Jim Fonseca's Reviews > Things Fall Apart
Things Fall Apart (The African Trilogy, #1)
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Jim Fonseca's review
bookshelves: african-authors, nigeria, anthropology, classic, africa
Jun 06, 2019
bookshelves: african-authors, nigeria, anthropology, classic, africa
[Edited 4/1/22]
Wiki calls the book the most widely read book in modern African literature.
Written in 1958, this is the classic African novel about how colonialism impacted and undermined traditional African culture. It’s set among the Igbo people of Nigeria (aka Ibos). A key phrase is found late in the book: “He [the white man] has put a knife on the things that held us together and we have fallen apart.�
The main character is a strong man, the village wrestling champion. He has three wives and many children, although the wealthiest man in the village has nine wives, thirty children and three barns. The main character is not above beating his wives when the spirit moves him. He seems ruled by anger and fear.

There’s not a lot of plot. We watch as the main character struggles at first to become established. There are some bad crop years but all in all, things go reasonably well. Then he accidentally kills a fellow tribesman and suffers the punishment imposed by the village elders of being banished from the village for seven years. He loses his land and his accumulated wealth and has to go back to his mother’s village, dreaming of his return. When he does return, white rule has extended its influence into his village and everything has changed.
The British have brought greater prosperity, a school and a clinic but at a tremendous cost, mainly by imposing their laws and legal system above the traditional rule by village elders. A Christian church has been built and many villagers are leaving the old gods and converting to the new religion, including one of the main character’s sons.
There is no return to the old ways. Retaliation by the whites is swift. In a nearby village men killed a white man driving a car (they had never seen a car before). In retaliation, soldiers came and machine-gunned the marketplace � men, women, children; basically annihilating the village.

Much of the book is anthropological. We learn about the village councils, a priestess, crop cultivation, food preparation, and all the elaborate rituals around bride price negotiations, weddings, funerals and the traditional gods.
I liked many of the idioms and proverbs scattered throughout the text:
“There must be a reason for it. A toad does not run in the daytime for nothing.�
“An old woman is always uneasy when dry bones are mentioned in a proverb.�
“Eneke the bird says that since men have learned how to shoot without missing, he has learned to fly without perching.�
“As a man danced, so the drums were beaten for him.�

The author (1930-2013) was raised as a Christian, went to college in Nigeria, became a journalist, and started writing. With his fame he eventually moved to the US as a professor at Brown University. He turned the book into a trilogy, adding No Longer at Ease in 1960 and then Arrow of God in 1964. The author is also known for a famous academic paper attacking Joseph Conrad as “a thoroughgoing racist."
A good read and classic.
Top: old photo of the (also Igbos) from diaryofanegress.com
Modern-day family Igbo family from hometown.ng
Photo of the author in 2008 from Wikipedia.
Wiki calls the book the most widely read book in modern African literature.
Written in 1958, this is the classic African novel about how colonialism impacted and undermined traditional African culture. It’s set among the Igbo people of Nigeria (aka Ibos). A key phrase is found late in the book: “He [the white man] has put a knife on the things that held us together and we have fallen apart.�
The main character is a strong man, the village wrestling champion. He has three wives and many children, although the wealthiest man in the village has nine wives, thirty children and three barns. The main character is not above beating his wives when the spirit moves him. He seems ruled by anger and fear.

There’s not a lot of plot. We watch as the main character struggles at first to become established. There are some bad crop years but all in all, things go reasonably well. Then he accidentally kills a fellow tribesman and suffers the punishment imposed by the village elders of being banished from the village for seven years. He loses his land and his accumulated wealth and has to go back to his mother’s village, dreaming of his return. When he does return, white rule has extended its influence into his village and everything has changed.
The British have brought greater prosperity, a school and a clinic but at a tremendous cost, mainly by imposing their laws and legal system above the traditional rule by village elders. A Christian church has been built and many villagers are leaving the old gods and converting to the new religion, including one of the main character’s sons.
There is no return to the old ways. Retaliation by the whites is swift. In a nearby village men killed a white man driving a car (they had never seen a car before). In retaliation, soldiers came and machine-gunned the marketplace � men, women, children; basically annihilating the village.

Much of the book is anthropological. We learn about the village councils, a priestess, crop cultivation, food preparation, and all the elaborate rituals around bride price negotiations, weddings, funerals and the traditional gods.
I liked many of the idioms and proverbs scattered throughout the text:
“There must be a reason for it. A toad does not run in the daytime for nothing.�
“An old woman is always uneasy when dry bones are mentioned in a proverb.�
“Eneke the bird says that since men have learned how to shoot without missing, he has learned to fly without perching.�
“As a man danced, so the drums were beaten for him.�

The author (1930-2013) was raised as a Christian, went to college in Nigeria, became a journalist, and started writing. With his fame he eventually moved to the US as a professor at Brown University. He turned the book into a trilogy, adding No Longer at Ease in 1960 and then Arrow of God in 1964. The author is also known for a famous academic paper attacking Joseph Conrad as “a thoroughgoing racist."
A good read and classic.
Top: old photo of the (also Igbos) from diaryofanegress.com
Modern-day family Igbo family from hometown.ng
Photo of the author in 2008 from Wikipedia.
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Reading Progress
June 3, 2019
–
Started Reading
June 6, 2019
– Shelved
June 6, 2019
– Shelved as:
african-authors
June 6, 2019
– Shelved as:
nigeria
June 6, 2019
– Shelved as:
anthropology
June 6, 2019
–
Finished Reading
April 1, 2022
– Shelved as:
classic
April 1, 2022
– Shelved as:
africa
Comments Showing 1-24 of 24 (24 new)
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message 1:
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Laysee
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Jun 06, 2019 06:30PM

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I remember it too from college Laysee, so long ago...Thanks

Kavita wrote: "One of my favourite books!"
yes, a true classic in that sense -- it doesn't age

Thanks Vicky, if you read it, I hope you like it


Thanks Ryan, if you read it, I hope you like it

Yes, by VS Naipal, but so long ago I remember nothing of it. I still have the copy


Thanks Libby, and yes and I think it is still read a lot in college courses.

Yes, by VS Naipal, but so long ago I remember nothin..."
It was depressing but had quite an impact, I thought. Interesting perspective, for me.


Yes, the only time I recall them appearing is right at the end when one of them muses about writing a book called "The Pacification of the Primitive Tribes...."

Joseph wrote: "What I found most interesting about the novel, and that you didn't mention, is that the British never actually make an appearance in the story and its not even as if they are just off stage either...."
Yes, the only time I recall them appearing is right at the end when one of them muses about writing a book called "The Pacification of the Primitive Tribes...."
Dan wrote: "Very nice review, Jim. I've never heard of the author before but it sounds like a really interesting read."
Thanks Dan -- sorry the rest of the comment was for Joe


Thank you Sophia. I had not heard of this one but since you say one of the best books you ever read -- wow I'll have to look into it!

While I have read Chinua Achebe's condemnation of Conrad's Heart of Darkness, I think it is misguided. Conrad speaks to more universal concerns rather than just espousing racial animosity. I have African friends who regard Conrad's novel rather differently than Achebe, as do some African commentators at this site. Bill

Bill, I haven't read Achebe's easy on Conrad. I guess I would have to read some Conrad again, which I have not for some years. In talking about East vs. West Africa, I've read a few works for each area but I realize now, thinking about it, nothing or almost nothing by Black South Africans. Everything from southern Africa I have read has been by Portuguese in Angola or Mocambique, or Naipaul, or by the few well-known white South African authors. Another hole to fill!



yes Coetzee and Nadine Gordimer, although I have not read anything by her. I did not know of Fugard. There's another Afrikaans writer who is relatively little known but I have read two books by him, the better is The Long Silence of Mario Salviati by Etienne van Heerden