Emily May's Reviews > The Southern Book Club's Guide to Slaying Vampires
The Southern Book Club's Guide to Slaying Vampires
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I FREAKIN' LOVED THIS. I loved every single dark, funny, gory minute of this book. I'm in no way qualified to talk about best and worst books, but I can say with absolute certainty that this is my favourite book so far this year.
For the first few chapters of The Southern Book Club, I thought I had it pegged as the easiest, breeziest, sweet tea & pecan pie of a novel. A kind of True Blood, if Sookie Stackhouse was ten years older and ran a book club. Which, don't get me wrong, sounds utterly fabulous, but it actually ended up being way more than I expected. It goes to some really dark places, so a quick warning to those sensitive to sexual assault and domestic abuse (off-page).
I'm not quite sure how best to describe this. In some ways, it's a heartwarming and funny story about a - you guessed it - Southern book club. There's so much female friendship and a good few laughs, but despite how the title and cover look, it isn't campy like I feared. In fact, as well as being fun, this book made me really frustrated and angry in parts. I hate it (and can't stop angry-reading) when women are patronized and gaslighted. Reading about gaslighting really makes me anxious, and the way the women in this book are talked down to because they are "silly" housewives made my blood boil.
But that's the whole point. In the author's note, Hendrix states that he "wanted to pit Dracula against my mom". It's a nod to those women who carry out the majority of the childcare and household chores, as well as shouldering the emotional burden. And, hell, these housewives might vacuum their curtains and freeze 60 sandwiches at the beginning of the month for school lunches, but they have some serious claws.
Patricia has read enough true crime novels to know a threat when she sees it. So when a mysterious stranger comes to town and threatens their neighborhood and their children, Patrica, Kitty, Maryellen, Slick, Grace and Mrs. Greene are absolutely NOT about to take it lying down. God, I love these women. They're not the stereotypical "badass heroines", which makes them so truly, genuinely badass. The book lightly pokes fun at them, but in a warm, good-natured way.
Normally I would summarize at the end of my review by saying how "fun" or "intense" or "moving" it was, but I don't know which angle to go for because this book was all those things. This book made me laugh and it made me anxious and I just loved it. It's too bad that it ended in a perfect place because I would definitely sign up for a Southern Book Club series.
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Then she got in her Volvo and hoped Grace was right and this was all just a product of the overactive imagination of a stupid little housewife with too much free time on her hands. If it was, she promised herself, tomorrow she would vacuum her curtains.
I FREAKIN' LOVED THIS. I loved every single dark, funny, gory minute of this book. I'm in no way qualified to talk about best and worst books, but I can say with absolute certainty that this is my favourite book so far this year.
For the first few chapters of The Southern Book Club, I thought I had it pegged as the easiest, breeziest, sweet tea & pecan pie of a novel. A kind of True Blood, if Sookie Stackhouse was ten years older and ran a book club. Which, don't get me wrong, sounds utterly fabulous, but it actually ended up being way more than I expected. It goes to some really dark places, so a quick warning to those sensitive to sexual assault and domestic abuse (off-page).
I'm not quite sure how best to describe this. In some ways, it's a heartwarming and funny story about a - you guessed it - Southern book club. There's so much female friendship and a good few laughs, but despite how the title and cover look, it isn't campy like I feared. In fact, as well as being fun, this book made me really frustrated and angry in parts. I hate it (and can't stop angry-reading) when women are patronized and gaslighted. Reading about gaslighting really makes me anxious, and the way the women in this book are talked down to because they are "silly" housewives made my blood boil.
But that's the whole point. In the author's note, Hendrix states that he "wanted to pit Dracula against my mom". It's a nod to those women who carry out the majority of the childcare and household chores, as well as shouldering the emotional burden. And, hell, these housewives might vacuum their curtains and freeze 60 sandwiches at the beginning of the month for school lunches, but they have some serious claws.
In every book we read, no one ever thought anything bad was happening until it was too late. This is where we live, it’s where our children live, it’s our home. Don’t you want to do absolutely everything you can to keep it safe?�
Patricia has read enough true crime novels to know a threat when she sees it. So when a mysterious stranger comes to town and threatens their neighborhood and their children, Patrica, Kitty, Maryellen, Slick, Grace and Mrs. Greene are absolutely NOT about to take it lying down. God, I love these women. They're not the stereotypical "badass heroines", which makes them so truly, genuinely badass. The book lightly pokes fun at them, but in a warm, good-natured way.
“How’s your ear?�
“She swallowed part of it,� Patricia said.
“I’m so sorry,� Slick said. “Those really were nice earrings.�
Normally I would summarize at the end of my review by saying how "fun" or "intense" or "moving" it was, but I don't know which angle to go for because this book was all those things. This book made me laugh and it made me anxious and I just loved it. It's too bad that it ended in a perfect place because I would definitely sign up for a Southern Book Club series.
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April 6, 2020
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April 8, 2020
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April 9, 2020
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You are welcome to your interpretation, Kai. Though it is simply untrue that "Every single victim of the vampire is a Black kid", as (view spoiler)
I felt like the book actually called attention to the fact that vulnerable poc are so often the victims of violent crimes and the fact that these go largely ignored by white people. I found it interesting when Mrs Greene called out the other women on not caring enough to act when it was only black kids disappearing. Rather than a "white saviour narrative", it seemed to be a criticism of how white people dgaf when they're not directly impacted. And I am curious what "black boys from the hood" you were talking about? All the criminals and predators in this book are white men.
Sorry, but I feel like we read completely different books this time.

Just fyi for anyone reading this, it includes spoilers.
It's not just my interpretation, that's flicking off my criticism and the points I make with a "books are subjective and everyone can think whatever they want" and completely ignores that points that I make.
You cannot ignore the fact that the only people that actually get killed - besides Ann - are those that are Black. That one token white person that got killed shouldn't distract from the fact that it's mainly poor, Black children and women that get the brunt force of the violence here. And it doesn't feel like the author is simply showing that the said community is more vulnerable, he goes further than that and exploits it to create horror and shock.
The harm that is done to the women is a completely different topic but fine, let's get into that too. You know, Hendrix could have used any type of violence. But he went for sexual violence. He went for rape, not once, but for every single one of those three characters. It displays typical privileged male thinking that the only way a group of women can defeat a vampire is naturally by having one of them strip down and have sex with him. It's so cheap and illogical but not surprising. Of course they all have be exposed and have their breasts and pubes commented on, because that's what men writing horror have been doing forever and they're still doing it now.
And just to clarify, I'm not saying the author did that knowingly. I don't believe he went in and thought hey, let's violate a few women and POC for my next horror novel. He thought he was writing a feminist piece of horror, he thought he was being historically accurate and calling out racist attitudes. But what he did was reinforce and perpetuate them instead, because he failed to acknowledge that his privilege would limit his perspective. Yes it was Mrs Greene who called out the white women, but it was the white women that thought they had to save the Black women and children from harm. I agree that he did better there than with some of the other harmful stuff he wrote, the lines aren't so clear, but it still remains a narrative where white women go into a poor Black neighbourhood, risking their own safety to save that community from harm. Mrs Greene was an attempt to be diverse, but failed to shed the tokenism.
And the "black boys from the hood" or, as Hendrix calls them, "super-predators", show up as the stereotypical predatory gang of Black men threatening white women when they step into their village (the first time Patricia and Kitty go to visit Mrs Greene). It made me physically uncomfortable that the author would reinforce yet another stereotype, this time of the potential black rapist that will physically intimidate the white women that left their all-white neighbourhood. He could've just portrayed them as worried, as seriously concerned about two white women that invaded their community. Instead he shows them as violent and evil threats.
I guess I'm just really angry that people continue to ignore such harmful representation. I'm sorry if I come off as condescending, I'm just extremely frustrated. I don't mean to attack you or start a feud. You're someone who has an incredibly large following on here and has a huge influence on what other people decide to pick up. Correct me if I'm wrong, but you're a feminist, and someone who regularly reads books on racism and feminism. That's why I find it so grating that at times you support and promote books that completely undermine those values and do more harm than good.

You say you are so worried for me, and go on to explain where I got the representation of women wrong, and then conclude by explaining feminism to me. I think you are absolutely welcome to your interpretation of this book, but to suggest it is anything more than your own interpretation - the interpretation of a white man, I might add - makes you sorta part of the problem. I seriously hope you don't go explaining race to POC who enjoy this book.
Now I don't know if it's because you're from a country where women and poc don't get the brunt of the violence, but that seemed to me the whole point the author was making: men and white people DO turn a blind eye to the violence happening around them when it doesn't affect them. I don't know specifically what you mean by "exploits"... the child murders, one rape, and mentions of domestic abuse all happen off-page. The descriptions of women's bodies were matter-of-fact and not sexualized. I've read many books I'd consider gratuitous and this is not one of them.
I am still struggling to see how you can frame this as a "white saviour narrative". It's a hot topic right now, I know, and I've commented on its use in a number of my own reviews... but this read as exactly the opposite. The white people were being openly criticised for NOT acting. They only wanted to take on the vampire when THEY were threatened and are called out on it.
And you can choose to see one instance where a bunch of young black men stand up for their neighbourhood and its victims as super-predatory if you wish. I didn't. To me, the only ones who come out of this book looking super-predatory and violent and narrow-minded are the white men. (Is that why you didn't like it? Jk)
As I said, you are absolutely welcome to see this book however you wish. But maybe next time you should think before coming onto a woman's review to explain feminism and female characters to her. Maybe next time you start to write "white saviour narrative" you should pause and consider the irony of you elevating your white male opinion over others to be a voice of justice and reason against the crazy women who enjoyed the book. Just a thought.

well I guess that's what makes this discussion extremely difficult. I engage with feminism a lot but at the end of the day I'm a bad feminist. I see the irony and the pitfalls of a man discussing feminism with a woman. There is no way I will ever be able to fully comprehend that or any other reality that isn't my own.
Nevertheless it remains that some (female) reviewers voiced their unease and unhappiness with the portrayal of the female characters. They called them one-dimensional, they called the female friendships unrealistic and I see their point.
That being said, I stand by my review and the points I made. I find it an incredibly harmful book, as you know, since you've read my review several times. I do find it rather insulting that of course, since I am a man, I must hate the portrayal of the predatory asshole husbands, but...they're actual predatory asshole husbands. I'd also never go so far to call you or anyone who enjoyed this book crazy. And that's that.

It is very interesting to hear a different perspective, Laura! Thank you for sharing your thoughts. I can understand where you're coming from, though bear in mind that Korey is 17 and so not underage in South Carolina (or, as it happens, my own country, which is probably why I didn't see this as sexualizing a minor). The scene is certainly disturbing, though. I also understand why people are going to disagree on this, but honestly, after reading so many male writers describing perfectly toned, hairless, breast-bouncing women, it was such a relief for a male author to even remember that women have pubic hair! I found the descriptions refreshing, straightforward and really not gratuitous.
And remember that the author does describe a male character in a similar way:
They pulled off James Harris’s shoes and socks, then his pants, and let him lie naked on the bottom of the whirlpool. His nipples were pale, and his penis flopped upside down on his blond pubic thatch.
His descriptions of women and men seemed pretty equal to me. Though I 100% see why this book wouldn't be for everyone. I'm sorry it didn't work for you.

Thank you, Monica! I'm glad you enjoyed it too :)



Thank you, Leah. I really hope it works for you too, if you decide to read it :)

Thank you! :)





Great review, though, Emily! I see one popular reviewer complaining about racism and sexism, and I think Grady Hendrix portrayed the different characters the way he did on purpose. I believe the whole point of the book was a metaphor for how white suburban neighborhoods profited off poor black neighborhoods. It's a clever, but logical metaphor: A vampire lines white people's pockets with money while initially preying on poor black children, and the white people don't want to face the truth and help the black kids because of the money. That is, until the vampire starts preying on them, too...


Great review, though, Emily! I see one popular reviewer complaining about racism and sexism, and I th..."
Exactly, Juli! I thought it was a very clever and well thought-out critique, too. And thank you :)
