (other women appear in the story more, but they're not as important as Will's mom). There are few if any shades of gray in these women, and as the book drew ever nearer the close I found myself hoping desperately for the women to do something unexpected. My wish went unfulfilled.
Maddening, frustrating, and a great disappointment because of what it promised, China Mieville got it right when he made his list of 50 books every good Marxist should read and said, "in book three, 'The Amber Spyglass,' something goes wrong. It has excellent bits, it is streets ahead of its competition鈥� but there's sentimentality, a hesitation, a formalism, which lets us down."
On second thought, Mieville was too nice. "The Amber Spyglass" should be avoided like a plate of raw chicken meat on a hot African day. Read "The Golden Compass" and skip the rest. Period.
But I feel compelled to continue. At one point, I actually stopped reading "The Amber Spyglass," put it down and vowed not to finish, but I wanted to be able to slag off the book with authority, so finishing became a must. And I even had a slight hope that Pullman could save his series
I did finish, but it never got any better.
Mulefa? Gallivespians? Iorek Byrnison fixing the incredibly fragile subtle knife? The knife breaking at all? Mrs. Coulter continuing to live? The incredible coincidence of everyone meeting the same Citt脿gazze kids? It was all too much, and it only got worse as the book went on.
Thematically it was equally frustrating. There has been so much talk about Pullman's anti-religiosity, but the most offensive part of The Amber Spyglass is Pullman's portrayal of women. I wouldn't go so far as to say that Pullman is a misogynist , but he does seem to have a poor understanding of women.
The five main women in "His Dark Materials" are a catalogue of feminine stereotypes. Lyra, as her name so clumsily suggests, is a consummate liar, who eventually becomes a moony-eyed, love sick teen, subordinating herself to her lover Will. Mrs. Coulter is a manipulative femme fatale whose only hint of goodness is her inexplicable maternal instinct. Mary Malone is the pure ex-nun full of kindness and curiosity, blessedly open to all new things. Seraphina Pekkala, the loyal witch, is the classic "heart of gold" character (usually she'd be a whore with a heart of gold, but in a kids book witch with a heart of gold will do). Then there is Mrs. Parry, Will's mom, and her madness (other women appear in the story more, but they're not as important as Will's mom). There are few if any shades of gray in these women, and as the book drew ever nearer the close I found myself hoping desperately for the women to do something unexpected. My wish went unfulfilled.
Maddening, frustrating, and a great disappointment because of what it promised, China Mieville got it right when he made his list of 50 books every good Marxist should read and said, "in book three, 'The Amber Spyglass,' something goes wrong. It has excellent bits, it is streets ahead of its competition鈥� but there's sentimentality, a hesitation, a formalism, which lets us down."
On second thought, Mieville was too nice. "The Amber Spyglass" should be avoided like a plate of raw chicken meat on a hot African day. Read "The Golden Compass" and skip the rest. Period.
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Reading Progress
Started Reading
February 20, 2008
–
Finished Reading
March 27, 2008
– Shelved
August 19, 2008
– Shelved as:
most-hated
September 14, 2008
– Shelved as:
fantasy
May 21, 2010
– Shelved as:
avoid-at-all-costs
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Meredith
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rated it 1 star
May 21, 2010 06:11PM

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I read His Dark Materials in the pre-GoodReads days so when I was building my library I gave it three stars because I liked the series overall, even though I had been dissatisfied with the final book.
As happens often enough, you've articulated much of what disappointed me in the end.
Nice review.


The animals on wheels really made me angry. To this dasy I can't figure out why!

I still really like this series, including the last book - I think the terrible characterisation works, somehow.


one question: you make a very interesting point re. the women in the series (one that i hadn't previously considered)... but, as Choupette mentions - couldn't the same be said for the male characters? outside of the gay angels, i'm not sure i see Pullman favoring men over women in his characterization. i think you may have read this one more recently than me, so i'm hoping your memory is more fresh than mine.

I am not sure that I ever really disagreed with Choupette's take in terms of the male characters being as two-dimensional and poorly drawn as the female. But the two-dimensionality of males traditionally gives them the power, so it's far easier to overlook.
I remember being pretty excited by Lyra in the first book (Mrs. Coulter and Seraphina as well), and I think some of my frustration is that they never achieved their promise.
Sorry I can't explain this any better.

that is a really good point Brad. such an interesting and astute way of looking at male vs. female representation. i'm not speaking about Amber Spyglass specifically (which, as i mentioned, i love), but when i think about two-dimensional representation, that is exactly how women can be demeaned, both consciously & unconsciously, by the author, as they are placed in various subservient roles. and yet two-dimensional characterization for men often has the opposite end result: two dimensional characters who exist on the opposite end of the power spectrum, i.e. in power



She did die in the abyss with Metatron and Asriel




And so far as I can tell the only thing I wrote about that didn't happen was the Coulter business, and while it has been a long, long time since I read that book I have been forced to reread this review repeatedly, and I am guessing I meant that I couldn't believe she even survived to appear in this book at all, but I honestly can't remember. So I apologize once again for my shortcomings in the Coulter department.
Surely, however, if this book has left so little impression on me, an avid reader, then I am able to comment on that.

Here's my understanding. They fell in, so they as living creatures would eventually die of starvation/shock/heart failure. Their ghosts would then continue to fall since they have no access to Lyra's window.
Personally, I find this a satisfying end for them both.

If it left little impression, though, then why write a review at all?



As a woman, I don't agree that the main female cast is stereotypically written. I found the characters you brought up to be very diverse and powerful in different ways, and they in no way took a back seat to the men in the story.

that is macho attitude.







I liked Lyra less and less as the books went on as well. It didn鈥檛 feel like she went through much of an arc at all, and I only really enjoyed her character after TGC when she was paired with Will as they juxtaposed each other.