Lee Klein 's Reviews > What I Talk About When I Talk About Running
What I Talk About When I Talk About Running
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An ideal book for writer runners (or running writers), but also probably worth it for non-running/non-writing readers as there's enough straight talk and suggestion about serious themes: enduring pain, aging, the importance of routine, self-awareness/alertness. Quick, lean, honest, at times amazing, occasionally mundane, definitely worthwhile. BUT WAIT! The really cool thing about this book is that it's also about authority. Murukami has run +25 marathons (including a +62-mile supermarathon) and written several novels. He's repeatedly done very difficult things to do. It makes sense to listen up when someone like him talks about what he talks about when he talks about how he's successfully spent his life. Some seem to object that this book wouldn't have been published by an unpublished author. But the deal is it COULDN'T HAVE BEEN WRITTEN by anyone else.
This second paragraph is more a review of a book review than a review of a book: I just read . It's sort of idiotic because half of it is sort of devoted to the translated use of "sort of" and "kind of." I used to like Geoff Dyer, but I think he just pretty seriously slipped. Much better would've been a quick suggestion that a Knopf editor could have cleaned things a bit, or a more generous approach saying that the "sort of" repetitions make for easy, conversational, congenial reading, or maybe even an interpretative stretch about a Japanse hesitancy to make unqualified assertions? Instead, Geoff Dyer condescends to Murakami (a man who's written how many novels and run how many marathons?) when Dyer suggests that Murakami is uncool for listening to Clapton or the Lovin' Spoonful! I'm sure when Dyer writes about fingerblasting his girlfriend in Southeast Asia ("my fingers grew so wet it was like oil pouring through them"), he listens to something way cooler - my guess: later work of Todd Rundgren. The immortal masterpieces of Sting? Nusrat Fateh Ali Khan's duets with Eddie Vedder? The Buena Vista Social Club?!
I also realized yesterday that this book helped my endurance while on a long run - wasn't feeling so hot but I thought of Haruki on the 62+ mile run and made it all the way home without stopping. If just to please Geoff Dyer, you ask what was I listening to? "Paris au Printemps," a live album by Public Image Limited -- perfect running music for me.
This second paragraph is more a review of a book review than a review of a book: I just read . It's sort of idiotic because half of it is sort of devoted to the translated use of "sort of" and "kind of." I used to like Geoff Dyer, but I think he just pretty seriously slipped. Much better would've been a quick suggestion that a Knopf editor could have cleaned things a bit, or a more generous approach saying that the "sort of" repetitions make for easy, conversational, congenial reading, or maybe even an interpretative stretch about a Japanse hesitancy to make unqualified assertions? Instead, Geoff Dyer condescends to Murakami (a man who's written how many novels and run how many marathons?) when Dyer suggests that Murakami is uncool for listening to Clapton or the Lovin' Spoonful! I'm sure when Dyer writes about fingerblasting his girlfriend in Southeast Asia ("my fingers grew so wet it was like oil pouring through them"), he listens to something way cooler - my guess: later work of Todd Rundgren. The immortal masterpieces of Sting? Nusrat Fateh Ali Khan's duets with Eddie Vedder? The Buena Vista Social Club?!
I also realized yesterday that this book helped my endurance while on a long run - wasn't feeling so hot but I thought of Haruki on the 62+ mile run and made it all the way home without stopping. If just to please Geoff Dyer, you ask what was I listening to? "Paris au Printemps," a live album by Public Image Limited -- perfect running music for me.
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July 11, 2008
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August 11, 2008
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I do have to say, I resent Murakami for writing a novel that easily!









I read the excerpt in the New Yorker, and I just didn't get it--aside from, perhaps, hearing about Murakami's rise to literary fame, what was the point? So the guy runs. Who cares. If some nobody wrote this book, would anyone read it? I doubt it.
Sorry, I am feeling crabby and taking it out on your thread!