Adam's Reviews > Bel Canto
Bel Canto
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I read this book because my girlfriend--who loved it--recommended it to me. She also implied that I could stand to girly up my reading list a little, which is probably fair. Man does not live by novelizations of '70s cop movies and '80s slasher movie tie-ins alone.
Anyway, I thought it was good. The characters were all likable and the story was engaging, if wholly improbable (Bel Canto could just as easily have been titled The Lighter Side of Stockholm Syndrome). My main problem with it was the writing style, which I really didn't care for. Each sentence is perfectly crafted, and would make any MFA writing professor thrilled, but therein lies the problem. The writing is so well-crafted sentence by sentence that it ends up being somewhat characterless and a little dull in large portions. The prose in Bel Canto almost seemed as if it was written to specifically defy any editorial criticisms. It does this with aplomb, but the problem is that it never takes any risks either.
Anyway, I thought it was good. The characters were all likable and the story was engaging, if wholly improbable (Bel Canto could just as easily have been titled The Lighter Side of Stockholm Syndrome). My main problem with it was the writing style, which I really didn't care for. Each sentence is perfectly crafted, and would make any MFA writing professor thrilled, but therein lies the problem. The writing is so well-crafted sentence by sentence that it ends up being somewhat characterless and a little dull in large portions. The prose in Bel Canto almost seemed as if it was written to specifically defy any editorial criticisms. It does this with aplomb, but the problem is that it never takes any risks either.
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Reading Progress
March 29, 2008
– Shelved
April 3, 2008
– Shelved as:
pen-faulkner-award-for-fiction
Started Reading
April 7, 2008
–
Finished Reading
April 8, 2008
– Shelved as:
fiction
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message 1:
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Jessica
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rated it 3 stars
Apr 16, 2008 03:24AM

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I was quite disappointed. I think your comment about the sentence structure being "perfect" is what she loved so much. I prefer imperfect structures with a much more engaging storyline.

Here's a quote from an interview with Ann Patchett: "For a long time I'd wanted to find a way to experience the things I read about in the paper, to grieve for disasters that had no immediate affect on my life. Turning a tragedy I knew nothing about into this novel was part of that process."
