Emily May's Reviews > Kim Jiyoung, Born 1982
Kim Jiyoung, Born 1982
by
4 1/2 stars. There is some seriously weird and awesome art coming out of South Korea these days. From the weirder stuff (The Vegetarian, IMO) to the fabulous ( - highly recommended) to this latest novella that packs a serious punch. It really makes me wonder how many other gems there are that never made it to translation.
Kim Jiyoung, Born 1982 is an unusual book and I can see right now how it won't be for everyone. It's a strange combination of fiction and facts, including footnotes referencing actual data on women in the workplace, housewives, the hoju system, and abortion. What it really is, for me, is a novelization of a true story; the true story of gender inequality in Korea.
It starts very odd, not unlike Han Kang's The Vegetarian, with a man observing his wife, Kim Jiyoung, exhibiting some very unusual behaviour. Sometimes she will talk like she is someone else, or make inappropriate comments while they are visiting family. Where has this come from? She never used to behave like this-- what happened to her?
Then we go back in time and follow Jiyoung through the story of her life. We see her put everything she has into becoming a working woman with her own income. We see her met with challenge after challenge; rejection after rejection. We see her living in fear of predatory boys and handsy teachers. We see fetuses being aborted for being the wrong gender and women's bodies becoming the subject of job interview questions.
I don't know if some people can read this book and not be angry, but I was furious. I felt like I was almost visibly shaking while reading about Kim Jiyoung and the women around her. Do not read this book if you're looking for a light, feel-good read.
There are so many interesting topics packed into this teeny tiny book. Another aspect I enjoyed was the portrayal of Kim Jiyoung's mother. It must have been so hard to be a mother in this in-between. To have grown up in a time when women were given no choices or opportunities and to try to raise daughters in a world where they do have some choices, but prejudices and gendered abuse still hold them back. Do you push them for better? Or do you set realistic expectations?
I think the only thing I didn't love was how weird this book is in the beginning and again at the end. It could just be a cultural style that I don't really "get", but I think this is a fantastic portrait of a woman's life and the situation was more than sympathetic enough without Jiyoung's bizarre breakdown.
Still, you should absolutely read it if you can stomach more stories about how very unfair this world has been, and often still is, for women.
|
by

The world had changed a great deal, but the little rules, contracts, and customs had not, which meant the world hadn’t actually changed at all.
4 1/2 stars. There is some seriously weird and awesome art coming out of South Korea these days. From the weirder stuff (The Vegetarian, IMO) to the fabulous ( - highly recommended) to this latest novella that packs a serious punch. It really makes me wonder how many other gems there are that never made it to translation.
Kim Jiyoung, Born 1982 is an unusual book and I can see right now how it won't be for everyone. It's a strange combination of fiction and facts, including footnotes referencing actual data on women in the workplace, housewives, the hoju system, and abortion. What it really is, for me, is a novelization of a true story; the true story of gender inequality in Korea.
It starts very odd, not unlike Han Kang's The Vegetarian, with a man observing his wife, Kim Jiyoung, exhibiting some very unusual behaviour. Sometimes she will talk like she is someone else, or make inappropriate comments while they are visiting family. Where has this come from? She never used to behave like this-- what happened to her?
Then we go back in time and follow Jiyoung through the story of her life. We see her put everything she has into becoming a working woman with her own income. We see her met with challenge after challenge; rejection after rejection. We see her living in fear of predatory boys and handsy teachers. We see fetuses being aborted for being the wrong gender and women's bodies becoming the subject of job interview questions.
Jiyoung grew up being told to be cautious, to dress conservatively, to be “ladylike.� That it’s your job to avoid dangerous places, times of day and people. It’s your fault for not noticing and not avoiding.
I don't know if some people can read this book and not be angry, but I was furious. I felt like I was almost visibly shaking while reading about Kim Jiyoung and the women around her. Do not read this book if you're looking for a light, feel-good read.
There are so many interesting topics packed into this teeny tiny book. Another aspect I enjoyed was the portrayal of Kim Jiyoung's mother. It must have been so hard to be a mother in this in-between. To have grown up in a time when women were given no choices or opportunities and to try to raise daughters in a world where they do have some choices, but prejudices and gendered abuse still hold them back. Do you push them for better? Or do you set realistic expectations?
I think the only thing I didn't love was how weird this book is in the beginning and again at the end. It could just be a cultural style that I don't really "get", but I think this is a fantastic portrait of a woman's life and the situation was more than sympathetic enough without Jiyoung's bizarre breakdown.
Still, you should absolutely read it if you can stomach more stories about how very unfair this world has been, and often still is, for women.
|
1223 likes · Like
�
flag
Sign into ŷ to see if any of your friends have read
Kim Jiyoung, Born 1982.
Sign In »
Reading Progress
August 31, 2019
– Shelved
April 15, 2020
–
Started Reading
April 15, 2020
–
Finished Reading
Comments Showing 1-26 of 26 (26 new)
date
newest »

message 1:
by
mays
(new)
-
added it
Apr 16, 2020 02:38PM

reply
|
flag

This is such a great book and i was furious too when i read it. Glad im not alone 😅

I googled it after reading and saw articles about lots of couples splitting up because of it! If men are working that hard to suppress a book like this, then clearly it is needed! :O



Thank you, Vesna!

Thank you, Elle! I just checked out If I Had Your Face and it sounds like a must-read. Adding it to my tbr :)

That’s great, I can’t wait to see what you think! It just came out today, so perfect timing. 😊


Thank you so much, Laura. Seriously, this might be the nicest comment I've ever woken up to. I don't know that I deserve all your praise, but it was very much appreciated :) Hope you're staying safe and healthy too!

Wanted to make a quick comment to wonder if Jiyoung’s breakdown isn’t as bizarre as it seems - in the beginning and end, we really only see it through male eyes. I think there’s something to be said about women doing work that doesn’t stimulate them, especially after becoming a mother, and having only their own minds and memories for company.

Wanted to make a quick comment to wonder if Jiyoung’s breakdown isn’t as bizarre as ..."
Thank you, Cat!
I was discussing Jiyoung's strange behaviour with a friend, and the odd way mental illness is generally portrayed in Korean media. It's strange, but Korean books seem to portray mental illness as something very bizarre, almost supernatural. The male perspective may have something to do with it, but I also think it is in part due to the stigma against mental illness in Korea.

As for the beginning and ending, I appreciated that framing. My interpretation was that it started with her husband’s family asking, ‘What happened to her? Why is she like this?� Then those questions are answered by going over every struggle in her life that led to where she is now. Only to have a medical professional in the end, who supposedly ‘gets� her and sympathies with her condition, to perpetuate the exact same behaviors that hurt Jiyoung in the first place. Jiyoung’s life is bookended by men who fashion themselves as progressive and modern, but are still massively falling short.
I can see how those chapters might come off as a bit jarring, but I took that as intentional. As if Cho Nam-Joo wanted to take her readers (esp. men) gently by the shoulders and shake them, remind them this isn’t just a story. Anyways, always love reading your reviews, Emily! Thanks again for posting 😊

As for the beginning and ending, I appreciated that framing. My interpretation was th..."
I'm so glad you enjoyed it! I did like the framing device of starting at her breakdown and going back to see what happened, but it was the really bizarre behaviour that put me off. I already said this in a comment above, but a friend and I were discussing the way Korean books and movies tend to portray mental illness as something really outrageous, even supernatural, and the way this might be because of the stigma against mental illness in Korea.


I should first say that I’m from S Korea myself but have distanced myself from S Korean lit since teenage years. The main reason was that popular adult fictions that make it into the bestseller list there are mostly heavily loaded with social critique, so much so that it felt as if novels are mostly being used as a vessel for social critique and not cherished in themselves. (I think it has a lot to do with the general public’s perception towards reading - that it should be productive, that you should learn something at the end.. genres like thriller are much less popular in S Korea compared to North America or Europe for that reason) Anyway this whole thing hit me as somewhat snobbish and bleak, I’d say? Like, there’s so much more that fictions can do other than social critique and that those possibilities are not being fully realised, was how I saw it.
I picked this book up more out of sense of duty rather than genuine interest. It made a significant impact in the society and I’m a feminist, so I guessed I should at least check it out (and it’s short), but I assumed this would be a textbook example of S Korean lit that made me distance myself from it for over a decade - all social critique and not enough literature. I felt that way until the second last chapter, feeling ‘meh just another typical S Korean novel that only cares about social critique and nothing else.. this could’ve simply been a nonfiction because it’s honestly so underdeveloped for a novel�, ready to give it 3 stars. However, that last chapter really caught me unguarded, and I really liked the final sarcastic blow. Throughout the whole time I was listening to the audiobook I was thinking, ‘well, if you were gonna write a novel filled with social critique, at least you could’ve taken a more ironical, satirical tone? That would’ve made this novel feel richer and more fleshed out. With this writing style it’s nothing more than average� and then I finally got the hint of that tone at the last chapter. For me the last chapter, and partly the first chapter, were the kind of twist that would’ve been impossible in a nonfiction, the part where the author was really utilising the capacity of fiction. I appreciated that.
I know that this is mainly a narrative about female life, and that starting and ending it with male voices can feel like watering down the essence of the book. However, I felt that without the first and the last chapter, if this book started and finished simply with Kim Ji Young’s life, the book would’ve been duller, the kind of novel that treats its plot and characters merely as props for social critique and nothing more. It was also a sort of perky winking gesture to those men who consider themselves gentle, understanding and feminist enough but are fundamentally misogynists in disguise, the kind of satire that can be better done in fiction than in nonfiction, so I guess I really enjoyed the last chapter :) Sorry that this comment got too long!

I just wanted to share that to me the fact that Jiyoung channeled other women's voices isn't about mental illness. It's more about how both Jiyoung and the book give voice to the frustration and powerlessness that thousands of women feel after dealing with misogyny for so long.
