Violet wells's Reviews > The Pianist: The Extraordinary Story of One Man's Survival in Warsaw, 1939�45
The Pianist: The Extraordinary Story of One Man's Survival in Warsaw, 1939�45
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You might say all of us owe our very existence to the lottery of chance that allowed our ancestors to survive the second world war. Maybe this is one reason I find it such a compelling subject. The margins of genetic survival were narrowed to a much greater extent than at any time in recent history. And of course if you're Jewish this was exacerbated a thousand-fold and more. If you were interned in the Warsaw Ghetto your chances of survival were about the same as any of us being struck by lightning in our lifetime. So one huge point of interest here, behind all the horror, is how did this man manage to survive? I can't answer this question. It doesn't appear to have anything to do with any quality he possessed that others didn't. He wasn't particularly intrepid or brave or robust physically, he wasn't inordinately wealthy, he didn't breach his ethics to survive. In fact, at times he seems almost comically inept as any kind of resistor, never highlighted better than when at the end of the war he goes to meet the Russian liberators dressed in a German military overcoat. (The woman soldier who shoots at him misses.) In some ways he reminds me of Primo Levi, another highly sensitive artistic man who you'd think wouldn't have the qualities to survive. I always remember his account of how he was captured as a partisan. His band didn't have a single weapon and were caught hiding in the kind of hideout children make. Surely the odds of someone so ill-suited to the deprivations and depravities of a death camp wouldn't last three months?
There were several key moments when individuals who might easily have murdered Szpilman let him off the hook. Was it charm? He doesn't though come across as particularly charming. He doesn't get on with his brother and takes little interest in his sisters. He seems a bit of an introspective loner, unrealistic (he's often worrying about the health of his hands and the implications frostbite will have on his career as a pianist). It's as if he carried with him some untouchable quality that his persecutors recognised. That he was marked out to survive. There's always a kind of mysticism at work in these survival stories. To realise this is also to begin to understand the tragic phenomenon of survivor guilt. How hard it must be to be singled out as special when you know you're no more special than countless others who perished.
Perhaps even harder to comprehend than the gas chambers are the personal and intimate acts of barbarity, especially the cold-blooded killing of children. In this regard the Ukrainian and Lithuanian SS are particularly monstrous. It's probably important to remember it wasn't only Germans who were sadistic killers. One horror they performed was to smash the heads of children against a wall by swinging them by the legs. I remember watching an interview with a Lithuanian guard who had participated in countless atrocities. His answer to every question was to tell the interviewer he couldn't possibly understand. He refused to apologise. As far as he was concerned he had paid his penance by spending ten years in a Russian gulag as if he considered what he did little more than an illegal act. He struck me as a completely worthless human being. And I couldn't for the life of me understand why fate had chosen to usher him safely into old age. The pathetic self-love this man must have possessed to believe his life was more important than the barbarous acts he performed beggars belief.
There were several key moments when individuals who might easily have murdered Szpilman let him off the hook. Was it charm? He doesn't though come across as particularly charming. He doesn't get on with his brother and takes little interest in his sisters. He seems a bit of an introspective loner, unrealistic (he's often worrying about the health of his hands and the implications frostbite will have on his career as a pianist). It's as if he carried with him some untouchable quality that his persecutors recognised. That he was marked out to survive. There's always a kind of mysticism at work in these survival stories. To realise this is also to begin to understand the tragic phenomenon of survivor guilt. How hard it must be to be singled out as special when you know you're no more special than countless others who perished.
Perhaps even harder to comprehend than the gas chambers are the personal and intimate acts of barbarity, especially the cold-blooded killing of children. In this regard the Ukrainian and Lithuanian SS are particularly monstrous. It's probably important to remember it wasn't only Germans who were sadistic killers. One horror they performed was to smash the heads of children against a wall by swinging them by the legs. I remember watching an interview with a Lithuanian guard who had participated in countless atrocities. His answer to every question was to tell the interviewer he couldn't possibly understand. He refused to apologise. As far as he was concerned he had paid his penance by spending ten years in a Russian gulag as if he considered what he did little more than an illegal act. He struck me as a completely worthless human being. And I couldn't for the life of me understand why fate had chosen to usher him safely into old age. The pathetic self-love this man must have possessed to believe his life was more important than the barbarous acts he performed beggars belief.
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March 27, 2018
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March 27, 2018
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March 28, 2018
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Julie
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Mar 28, 2018 05:21AM

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This story is one that has left a permanent mark on my soul. I was as intrigued as you were, by this one man’s ability to slip through every crack. It was astounding, but true. I believe there were mystical forces at play, and I think that we are also naturally inclined to show some preferential treatment to musicians, especially ones who were as talented as Mr. Szpilman. My son is a classical pianist, and he could relate on so many levels to Szpilman’s fears of his hands coming to harm and losing muscle memory for his favorite pieces. We all drive with Szpilman’s performed pieces in our cars!


Thanks Julie!

Thanks Candi.

This story is one that has left a permanent mark on my soul. I was as intrigued as you were, by this one man’s ability to slip through every crack. It was astounding, but true. I believe th..."
That he was a musician probably saved him at least three times so there's some truth in what you say, Julie. However, there's also the story of the little boy who plays the violin beautifully and everyone thinks the SS officer who makes him play is going to exempt him from boarding the cattle train. He doesn't. Another mystical argument would be that the scribes were saved to tell the story. Another thing he has in common with Levi is he writes so well. I remember there's an image he uses after the Germans have conquered Warsaw which was so eloquent of the overnight upheaval of daily reality - "The people scurrying in all directions looked today as if they were in fancy dress." I can picture that so vividly.

Thanks Dolors. I know lots of people find holocaust stories depressing but they also have a habit of jolting one into thinking more creatively about the nature of life and death.


To me it's a terrifying thought. How many people weren't lucky enough to win in that lottery. Poignant review, Violet, and thought-provoking as always.



It's good indeed that some who survived, for whatever unknown reasons, happened to be able to write well - though I can't help thinking of the many scribes, artists, and musicians among the dead, the many whose gifts the world will never know, or only partially through the fragments that remain from their lives before, those 'lives before' that they took for granted as we do ours. And that's why we need books like Szpilman's and reviews like yours, Violet.

I still have to read this book. The movie was also powerful.


Thanks Angela.

To me it's a terrifying thought. How many people weren't lucky e..."
Thanks Netta.

I've got what might be a worse one coming up, Jen. I'm going to read a book about one of the Nazi monsters.

Thanks for that, Ilse. So eloquent of the lottery those people went through.

It's good indeed that some who survived, for whatever unknown reasons, happened to be able to..."
Yep, I remember you telling me about Bruno Schulz who certainly fits that category. And his murder epitomises how every Jew in Nazi occupied countries during WW2 was often at the murderous whim of individuals. The same fate could so easily have befallen Szpilman several times. It's as difficult to understand why it didn't as it is to understand the collective insanity of a cultured country.

Thanks Greta. No question he was aided by his friends from the radio station after he escaped the ghetto. There's an epilogue in which a writer makes a case for planting a tree in the Avenue for the Just for the German officer who gives him food at the end. This seemed a bit over the top to me. No question he was essentially a "good" German but the things he did are what any decent person would do. To me it's like participating in the insanity of that period to eulogise him for giving a starving man a loaf of bread which costs him nothing.

I've witnessed few things like that interview for advocating the absolute necessity of education. Basically the war gave him, an illiterate man, the opportunity to annihilate hordes of his cultural betters. Unfortunately I still feel that vindictive desire exists in virtually every country. The urge to bring down instead of climb up.



Thanks Cheryl. Hope all's good with you.

Thanks Michael. I've just had a great conversation on that subject with a priest making his Easter rounds!

Thanks so much, Cheri. XX


Thanks Agnieska. The film does a great job of dramatising this memoir. Very little is left out. It does invent a few details for cinema audiences, like the blossoming romance at the beginning with the Aryan woman.

Found this book just now and an amazing review of it, and now yours. Years ago and the discussion is still relevant. Thanks Violet for your articulate fearlessness