Lisa's Reviews > Kindheitsmuster
Kindheitsmuster
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Lisa's review
bookshelves: 1001-books-to-read-before-you-die, favorites, so-good-it-hurts, unforgettable, christa-wolf
Aug 05, 2017
bookshelves: 1001-books-to-read-before-you-die, favorites, so-good-it-hurts, unforgettable, christa-wolf
I cried while reading this novel. Tears just kept flowing silently, and there was nothing I could do about it.
If you want to know what totalitarian states do to children, this novel will tell you, - without sentimentality, without blame or anger, without self-pity.
For all those emotions are forbidden ground for a child who was taught the dogma of national socialism and Führer personality cult from the age of 4, who believed in the “truth� of what she was told in the same way a child taught the “truth� of Christianity will believe in it, trained to follow the rituals and the patterns, to embrace the cult and its accompanying actions without ever having any choice as no alternatives are presented or accepted.
Waking up from that dream at 16, and realising there are multiple truths in the world, and that the one she has been trained to worship has caused the complete destruction of her own society and immeasurable evil and suffering for millions of innocent people, the narrator loses herself. The words she uses on a daily basis receive a different meaning, the songs she sings are full of ominous hints that she never put into a wider context, her way to greet people with the “German greeting�, referring to Hitler, is not only insulting, it is dangerous as well. Her values turn into vices, but her memory is not adjusted to that. She still thinks in the category of “purity� when she sees a young man, then corrects her own thoughts in shame and confusion. “Purity�, what is that?
If you believe in the superiority of your own country, race, ideology and biology, if you know nothing outside the narrow path of obedience, if you learn to read and write using the party line as a framework, if you study biology with the ideas of racial distinctions, if you participate in sports events to steel your body and mind to honour the deified person who dominates news and dictates thought patterns, how will your personality be shaped?
As opposed to the parent generation, who knew an alternative to Hitler’s Third Reich, the protagonist Nelly grows up with no comparison until her world falls apart, drastically, suddenly, in her teenage years. What happens to a psyche that has been systematically indoctrinated to believe in a system, and then wakes up to learn that it was pure evil? What happens to childhood memories, filled with songs that make another kind of sense once they can be compared to the evidence of the Holocaust, to euthanasia programs, to total war, to destruction of unimaginable dimensions? What happens to a person who has to ask how it could happen that all those people with whom she grew up embraced evil knowingly, willingly and almost automatically?
What happens when fear and shame are the two most dominant ingredients in your emotional cocktail?
Nelly is a writer, and in 1974, with the backdrop of the Vietnam war and her guilt regarding the suffering that never ends in the world, she sets out to make an account of her childhood years in a part of Germany that later became part of Poland. A couple of years earlier, in 1971, she had taken her husband, her brother and her teenage daughter on a trip to revisit the town she left as a refugee in 1945, and her tale moves between the different times and places, reflecting on the child Nelly, who is “she� in the account, and the older visitor travelling down memory lane, reconstructing the past, who is addressed as “you�, and her current writing self, hardly present, but an implied “I�.
There are no bridges between the different layers of identity: before and after 1945 cannot be reconciled. Symptomatic for the complete break is a situation in 1946 when Nelly’s mother picks up her father from the train station. He is returning from a mine in Siberia - a broken man, almost starved to death. She doesn’t recognise him, and he doesn’t recognise her either. They walk past each other, as they are not familiar with the patterns of suffering that have left their marks on their respective bodies and minds.
After years of hoping for the return of the father, Nelly’s family finally welcomes a stranger. Nelly herself is a stranger as well, and has to learn that she lived unknowingly in a dictatorship which she thought of as absolute freedom. Meeting survivors from concentration camps means realising that her reality was a fragile illusion, bound to be destroyed at some point.
And it means never ever allowing oneself to mourn the loss of childhood patterns which turn into symbols of the evil regime she believed in wholeheartedly, but which the older self, the historically educated narrator, abhors and fears. Studying maps, reflecting on the geographical locations of the concentration camps, the narrator has slowly formed a new pattern for those years, one that must have existed simultaneously with her enthusiastic participation in the adolescent program of the local Hitlerjugend. Born a few years earlier, she would have been guilty. A few years younger, she wouldn’t have experienced it. A strange generation.
As a mother, a teacher and a person who grew up in West Germany when the Berlin Wall still stood as a monument for the German 20th century catastrophe, I could not read this book without feeling terrified. I was shaken by every single emotion the protagonist went through - most of all the feeling of being split in two. I imagine my own children growing up in an atmosphere of nationalism and hysterical belief in their own superiority, I imagine them having to submit to a pledge of allegiance to the flag every single morning, I imagine them singing patriotic songs excluding the rest of the world from their perfect home country, and I shiver. Children are impressionable and eager to learn. If I lived with them in a regime like that, would I exclude them from the mainstream cult, and thus put our family at risk?
Wouldn’t I think of my family, my job, my home, my life? Wouldn’t I explain away the worst? I don’t know. I do know that the Third Reich has left patterns in the childhoods of many generations long after the war itself was over. I know it because I can’t suffer the nationalist rhetoric that neo-fascist regimes around the world like to use to get crowds cheering. I know it because I can’t stand CROWDS at all. Mass meetings scare me. People who are moved by loud, populist speakers scare me. Symbols of exclusive clubs scare me. I carry the patterns of the childhoods of German children growing up under that evil flag, and I won’t let my children come near any institution that teaches exclusive rights to a special group of people.
Christa Wolf’s book explains that inherited pain. She talks about the identity crisis, the trauma, the split consciousness, and the fear. The GROWING fear.
It could happen to us, so it can happen to anyone - for we were just normal people - that is the message from the novel to the world. Don’t ever believe it can’t happen to you, because after the Second World War, we know that human beings are capable of anything if they are trained and brainwashed in a specific way.
We can even actively decide what to forget!
But patterns of childhood stick, regardless...
If you want to know what totalitarian states do to children, this novel will tell you, - without sentimentality, without blame or anger, without self-pity.
For all those emotions are forbidden ground for a child who was taught the dogma of national socialism and Führer personality cult from the age of 4, who believed in the “truth� of what she was told in the same way a child taught the “truth� of Christianity will believe in it, trained to follow the rituals and the patterns, to embrace the cult and its accompanying actions without ever having any choice as no alternatives are presented or accepted.
Waking up from that dream at 16, and realising there are multiple truths in the world, and that the one she has been trained to worship has caused the complete destruction of her own society and immeasurable evil and suffering for millions of innocent people, the narrator loses herself. The words she uses on a daily basis receive a different meaning, the songs she sings are full of ominous hints that she never put into a wider context, her way to greet people with the “German greeting�, referring to Hitler, is not only insulting, it is dangerous as well. Her values turn into vices, but her memory is not adjusted to that. She still thinks in the category of “purity� when she sees a young man, then corrects her own thoughts in shame and confusion. “Purity�, what is that?
If you believe in the superiority of your own country, race, ideology and biology, if you know nothing outside the narrow path of obedience, if you learn to read and write using the party line as a framework, if you study biology with the ideas of racial distinctions, if you participate in sports events to steel your body and mind to honour the deified person who dominates news and dictates thought patterns, how will your personality be shaped?
As opposed to the parent generation, who knew an alternative to Hitler’s Third Reich, the protagonist Nelly grows up with no comparison until her world falls apart, drastically, suddenly, in her teenage years. What happens to a psyche that has been systematically indoctrinated to believe in a system, and then wakes up to learn that it was pure evil? What happens to childhood memories, filled with songs that make another kind of sense once they can be compared to the evidence of the Holocaust, to euthanasia programs, to total war, to destruction of unimaginable dimensions? What happens to a person who has to ask how it could happen that all those people with whom she grew up embraced evil knowingly, willingly and almost automatically?
What happens when fear and shame are the two most dominant ingredients in your emotional cocktail?
Nelly is a writer, and in 1974, with the backdrop of the Vietnam war and her guilt regarding the suffering that never ends in the world, she sets out to make an account of her childhood years in a part of Germany that later became part of Poland. A couple of years earlier, in 1971, she had taken her husband, her brother and her teenage daughter on a trip to revisit the town she left as a refugee in 1945, and her tale moves between the different times and places, reflecting on the child Nelly, who is “she� in the account, and the older visitor travelling down memory lane, reconstructing the past, who is addressed as “you�, and her current writing self, hardly present, but an implied “I�.
There are no bridges between the different layers of identity: before and after 1945 cannot be reconciled. Symptomatic for the complete break is a situation in 1946 when Nelly’s mother picks up her father from the train station. He is returning from a mine in Siberia - a broken man, almost starved to death. She doesn’t recognise him, and he doesn’t recognise her either. They walk past each other, as they are not familiar with the patterns of suffering that have left their marks on their respective bodies and minds.
After years of hoping for the return of the father, Nelly’s family finally welcomes a stranger. Nelly herself is a stranger as well, and has to learn that she lived unknowingly in a dictatorship which she thought of as absolute freedom. Meeting survivors from concentration camps means realising that her reality was a fragile illusion, bound to be destroyed at some point.
And it means never ever allowing oneself to mourn the loss of childhood patterns which turn into symbols of the evil regime she believed in wholeheartedly, but which the older self, the historically educated narrator, abhors and fears. Studying maps, reflecting on the geographical locations of the concentration camps, the narrator has slowly formed a new pattern for those years, one that must have existed simultaneously with her enthusiastic participation in the adolescent program of the local Hitlerjugend. Born a few years earlier, she would have been guilty. A few years younger, she wouldn’t have experienced it. A strange generation.
As a mother, a teacher and a person who grew up in West Germany when the Berlin Wall still stood as a monument for the German 20th century catastrophe, I could not read this book without feeling terrified. I was shaken by every single emotion the protagonist went through - most of all the feeling of being split in two. I imagine my own children growing up in an atmosphere of nationalism and hysterical belief in their own superiority, I imagine them having to submit to a pledge of allegiance to the flag every single morning, I imagine them singing patriotic songs excluding the rest of the world from their perfect home country, and I shiver. Children are impressionable and eager to learn. If I lived with them in a regime like that, would I exclude them from the mainstream cult, and thus put our family at risk?
Wouldn’t I think of my family, my job, my home, my life? Wouldn’t I explain away the worst? I don’t know. I do know that the Third Reich has left patterns in the childhoods of many generations long after the war itself was over. I know it because I can’t suffer the nationalist rhetoric that neo-fascist regimes around the world like to use to get crowds cheering. I know it because I can’t stand CROWDS at all. Mass meetings scare me. People who are moved by loud, populist speakers scare me. Symbols of exclusive clubs scare me. I carry the patterns of the childhoods of German children growing up under that evil flag, and I won’t let my children come near any institution that teaches exclusive rights to a special group of people.
Christa Wolf’s book explains that inherited pain. She talks about the identity crisis, the trauma, the split consciousness, and the fear. The GROWING fear.
It could happen to us, so it can happen to anyone - for we were just normal people - that is the message from the novel to the world. Don’t ever believe it can’t happen to you, because after the Second World War, we know that human beings are capable of anything if they are trained and brainwashed in a specific way.
We can even actively decide what to forget!
But patterns of childhood stick, regardless...
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Reading Progress
July 10, 2017
–
Started Reading
July 10, 2017
– Shelved
August 1, 2017
–
34.22%
"It fills me with terror to follow the narrator, born 1929, down memory lane. If you were a German girl in the 1930s, education was brainwashing with nationalism, personality cult, hatred and racism. The games those children played - antisemitic, militarist songs to accompany hide-and-seek! What a nightmarish part of German history.
"
page
218

August 4, 2017
–
73.47%
"After a childhood believing in the invincible regime and its ideology focused on "winning", the 16-year-old girl turns into a refugee, moving westwards in January 1945 while people starve around her. In 1974 her narrator self can't talk about suffering, - feeling guilt. Speechless numbness instead.
"
page
468

August 5, 2017
– Shelved as:
1001-books-to-read-before-you-die
August 5, 2017
– Shelved as:
favorites
August 5, 2017
– Shelved as:
so-good-it-hurts
August 5, 2017
– Shelved as:
unforgettable
August 5, 2017
–
Finished Reading
January 3, 2018
– Shelved as:
christa-wolf
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Jul 16, 2017 09:30AM

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Bin selbst gespannt. Ich komme sehr langsam voran. Ich mochte Medea und Kassandra unwahrscheinlich gern, aber das hier ist bis jetzt recht trocken...


Großartig, Lisa. Ich freue mich, dass es dir genau so gefallen hat wie mir. Zur Zeit lese ich gerade Christa T. - welch' eine Wohltat nach dem unsäglichen "Lila". Nicht wundern, wenn ich 'Gilead' trotzdem lese, ich möchte dazu eine englische Review schreiben.

Thank you, Fionnuala! It is strange how being a mother and teacher has made me so vulnerable to a specific kind of reading. I always undermine my own quite strong opinions, imagining the situation that I have to make sure the kids are all right. I used to be more sure of my integrity, now I just feel grateful that I don't have to face the kind of choices. The narrator discusses history with her daughter in 1971 - and I remember feeling like that as well as a teenager. UNIMAGINABLE! But the older I get, the more it becomes imaginable, unfortunately.

Yes, Violet, if you liked those two, you will probably like this one as well. I can imagine that Christa Wolf sounds powerful in Italian. But I don't know why I think that, actually. It just seems to make sense in Italian, maybe because of the historical parallels.

Ja, Christa T. ist auch ein tolles Buch! Ich freue mich schon auf deinen Kommentar zu Gilead - es war mein erster Versuch, und ich habe danach noch Home gelesen, und bin beinahe geplatzt. Gerade der Vergleich mit Christa Wolf ist so deutlich: Robinson hat ein Weltbild, das richtig und unantastbar ist, und wer sich dem nicht brugt muss sich entschuldigen. Wolf sieht die verschiedenen Muster und Prägungen und erzählt von der Trauer des Verlustes der Einheit- aber das ist etwas Positives im Ganzen, da es auch mehr Verständnis und Weitblick bedeutet.
Stimme dir absolut zu. C. Wolf versucht auszuloten, wie "Leben" geht. Mit all den Widersprüchen, Irrungen und Wirrungen, die uns alle betreffen. Wie sie das sprachlich umsetzt, ist ein Genuss. Wo Christa Wolf Weitblick beweist, blickt Robinson nicht über den Tellerrand hinaus.

Genau! Und ich muss vom gleichen Tellerrand schauen, ansonsten bin ich kein guter Mensch. Nee, Robinson hat bei mir wirklich nicht gepunktet. Eindimensionale und bedingungslose Hingabe liegt mir nicht.




I understand you, Fran! The terror lies in the everyday business, which is an exact mirror of anybody's life. Only you live that life according to Hitler's directives.

Thank you, my friend! It is a compelling read, but be prepared to feel sorrow - the young child voice broke my heart over and over. I do think it is one of those books that make history literally come alive.

Thank you, Eleanor! I wholeheartedly agree. We need to read books like that every once in a while to stay grateful for our own living circumstances.


Good to see you back, Julie! I have missed you. And yes, this is a necessary book, but I struggle to pick up another one today as there is still such an emotional vacuum inside me. What could possibly distract me from that reading experience right now?

Thank you for the warning, Lisa! I will ensure I am fully stocked with tissues - if something is sad or moving when I read a book, I cry. I don't even try to stop the tears any more. There is a time for tears. :)

I couldn't agree more, Jaline!


Yes, I thought of that as well, Dolors, while reading this book. I was so stressed imagining how I would have gotten my own kids through the war that I started having nightmares . The mother of the narrator miscarries while the father is at war, and her comment, in hospital, is that it is probably for the best. Shiver! And the narrator herself sees refugee babies frozen to death, still in their mothers' desperate arms... Humanity is evil, once it is possessed by fanatical ideology or religion or both.


Thank you, Jaidee! This book really got under my skin. I still feel shaken.

One of the pitfalls of childhood is that one doesn't have to understand something to feel it. By the time the mind is able to comprehend what has happened, the wounds of the heart are already too deep. The truths of life know no age.
What a powerful review! Especially the last part:
It could happen to us, so it can happen to anyone - for we were just normal people - that is the message from the novel to the world. Don’t ever believe it can’t happen to you, because after the Second World War, we know that human beings are capable of anything if they are trained and brainwashed in a specific way.
We can even actively decide what to forget!
But patterns of childhood stick, regardless...
It touched me on a very personal level. It is just what a friend and I have been discussing. I told him about how I was raised and he told me it was something that was passed on and that if I had children of my own, I'd be surprised at what impulses I'd have to restrain. I told him that there was no way for me to ever become that kind of person. I am not sure if he believed me.
As always, great job leaving us with much to ponder over. Thanks, Lisa! P.S. Listing it

One of the pitfalls of childhood is that one doesn't have to understand something to feel it. By the time the mind is able to c..."
Dear Vessey, thank you so much for your personal and powerful comment. I know exactly what you mean, fearing childhood patterns that come back when you raise your own children. There were many things I didn't want to see my children go through, and sometimes I feel as if I am moving the pendulum in the complete opposite to avoid certain things. Childhood patterns that we don't repeat are as important as the ones we do repeat, I believe. That is what I think of while taking care of my own kids.
This review touches me and appeals to me very much, there is a great deal of wisdom in your words,lisa!!
Sounds like a truly harrowing and unabashed depiction of what it means to live with the dogma of national socialism.
Sounds like a truly harrowing and unabashed depiction of what it means to live with the dogma of national socialism.

Sounds like a truly harrowing and unabashed depiction of what it means to live with the dogm..."
Thank you, Joudy! It is a harrowing read, and it can be applied to any totalitarian society. There are certain universal features.

Thank you so much, Jean-Paul! This was one of the most powerful reading experiences I had this summer!


Thank you for sharing, Bloodorange! European history sometimes feels like a badly healing wound - always exposed to new infections. And the more children are drilled to accept only one, nationalistic understanding of history, the more shattering the waking up becomes.


Thank you, Julie! We are doing what we can, aren't we all? It feels like it is very little, though. My kids and I were so frustrated with German politics these past weeks, that we ended up singing and shouting along to a video of an old German punk band playing a song against Nazi power in collaboration with an orchestra. It doesn't change the world, but it felt better. Just to see musicians with completely different experience work together against the evil:

I didn't understand a word of it Lisa, but I *love* the sound! This would be my kind of music. I can see how this would be very cathartic.
My "weapon of choice" for moments like this would be Patti Smith. And I wouldn't be so sure that it doesn't change the world, in the end.

Music is cathartic, I agree. It often speaks more directly to our emotions than literature. Together they form a powerful cultural expression.
