欧宝娱乐

** spoiler alert ** Set in the same "Uglies" universe as the previous three books, but set three years after Tally caused the "mind-rain" (when bubbleheads were given the choice to have their lesions repaired so they weren't empty-mindedly happy), this book takes place in Japan.

Aya Fuse's city decides to award resources to people based on their reputation/fame. This is done by everybody being given their own feed (Internet) once of age and their own hovercam. The more often someone's feed is watched, or name is mentioned, the higher their rank, and the more luxuries they are allowed. For example, the higher rank you have, the more luxurious your house can be, or clothes given to you. This is called "face." People can also gain "merits" by doing good deeds, like finish homework on time, working hard, volunteering to babysit, etc.

Aya is pretty desperate to raise her rank so when she finds a secret clique of girls who do tricks with their hoverboards (such as riding the mag-lev train), she decides to join them and secretly spy on them so she can "kick" their story. This leads to a discovery of hidden steel cylinders in a mountain which starts this avalanche of events that inevitably brings in Tally Youngblood and her group of Cutters.

I admire the premise, but I do wish Westerfeld had gone more in depth about the type of fame-obsessed, notice-me society Aya lives in and the negative impact of it. While he does a good job of how relationships can be screwed due to the difference of ranks (called "difference of ambition" in her world, which is a reason people can break up their relationships, much like our "irreconcilable differences") or make things awkward, it doesn't go much further than that.

Also, I found it a little eye-rolling that the heroine does attain a very very high rank in the end, after all, which kind of deflates the purpose of the book, or a purpose. This purpose being a look at the impact of such a society. I mean, seriously, it's like Aya rolls out through perfectly, despite the lies and hardships on the way. And she does "truth-slant" a lot. It doesn't seem like there's enough of a difference shown in her personality by the end of the book, so while she does understand truth-slanting to get ahead for something as shallow and frivolous as fame, she doesn't seem to fully get it.

Tally's inclusion in the book as a peripheral character is an interesting difference from the past three books (two I've read). She seemed harsher and more violent seen from a third-person's viewpoint than when we're inside her head and see her struggles to rewire herself. Kind of brings into mind how we view ourselves is sometimes completely different from how others view us.

Overall a good book, but not really one I would recommend buying, but only checking out.