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On Chesil Beach by Ian McEwan
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It is 1962, the last year before a watershed revolution in sexual mores that would define the entire decade. Florence, a polite violinist, marries Edward, a polite historian who specializes in apocalyptic cults of the Middle Ages. Both are in their early 20’s; both sincerely love each other and were raised in a repressed society that imposed sexual silence.

On the first night of her honeymoon, Florence dreams about the day when her string quartet will perform at Wigmore Hall. She rapturously imagines Edward there, listening, eyes leaking tears at her accomplishment. Meanwhile, Edward dreams of ravishing his wife, whose naked body he has not even seen. Unfortunately, Florence has not adequately considered her solemn vow of a few hours earlier: “With my body, I thee worship.� After reflecting on their childhoods, parents, and chaste courtship over an unappetizing dinner, the couple heads to the bedroom, which overlooks Chesil Beach. Soon, on the beach, the couple will experience their first intimacy. A fight. Florence proclaims a problem and offers a proposition. Anger sets them free. Irrevocable decisions will be made quickly, and then reflected upon from a distance of 40 years--at the conclusion of the novel, which in its entirety consists of 200 pages of McEwan’s precise observation and crisp prose.

Marriage or any romantic relationship is an invitation to manners, mystery, and misunderstanding. The beloved is complicated. A thousand unacknowledged rules apply. It takes years of patient experience for a couple to disentangle idealistic myths and cultural baggage from the authentic individuality of their two selves, which are possessed with separate--sometimes complementary but sometimes contradictory identities. We collude in a fantasy that can be sustained only if it is not discussed. “They lived in a time when a conversation about sexual difficulties was plainly impossible. But it is never easy.� Even in permissive times, we remain silent and the majority of marriages and relationships fail, whether or not legally dissolved. “Being in love was not a steady state, but a matter of fresh surges or waves.� The participants in the venture are flung like smooth pebbles in rough surf.

Ian McEwan sent me limping off to seek consolation in Shakespeare's Sonnet 116 about the enduring "marriage" of true minds. Shakespeare declares love’s permanency, McEwan its fragility. One minute we exchange promises with earnest adoration, the next minute, a flash ignites, a combustible mixture of righteous anger and wounded pride, and we implode into rubble. Any bond of true minds might be mere words and minutes from a relationship-apocalypse.

The fate of a relationship can be decided in one moment, or over time, a cliff can disintegrate into the millions of stones upon the shingle at Chesil Beach. Florence and Edward learn the truth after only 12 hours of marriage; some couples must wait 28 years to learn their ruinous truth. Which is better? Should we make a clean break or tough it out? Yet, failed love is no less intense than enduring love. Contrary to the aspirations of the sonnet, it takes only a wave to topple the lighthouse; it takes only a word to extinguish the North Star. “If this be error and upon me proved, I never writ, nor no man ever loved.�

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Started Reading
June 15, 2016 – Finished Reading
July 21, 2018 – Shelved

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Cecily Wonderful, poignant review. Positively hard-hitting.

"Anger sets them free".
Interesting thought. In one sense it does, but in reality... I think it doesn't.


Whiskey Tango Cecily wrote: "Wonderful, poignant review. Positively hard-hitting.

"Anger sets them free".
Interesting thought. In one sense it does, but in reality... I think it doesn't."


Of course, I meant it in the one sense. :) I am attempting to refuse to live in denial, so I won't deny anger its due. But it is best indulged in moderation, for a short period of time to get over the sorrow and fear� lest it consume us first. In that sense, it's like Valium or Jim Beam or grief sex. Anger is a counter-balance to sorrow. As I recall, Edward was angry but grew out of it.


Cecily "Anger is a counter-balance to sorrow...
But it is best indulged in moderation, for a short period of time.
"

I'm not sure about the counter-balance. Sometimes, but other times, I think they're barely related.

Moderate and time-limited anger is essential, as you say, but not always easy in practice. Regardless of that, sometimes it's a necessary response, and suppressing it would do more harm than good.


Whiskey Tango Cecily wrote: ""Anger is a counter-balance to sorrow...
But it is best indulged in moderation, for a short period of time."

I'm not sure about the counter-balance. Sometimes, but other times, I think they're bar..."


Agreed, Anger and sorrow are not related. Rage takes one's mind off of tears--for a while. Sometimes, a pleasant respite.


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