Å·±¦ÓéÀÖ

Jon Reading Books's Reviews > The Aeneid

The Aeneid by Virgil
Rate this book
Clear rating

by
21807813
's review

it was ok
bookshelves: challenging, poetry, italian-and-latin-literature

The more I read ancient, epic poetry, the more I suspect that it's really just not for me.

As a Roman civ fanboy, I should have had a far greater interest in this than I did Homer's original poems. I found The Iliad to be beautifully written, but overly long and more than a bit repetitive. The Odyssey I liked quite a bit more. But The Aeneid just feels like more of the same, but of lesser quality.

It is, after all, propagandist fan-fiction of the highest caliber. Perhaps it's not the point, but I found little to hook me in the narrative and continued reading this with more of a rote feeling than an active engagement with it. Virgil was blatant in his intent to write this for a contemporary, Roman audience, so a lot of that blood-red chest-thumping is going to be lost on those of us reading it in the modern day. Was I supposed to feel some desire for the Trojans to found their new home? If so, I never did. So their serpentine journey through the Mediterranean felt more like just going through the motions to me rather than the winding adventure it was perhaps meant to be. Was I supposed to root for Aeneas? I never felt much sympathy for him, so his trials were rendered less entertaining than maybe they should have been.

I did find it interesting that the actual Trojan horse and sack of troy come from The Aeneid's second chapter rather than Homer's original poems. I noted their absence during my prior reads of The Iliad and The Odyssey. And there are portions of the story which are quite compelling; Aeneas coming across Dido in the underworld and the entire episode of Aeneas exploring the underworld with the Sibyl surely had to be an inspiration for Dante's later work Inferno. The Ahl translation that I read was superb, and my edition featured many illuminating endnotes which regularly described Virgil's brilliance in the construction of his Latin to feature multiple meanings, nearly by the page. Such is lost in the English translation, sadly, but it did allow me to appreciate why this was considered such a great work for so long by Latin readers over the past couple of millennia.

But there's just a bit too much of retreading Homer's steps going on. The most interesting portion of the story, to me, was trying to gain a grasp of whether or not Virgil was attempting to glorify the contemporary Augustan regime, and to what extent. It made for an interesting layer. But on its own, the story let me down. Maybe I should have waited a few more years between reading Homer and tackling The Aeneid.

I once read someone call a book "more enjoyable to appreciate than to read", and I'm feeling that with The Aeneid like I did with The Iliad. They were constructed as poetry, and I can't shake the suspicion that there's something lost in translation, because they just don't read the same prosaically. They're very repetitive, very indulgent, but not so much fun to read.
1 like ·  âˆ� flag

Sign into Å·±¦ÓéÀÖ to see if any of your friends have read The Aeneid.
Sign In »

Reading Progress

September 29, 2018 – Shelved
May 19, 2019 –
page 9
1.92% "A million years ago I was a history undergrad focused on Roman Civ, so this is far more in my historical wheelhouse than Homer's work was. I understand the contemporary world in which Virgil was writing and I'm taking great joy at the footnotes thus far.

I loved Fagles' work with Homer, but I've chosen Ahl's new translation to switch it up a bit. I will consume some Fagles via audio alongside Ahl's written work."
February 3, 2020 – Started Reading
February 3, 2020 –
page 29
6.2% "I've always found fanboys to be foolish. Silly packs of yes-men taking every opportunity to praise their thing, no matter how unwarranted.

Then I—a former Roman Civ student—come across this fanfic version of Homer's stellar work, written by a Roman. And I suddenly understand the fanboys like never before."
February 4, 2020 –
page 54
11.54% "Aeneas telling his story to Queen Dido. Quite Ulyssean."
February 4, 2020 –
page 77
16.45%
February 9, 2020 –
page 108
23.08%
February 15, 2020 –
page 158
33.76% "Virgil is revisiting some of the same territory as Homer, though to lesser effect. I was looking forward to Aeneas and Dido's reunion in the underworld, only to have it end rather abruptly. So far the majority of the story is simple exposition with no real stakes, though in pretty words, and clearly crafted for contemporary Roman readers in mind.

This Ahl translation is pretty good thus far—I'd recommend it."
February 19, 2020 –
page 307
65.6% "I once read someone call a book "more enjoyable to appreciate than to read", and I'm feeling that with The Aeneid like I did with the Iliad. They were constructed as poetry, after all, and they just don't read the same prosaically. Very repetitive, very indulgent, but not so much fun to read."
February 25, 2020 – Finished Reading

Comments Showing 1-2 of 2 (2 new)

dateDown arrow    newest »

Simon Mee Certainly brings back memories of high school, though we only studied the "Odyssey" part rather than the "Illiad" section

Good point on the propaganda, though ironic he asked for it to be burned on his death?


message 2: by Jon Reading Books (last edited Feb 05, 2020 09:40AM) (new) - rated it 2 stars

Jon Reading Books Simon wrote: "Certainly brings back memories of high school, though we only studied the "Odyssey" part rather than the "Illiad" section"

I've never read The Aeneid before! I read The Odyssey in high school, but never The Iliad—both of which I read the last couple of years. So I'm doing Aeneid this year, and I'll probably get Ovid's Metamorphoses next year.

Simon wrote: "Good point on the propaganda, though ironic he asked for it to be burned on his death?"

So I've heard. They say Virgil wished it burnt due to his displeasure with its quality, but who really knows? Could have been that he was actually displeased with the regime and not eager to help craft Augustus' cult of personality.

The ambiguity of classical history is part of what draws me to it more strongly than other areas of study. There's plenty of opportunity to fill in the blanks with your own imagination when there are holes in our sources, whereas modern history is typically solidly sourced and doesn't provide the same open spaces. Classical history a bit like good fiction in that way; modern history is more a hard area of study by comparison.


back to top