Mathew's Reviews > His Dark Materials
His Dark Materials (His Dark Materials #1-3)
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Could you imagine a story that weaves history, quantum physics, theology, cosmology, trepanning, shamanism, love and the seriousness of adolescence into a coherent narrative? I could not. Yet Phillip Pullman has done just that, and a world more. This wonderful trilogy will lead you along a most unlikely path through some of the biggest questions of life - in philosophy, religion, history, science, and not least literature. That it does so as a masterful, child-accessible and wholly engaging story is a feat of imagination and storycraft easily on par with Madeleine L'Engle's classic A Wrinkle In Time and its sequels. The book has recently won an award for being
. I am inclined to agree.
The first book, The Golden Compass, features the adventures of 11-year-old Lyra Belacqua, a precocious hooligan in a world almost but not quite ours, and the eponymous mechanism around which much of the story's plot is based. By itself, it might seem like a bit of a flighty read - fun, engaging, imaginative, but a bit strange at times, slyly heretical, even gruesome, leaving one to wonder "What is this really about?" Some critics (mostly of the sort that would have books like The Adventures of Huckleberry Finn banned) have come to the shallow conclusion that the series is nothing but a vessel for diatribe against certain religions institutions, never named but nevertheless obvious in reference. While Pullman shows a certain wicked zeal himself in creating a world in which wicked zealotry is as obvious - and as taken for granted - as political corruption in our own, his purpose is far grander than any partisan attack on stale religion. Rest assured, dear reader, every scene in the book is building towards a conflict simultaneously metaphysical and worldly which is only fully revealed in the third book.
The Subtle Knife introduces Will, a boy of unquestionable grit who is destined to become Lyra's companion. Will hails from our world, but unexpectedly finds himself in a welter of parallel worlds, where he comes into possession of a knife. This knife has two edges; the first edge can cut any material in the world, while the reverse edge is "more subtle still", according to the knife's guardian. The knife quickly becomes the focus of a conflict that not only transcends worlds, but also intersects Will's troubled home life in a profoundly personal way. As new characters and new revelations enter the story, Will and Lyra come to realize that their struggles are part of something much, much larger.
The third volume, The Amber Spyglass, brings into view the literally cosmic scope of a battle that centers on Will, Lyra, and the strange objects in their possession. The volume builds to a literally universe-shaking climax, as pivotal events never fail to surprise and yet mesh perfectly with the grand flow of the story.
I will say no more, lest I spoil any of the surprises, except to reiterate that for once I agree wholeheartedly with the critics: this series, and in particular its masterful conclusion, is transcendent, magnificent, and astonishing.
. I am inclined to agree.
The first book, The Golden Compass, features the adventures of 11-year-old Lyra Belacqua, a precocious hooligan in a world almost but not quite ours, and the eponymous mechanism around which much of the story's plot is based. By itself, it might seem like a bit of a flighty read - fun, engaging, imaginative, but a bit strange at times, slyly heretical, even gruesome, leaving one to wonder "What is this really about?" Some critics (mostly of the sort that would have books like The Adventures of Huckleberry Finn banned) have come to the shallow conclusion that the series is nothing but a vessel for diatribe against certain religions institutions, never named but nevertheless obvious in reference. While Pullman shows a certain wicked zeal himself in creating a world in which wicked zealotry is as obvious - and as taken for granted - as political corruption in our own, his purpose is far grander than any partisan attack on stale religion. Rest assured, dear reader, every scene in the book is building towards a conflict simultaneously metaphysical and worldly which is only fully revealed in the third book.
The Subtle Knife introduces Will, a boy of unquestionable grit who is destined to become Lyra's companion. Will hails from our world, but unexpectedly finds himself in a welter of parallel worlds, where he comes into possession of a knife. This knife has two edges; the first edge can cut any material in the world, while the reverse edge is "more subtle still", according to the knife's guardian. The knife quickly becomes the focus of a conflict that not only transcends worlds, but also intersects Will's troubled home life in a profoundly personal way. As new characters and new revelations enter the story, Will and Lyra come to realize that their struggles are part of something much, much larger.
The third volume, The Amber Spyglass, brings into view the literally cosmic scope of a battle that centers on Will, Lyra, and the strange objects in their possession. The volume builds to a literally universe-shaking climax, as pivotal events never fail to surprise and yet mesh perfectly with the grand flow of the story.
I will say no more, lest I spoil any of the surprises, except to reiterate that for once I agree wholeheartedly with the critics: this series, and in particular its masterful conclusion, is transcendent, magnificent, and astonishing.
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Reading Progress
Started Reading
May 1, 2007
–
Finished Reading
July 18, 2007
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