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Glenn Russell's Reviews > The Island of Dr. Moreau

The Island of Dr. Moreau by H.G. Wells
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“Before, they had been beasts, their instincts fitly adapted to their surroundings, and happy as living things may be. Now they stumbled in the shackles of humanity, lived in a fear that never died, fretted by a law they could not understand; their mock-human existence, begun in an agony, was one long internal struggle, one long dread of Moreau.� - H.G. Wells, The Island of Doctor Moreau

The Island of Doctor Moreau is H.G. Wells� 1896 classic tale of a mad scientist creating nearly two hundred hybrid beings resembling humans by way of vivisection on animals, a work judged by critics at the time as too blasphemous and too disturbing to warrant publication. Hey, why not take such harsh reaction as a great reason to read this short novel sooner rather than later.

Let me tell you folks, The Island of Doctor Moreau is one humdinger of an adventure story to keep you on the edge of your seat from the first page to last, with elements of Frankenstein, The Fugitive, Lost and Survivor. The entire novel is a written account of events as recorded by Edward Prendick, an Englishman educated in biology at university. Young Prendick survives days on a dingy following a shipwreck and is picked up by another ship scheduled to make a first stop at an obscure Pacific island. While onboard, Prendick is brought back to health by a passenger with a background in medicine, a man by the name of Montgomery.

Turns out this gruff, one-time Londoner is joined by his strange, bestial servant, M'ling. And Montgomery also has a host of animals aboard. The frequently drunk Captain doesn't like the grotesque M'ling or the animals on his ship and lashes out at Montgomery. Prendick tells the Captain to "shut up" - a huge mistake he confesses in retrospect. When they near the island, the Captain forces Prendick off his ship and back on his dingy. Montgomery takes pity on the naturalist and brings him along to his island. Prendick eventually meets Doctor Moreau and becomes, by degrees, more aware of the many horrifying experiments conducted over the course of years in island isolation.



And many are the questions raised by those experiments and the underlying methods and ideas concocted by Doctor Moreau. The most obvious question pertains to the very act of dissecting live animals for the purposes of experimentation. Nowadays, of course, we oppose such practice but back when the novel was written vivisection was still a hotly debated topic. However, we still debate related biological issues such as gene splicing which is a specific example of the longstanding concerns hovering around the dangers of science.

Prendick’s interactions with such diverse creatures as Leopard Man, Saint Bernard Dog Man, Ape Man, Swine Woman, Silvery Hairy Man and a Bear-Bull cry out for our reflection on the differences between savagery and humanity, nature and civilization, order and chaos, freedom and control. And what about Doctor Moreau's explanation on how the experience of pain, a characteristic of our animal nature, has held humans back in their development, how, in order to become less animal and more fully human, pain must be transcended? Recall the popularity in England in the late nineteenth century of the philosophy of utilitarianism as articulated by such thinkers as John Stewart Mill, a philosophy placing a premium on seeking pleasure and avoiding pain.

Charles Darwin's theory of evolution was very much in the public mind and H.G. Wells certainly took Darwin seriously. Among other aspects, The Island of Doctor Moreau is aligned with Darwinian theory respecting how humans are different not in kind from animals but only in degree.

In keeping with the animal nature in man, H.G. Wells forces Edward Prendick to deal with those base qualities even before stepping foot on Doctor Moreau’s island. There’s the crisis in the dingy where Prendick and two other men are dying of thirst and hunger. The drawing of lots is proposed to determine who will die so two may live. Prendick refuses to participate, brandishing a knife to ward off attack. The other two men draw lots and when the stronger seaman loses he refuses to abide by the rules. The two grapple and tumble overboard to their death. A second foreshadow: that drunken captain declares himself the law and master ruling over all on his ship. If he says Prendick is to leave his ship then Prendick will leave his ship, even if it means the certain death of the young man � no question of humanity, decency or ethics comes into play.

Control of the Beast Men on the island centers around Pavlov-style conditioned reflex reinforcement. Obey the law and act more like humans or it is back to the House of Pain, that is, Doctor Moreau's operating table. Also added into the mix to enforce control and human-like behavior is chant and prayer. One can imagine the reaction to the novel from pious nineteenth century religious folk. In order to assert his own control and order, at one point Prendick even appeals to the existence of Moreau's second body in the sky looking down on the Beast Men once the doctor's physical body is dead. The philosophical dimensions of the tale go on and on and on.

Fast-paced adventure and a slew of lively probing questions along the way. There are many excellent reasons why this classic work is included as part of SF Masterworks.


H.G. Wells, 1866-1946
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November 6, 2018 – Shelved

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message 1: by Glenn (new) - added it

Glenn Russell *Note - I am no longer using the star system


message 2: by Glenn (last edited Nov 06, 2018 11:04PM) (new) - added it

Glenn Russell Marita wrote: "Glenn, I've been enjoying your recent reviews (including this one) of the works of H.G. Wells. Nice timing as I'm reading a biographical novel about Wells: A Man of Parts by David Lodge. I'm also r..."

Thanks, Marita. That must be a good book you are reading - David Lodge is an outstanding writer. I'm relatively new to science fiction so I'm making my way through the SF Masterworks list, especially enjoying the novels by H. G. Wells. As you probably know, his novels were known as "science romances" back in his day as the term "science fiction" was not invented until 1929.


message 3: by Mwanamali (new)

Mwanamali Glenn wrote: "*Note - I am no longer using the star system"

How come?

Brilliant review as always Glenn.


message 4: by Glenn (last edited Nov 06, 2018 11:19PM) (new) - added it

Glenn Russell Idrissa wrote: "Glenn wrote: "*Note - I am no longer using the star system"

How come?

Brilliant review as always Glenn."


Thanks, Idrissa! Really appreciate your kind comment.

And thanks for your question. Here's a note I put on my profile page:

Starting 8/2018 - I will no longer be using the star system; rather, I would like to simply let my reviews speak for themselves. This is exactly what happens with book reviews in such publications as the New York Times, The Guardian and Los Angeles Review of Books. I also might have some fun reviewing books where a five star rating would be entirely inappropriate.

8/2013 - 7/2018 - My awarding 5 stars means the book in my opinion is well worth the time to read and will broaden a reader's horizons. Of the more than four thousand books I've read over the past fifty years, the books I've reviewed between these dates are the 5 star cream.


message 5: by Mwanamali (new)

Mwanamali Hmmm. That's very thoughtful.


Tristram Shandy A very inspiring review, Glenn! I read the book not long ago and gave it 4 stars. On reading your review and re-reading mine, I wonder why I did not give 5 stars, and that's maybe the point about the star-system and the reason why you no longer apply it: Today, you give a book 4 stars, but a few weeks later you wonder why you did not give more or fewer stars, and giving those stars also means condensing a lot of thoughts and feelings into one little click. Just an idea ...


message 7: by Glenn (new) - added it

Glenn Russell Tristram wrote: "A very inspiring review, Glenn! I read the book not long ago and gave it 4 stars. On reading your review and re-reading mine, I wonder why I did not give 5 stars, and that's maybe the point about t..."

Thanks, Tristram! This is certainly a provocative short novel.

Exactly right - I would never enjoy going through the agony of giving stars. I eliminated the need to expend thought and energy in my first years on ŷ by only reading and taking time to write a review for books I judged to be worthy of 5 stars. And more recently, as per my profile page note, letting the review speak for itself.


Allyson Wells' story is one that deals with the whole concept of Gothic body horror and can be compared to works such as The Great God Pan by Arthur Machen and Richard Marsh's The Beetle. Greg Egan did an interesting take on this idea of hybridisation of the body, based on a Khnopff painting, in his story The Caress in the collection entitled axiomatic. The Island of Doctor Moreau is a favourite amongst writers on the Gothic because of the play between Other and Self, Ethics/Non-ethics, etc. Great Review Glenn.


message 9: by Glenn (last edited Nov 07, 2018 06:49AM) (new) - added it

Glenn Russell Allyson wrote: "Wells' story is one that deals with the whole concept of Gothic body horror and can be compared to works such as The Great God Pan by Arthur Machen and Richard Marsh's The Beetle. Greg Egan did an ..."

Highly informative, Allyson. Although I've read some other tales by Arthur Machen and a few other authors within the genre, I'm not a fan of horror fiction and was completely unaware of the connection you note. That Greg Egan story sounds fascinating. I suspect the Khnopff painting is this one:



I checked the web re The Beetle. Curiously, back when published in 1897, it actually outsold a somewhat similar horror tale - Bram Stoker's Dracula. And there isn't even an audiobook of Richard Marsh's novel.


message 10: by Kim (new) - added it

Kim As always, Glenn, thank you for the insightful review with the implications toward same in the book. I am familiar with the movie; it's now time, thank to you, to read the book!


message 11: by Glenn (new) - added it

Glenn Russell Kim wrote: "As always, Glenn, thank you for the insightful review with the implications toward same in the book. I am familiar with the movie; it's now time, thank to you, to read the book!"

You are most certainly welcome, Kim. Always a pleasure to know I did my job as a reviewer since you are now motivated to read the book!


message 12: by Kim (new) - added it

Kim Again, Glenn, you are a great writer! I love your pointing out the dilemma of utilizing our animal instincts with our human ones, with the question of whether or not we are going to accept the responsibility for what(ever) comes of doing such a thing, both what we know and what we don't!


Joseph “Millennium Man” I think of pet salons as a modern day house of pain.


message 14: by Glenn (new) - added it

Glenn Russell Joseph “Millennium Man� wrote: "I think of pet salons as a modern day house of pain."

I think you might have something there, Joseph. Humans never tire of attempting to "humanize" animals. I recall as a kid watching a show at the Saint Lewis Zoo where they had chimps dressed up as school children in a elementary school class.




Allyson Yes that is definitely the Khnopff painting, which is stunning when seen on the wall. I spent hours in front of it. Richard Marsh was rather famous in his day, and The Beetle fed into the Imperial fear of colonisation and body difference that is so prevalent a theme in Dracula and in The Island of Dr Moreau. I would not really classify Machen as horror, I find that is restrictive and does not quite cover his writing style or ideas. The Decadent and other writers of the fin de siecle were startlingly unusual and imaginative, though many of them are forgotten today.


message 16: by Glenn (new) - added it

Glenn Russell Allyson wrote: "Yes that is definitely the Khnopff painting, which is stunning when seen on the wall. I spent hours in front of it. Richard Marsh was rather famous in his day, and The Beetle fed into the Imperial ..."

Thanks! I can imagine the painting is stunning in person. The visual arts suffer tremendously when seen in reproduction only - especially great art.

Yes, yes, thanks to your noting The Beetle, I read a bit of background on that novel famous in its day. I'll have to check out at some point.

Excellent observation re Machen. I haven't read that much of him but I did write a review of the Penguin edition you might enjoy taking a look at. Link: /review/show...


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