Emily May's Reviews > An Enchantment of Ravens
An Enchantment of Ravens
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An Enchantment of Ravens is not badly-written, but it is definitely not a book for me. I really wish I'd read some reviews before starting it and noted the comparison to A Court of Thorns and Roses. ACOTAR fans should love this.
This book is for fans of that particular brand of YA romance where a smart, level-headed young woman meets (and is kidnapped by) a prince and her brain instantly turns to mush. My initial liking for Isobel quickly turned sour as she threw sense to the wind and started going all googly-eyed over a fae prince she has known for about five minutes. Declarations of love come about halfway through, but it is clear where the story is headed almost instantly.
Isobel is a portrait artist and the number one choice for fair folk looking to bask in their vanity and enjoy the experience of human Craft for a while. Though immortal, the fae cannot create any kind of art without turning to dust, so Isobel's work is very popular among them. Then she finds herself with a very special client - the autumn prince, AKA Rook - and everything changes.
Isobel paints human sorrow into Rook's eyes, therefore humiliating him in front of his fellow fae. He returns, takes her prisoner, and they start trekking through the fairy lands to the autumn court where Isobel will stand trial for her crime.
I wasn't expecting this to be a journey book and probably wouldn't have picked it if I'd known. There are a few exceptions but, in general, I'm not a fan of books where most of the plot consists of the characters travelling from one place to another. And is it just me or does the reasoning all seem a bit... lame? Rook’s reputation is ruined because she paints human sorrow in his eyes? Yeah right. More like an excuse was needed to get the two of them to go road-tripping together - and give Rook the opportunity to take his shirt off and to save Isobel multiple times.
I was expecting something more from this. Some more magic, more political intrigue, more relationships beyond the central love story... but it is sadly little more than a predictable romance.
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by

This wasn't like me. So many years of being cautious, and in a matter of minutes I'd started slipping up.
An Enchantment of Ravens is not badly-written, but it is definitely not a book for me. I really wish I'd read some reviews before starting it and noted the comparison to A Court of Thorns and Roses. ACOTAR fans should love this.
This book is for fans of that particular brand of YA romance where a smart, level-headed young woman meets (and is kidnapped by) a prince and her brain instantly turns to mush. My initial liking for Isobel quickly turned sour as she threw sense to the wind and started going all googly-eyed over a fae prince she has known for about five minutes. Declarations of love come about halfway through, but it is clear where the story is headed almost instantly.
Isobel is a portrait artist and the number one choice for fair folk looking to bask in their vanity and enjoy the experience of human Craft for a while. Though immortal, the fae cannot create any kind of art without turning to dust, so Isobel's work is very popular among them. Then she finds herself with a very special client - the autumn prince, AKA Rook - and everything changes.
Isobel paints human sorrow into Rook's eyes, therefore humiliating him in front of his fellow fae. He returns, takes her prisoner, and they start trekking through the fairy lands to the autumn court where Isobel will stand trial for her crime.
I wasn't expecting this to be a journey book and probably wouldn't have picked it if I'd known. There are a few exceptions but, in general, I'm not a fan of books where most of the plot consists of the characters travelling from one place to another. And is it just me or does the reasoning all seem a bit... lame? Rook’s reputation is ruined because she paints human sorrow in his eyes? Yeah right. More like an excuse was needed to get the two of them to go road-tripping together - and give Rook the opportunity to take his shirt off and to save Isobel multiple times.
I was expecting something more from this. Some more magic, more political intrigue, more relationships beyond the central love story... but it is sadly little more than a predictable romance.
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Reading Progress
April 20, 2017
– Shelved
August 29, 2017
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Started Reading
September 1, 2017
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Finished Reading
Comments Showing 1-50 of 88 (88 new)
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Max
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Sep 02, 2017 08:12AM

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Laaaaaaaame dude. So lame.








I thought this book had a really solid storyline.

I didn't miss what you said at all; I just phrased it in a more basic way to not give away too much. By saying his reputation was ruined, I was encompassing what you mentioned, and I still think it's a pretty lame reason. A human paints an emotion into his eyes and that makes him seem weak? It's a painting! It really did feel like an excuse to get them to go fantasy road-tripping.
I am glad you enjoyed it more and saw it a different way, though. Sad it didn't work for me.

Thank you


I was confused. Like was isobel still mortal in the end and rook just have to watch he grow old and die? Or did becoming queen make her immortal?


Rogerson on the other hand writes as if she is a veteran in the craft (pun not intended), though this story is much simpler (no less interesting tho) and cleaner in its direction as compared to ACOTAR, which isn't a bad thing. All faerie related books are carbon copies of each other; the lore is just too rich and deeply entrenched that all modern interpretations will seem like mere copies (with the exception of dear Sir Pratchett and his wonderful Wee Free Men :D)
[spoiler alert]
I also like the way it kinds of leave the readers hanging. So what now? Is Isobel going to be immortal? Most likely not, and that's refreshing as well as poignant. Too many heroines in this genre just turn into Fae to solve the romance problem, but a love story between an immortal and mortal is so much more bittersweet (think Neil Gaiman's Stardust and it's ending) <3








Everyone is absolutely entitled to their opinion, but saying that the human sorrow in his eyes was a lame excuse to get them on a road trip together misses the entire theme of the book: Human emotion and creativity trump all the things humans covet, be it power, good looks, or immortality. The fairies are nothing compared to humans because they cannot create or feel, and Rook's ability to love—and the fact that his own people would kill him for it—is definitely not a lame excuse for a romantic road trip. This book is obviously a romance, and not everyone likes those, but the grief he felt for his lost love and the vulnerability he therefore experienced within his court is the entire backbone of the book.

I'm glad you saw something so profound in it, Hannah. I had a different experience, but I enjoyed reading your thoughts.