Amanda's Reviews > The Graveyard Book
The Graveyard Book
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What a dark, macabre, and lovely book. Occasionally, I run across a book like this that gives me hope for young adult fiction (The Hunger Games by Suzanne Collins is another such book that I read earlier this year).
I know that the book is loosely based on Rudyard Kipling's The Jungle Book, which I've never read (of course, I saw the Disney movie, but I'm assuming they managed to bugger that up like they do everything else--although, I will admit to loving Bagheera, mainly because of Sebastian Cabot's great voice). In both, a baby is abandoned to the care of an unlikely family: in Kipling, Mowgli is raised by the various inhabitants of the jungle; in Gaiman, Nobody "Bod" Owens is raised by the unlikely denizens of a forgotten graveyard. Without having read The Jungle Book, my ability to draw any further comparisons between the two ends there, but what I can tell you is that this is a book that I would have loved as a child and that I did love as an adult. It transcends age because it's a well told, intelligent story that doesn't pull any punches. There's always darkness in Gaiman's fiction--tragedies happen to good people and bad people alike, things go bump in the night, happy endings are tinged with the bittersweet, and sometimes the scariest thing in the world is human nature.
The book begins with the chilling line, "There was a hand in the darkness, and it held a knife." If that isn't an instant hook, I don't know what is. We quickly find that the hand belongs to the man Jack, who has just killed Nobody's father, mother, and sister, and is now intent on killing Nobody, who is just a toddler. From there, the story is told in a series of vignettes that show Nobody growing up, his adventures in the graveyard (a wonderland to a child with an imagination and no fear of death), and his interactions with the dead and undead alike. There are ghosts, ghouls, vampires, witches, werewolves--none of whom are as frightening as the man Jack, who is still pursuing Nobody after all these years.
The only reason I gave this a 4 instead of a 5 is because of just a wee bit of predictability that certainly didn't ruin the story and would probably be missed by someone younger. Highly recommended.
Cross posted at
I know that the book is loosely based on Rudyard Kipling's The Jungle Book, which I've never read (of course, I saw the Disney movie, but I'm assuming they managed to bugger that up like they do everything else--although, I will admit to loving Bagheera, mainly because of Sebastian Cabot's great voice). In both, a baby is abandoned to the care of an unlikely family: in Kipling, Mowgli is raised by the various inhabitants of the jungle; in Gaiman, Nobody "Bod" Owens is raised by the unlikely denizens of a forgotten graveyard. Without having read The Jungle Book, my ability to draw any further comparisons between the two ends there, but what I can tell you is that this is a book that I would have loved as a child and that I did love as an adult. It transcends age because it's a well told, intelligent story that doesn't pull any punches. There's always darkness in Gaiman's fiction--tragedies happen to good people and bad people alike, things go bump in the night, happy endings are tinged with the bittersweet, and sometimes the scariest thing in the world is human nature.
The book begins with the chilling line, "There was a hand in the darkness, and it held a knife." If that isn't an instant hook, I don't know what is. We quickly find that the hand belongs to the man Jack, who has just killed Nobody's father, mother, and sister, and is now intent on killing Nobody, who is just a toddler. From there, the story is told in a series of vignettes that show Nobody growing up, his adventures in the graveyard (a wonderland to a child with an imagination and no fear of death), and his interactions with the dead and undead alike. There are ghosts, ghouls, vampires, witches, werewolves--none of whom are as frightening as the man Jack, who is still pursuing Nobody after all these years.
The only reason I gave this a 4 instead of a 5 is because of just a wee bit of predictability that certainly didn't ruin the story and would probably be missed by someone younger. Highly recommended.
Cross posted at
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Reading Progress
June 20, 2008
– Shelved
Started Reading
May 3, 2009
–
Finished Reading
July 10, 2009
– Shelved as:
young-adult
August 26, 2013
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Courtney
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rated it 5 stars
Apr 27, 2009 01:08PM

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That's an excellent question and I wish I were qualified to answer it. My experience with Newberry books has been limited to The Graveyard Book (which I only read because it was Neil Gaiman and I worship at his altar), The Midwife's Apprentice, Holes, and The Giver. I have, either correctly or incorrectly, always associated Newberry Medals with historically and multiculturally relevant literature; important, serious coming of age stuff. Not a bad thing at all, but sometimes I think it takes the adult perception of the book as "important" into account more often than whether or not children will enjoy it. At any rate, I'm glad to see that a fantasy novel has been recognized (I'm aware it's not the first, but it is a genre that sometimes seems overlooked by all award categories--for children and for adults alike). It's still a coming of age story with important themes, but it's also fun. The sheer joy of storytelling and reading is evident throughout. Also, I think it's a novel that appeals to several age groups. I teach 10th grade English and the reading level of most Newberry books might be a little low for most of my students, but I think The Graveyard Book could easily be enjoyed by 10 year olds, as well as teenagers and adults. I feel as though I've rambled on and not answered the question at all, but it's the best I can do with the sadly limited knowledge I have of Newberry books.


Thanks! The man never ceases to amaze me with his storytelling.

Agree!!!

I'd rank Good Omens and Neverwhere 1 & 2. And sadly, I don't think this one holds a candle to either.

I don't like Gaiman's young adult stuff as much as I do American Gods or Neverwhere; however, I would have devoured his young adult stuff as a child since it seemed most children's books had that happy, shiny, everything's rainbows quality when I was young. I respect that he's not afraid to get dark in books for kids.