Jacob Proffitt's Reviews > Swordspoint
Swordspoint (Riverside, #1)
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by

People keep talking this up as "a fantasy of manners", but for that to work, you have to have actual wit and snappy dialog and someone to root for. I only made it about half-way through but to that point, Swordspoint is devoid of anything or anyone likable and the conversations are, at best, desultory. The only byplay you get is laboriously highlighted by the narrative voice, all subtlety wiped out by neon-like description and color commentary/analysis.
And the characters are all mean, in a completely venal kind of way. And I'm pretty sure every male character is gay—or at least bisexual. I mean, it's one thing to give us gay-perspective main characters as a kind of affirmative-action, hey, isn't it great how tolerant we are kind of gesture. But when some of the worst people in the novel are abusively homosexual and even the hero is, at best, graciously negligent, you have to wonder if you aren't rather harming your own cause. If gay were a pepper you'd add for flavor in a story, then Kushner has unscrewed the cap and dumped the whole canister over the meal.
I can't see how this novel received the praise it has. Unless everyone is so busy showing how tolerant they are that they forgot to look for actual wit and character development.
And the characters are all mean, in a completely venal kind of way. And I'm pretty sure every male character is gay—or at least bisexual. I mean, it's one thing to give us gay-perspective main characters as a kind of affirmative-action, hey, isn't it great how tolerant we are kind of gesture. But when some of the worst people in the novel are abusively homosexual and even the hero is, at best, graciously negligent, you have to wonder if you aren't rather harming your own cause. If gay were a pepper you'd add for flavor in a story, then Kushner has unscrewed the cap and dumped the whole canister over the meal.
I can't see how this novel received the praise it has. Unless everyone is so busy showing how tolerant they are that they forgot to look for actual wit and character development.
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Reading Progress
February 9, 2012
–
Started Reading
February 9, 2012
– Shelved
February 9, 2012
–
9.0%
February 10, 2012
–
18.0%
February 13, 2012
–
27.0%
February 14, 2012
– Shelved as:
fantasy
February 14, 2012
– Shelved as:
wouldn-t-give-a-pig
February 14, 2012
–
Finished Reading
March 6, 2016
– Shelved as:
unfinished
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I suppose that if Kushner had decided to model that kind of morality I would have to change my point. Since she did not, my point stands, I think--i.e. that every character was gay, or at least bisexual, and that's a little much. I maintain that it is rather heavy handed to be so very absolute.
And I still don't see why she would want to portray gay relationships as so universally mean. Even if you want every relationship in a book to be gay for some reason (though that'd be a single-generation culture if there ever was one), I'd think you'd want at least one of those relationships to have a hint of love (or at least kindness).

In general, I am just saying that if a culture does not happen to label homosexual relations and/or relationships as niche and assumes it is normal and common, then the population will follow suit by being more likely to engage in those activities. 'Gay' and 'straight' and 'bi' are just identity constructs, which we mould ourselves into more firmly than we would by nature because of the context of the society we grow up in. (Obviously some people incline more towards favoring one sex/gender more than others. But even already, the upcoming generation cares less about labels and is tending more towards being bi/pan.) So they are not all just plain homosexual, so much as less bound by pre-established codes of sexuality that they adhere to.
I agree that the relationships in the book are, in general, weird and not really healthy ones. But I think that applies to /all/ relationships in the book, more due to the fact that all of these people are schemers more loyal furthering their own power and wealth, than it has to do with a relationship happening to have same gender participants. That's all I'm trying to suggest! :) Although, I agree that it would be nice there was some less antagonistic pairing going on.



To be fair, the issues I had were evident right from the start. So reading a sample should tell you if you'll have the same reaction I did or if you're as intrigued as others are. It's very popular, so it may be worth trying out a bit.
Additionally, if she were to write the novel so that only protagonist characters were queer, it would feel preachy and heavy-handed. Just like if we never had villains who were people of color, it would in turn be racist because that would cast said people as only being able to exist in certain dimensions rather than to be full people/characters.
Granted, I mostly thought the book was 'okay', personally. But I thought I would provide some insight into this aspect.