Olivia Atwater's Reviews > Half a Soul
Half a Soul (Regency Faerie Tales, #1)
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Olivia Atwater's review
(Review from the author)
bookshelves: faeries, historical-fantasy, romance, magicians, fantasy, young-adult, social-justice, historical-romance, regency-era, historical-fiction
Dec 26, 2022
(Review from the author)
bookshelves: faeries, historical-fantasy, romance, magicians, fantasy, young-adult, social-justice, historical-romance, regency-era, historical-fiction
I don't review my own books, of course—but here are some facts you might not have known about Half a Soul and the Regency era in general!
FUN FACTS ABOUT HALF A SOUL
- A great deal of this novel was written during work lunches at a nearby cafe, about thirty minutes at a time.
- The first scene I came up with for the book was (view spoiler) . This scene remains almost entirely unchanged in the final draft.
- The Regency Faerie Tales were originally published independently. They were later picked up by Orbit for rerelease, with fresh edits and lovely new covers.
- Theodora's half a soul is indeed a metaphor for neurodivergence. She shares many of my own neurodivergent qualities, along with a few from my friends.
- Some people theorise that children historically suspected to be stolen by faeries were in fact neurodivergent all along, and that faerie involvement was simply a fanciful method of explanation for this phenomenon. I love this idea, and therefore enjoy calling myself faerie-cursed.
- At one point, Lord Hollowvale (view spoiler) This is another reference to this bit of folklore. (view spoiler)
- The original draft of Half a Soul was even darker in tone. (view spoiler) Ultimately, despite the fact that I found this plot development to be realistic, I decided it was slightly too much. I believe I still have the redacted scene in my notes somewhere.
- Mr Albert Lowe's personality is based partially on one of my husband's tabletop roleplaying characters. If I'm somewhat in love with him, therefore, readers will need to forgive me.
- For anyone confounded by the last line of the novel, in light of the messages about self-acceptance: (view spoiler)
AMUSING FACTS ABOUT THE REGENCY ERA
- Regency vocabulary being slightly different, "dress" connotes an entire outfit or style of dress, while "gown" or "frock" connotes an actual article of clothing. In every book, I have always had to do an entire editing pass purely dedicated to fixing this difference, as it's far too easy to mix up while writing.
- Lord Hollowvale's five coats are not nearly as outlandish as reasonable people would probably like to believe. In fact, there was a style during the Regency era where wealthy men would wear two coats at once. One suspects that the only reason human aristocrats stopped at two was pure logistics; thankfully, faeries have no such limitations.
- The faerie obsession with English culture is based on the English aristocracy's obsession with East Asian culture, and its collection of arbitrary East Asian objects. If English aristocrats can marvel over Chinese teacups, it seems only fair that faeries should marvel over English gravy boats.
- A real hazard of Regency era balls was the candlelight. Not only did it make balls incredibly hot and stifling, it also posed a danger to women and their gowns. At least one woman is recorded to have died from burns after catching herself on a candle at a ball. (view spoiler)
- During this time, the waltz had recently been introduced to society, but it was still considered slightly scandalous. The Regency waltz uses a different dancing position than the modern waltz, with which I am actually very practised—and for the life of me, I can't imagine how that tangle of arms actually worked.
- Ladies at balls were expected to be polite and not hog the same dance partner indefinitely. This led to the understanding that a woman who danced twice with the same man was possibly infatuated beyond good sense and decorum, and probably about to become engaged to said man (if she wasn't already).
- Visitation between households of means had fairly strict social rules which would be dizzying to anyone who had not grown up surrounded by them. (view spoiler) Men were not supposed to write letters to women in whom they were interested, but were allowed to send flowers, perhaps with a name card.
- Traditional English magical beliefs from around this period included such things as the four humours, dowsing, alchemy (both literal and metaphorical), necromancy/nigromancy (which I absolutely omitted from this book, due to its often gruesome ingredients), ritualised prayers and commands to both angels and demons, and several miscellaneous concepts like tobacco being used to reveal black magic and evil spirits. I decided to humour historical magicians and make it all real, and proceeded from there.
FAR LESS FUN FACTS ABOUT REGENCY ERA MEDICINE
- English medicine during the Regency era was... questionable. Physicians believed that sicknesses came from "miasma" and that bad smells could lead to illness. Sometimes, at least, this resulted in the right actions for the wrong reasons. (view spoiler) Several well-respected physicians almost certainly killed people with their treatments, rather than helping them; nevertheless, many people paid physicians a small fortune for the privilege of being bled until they were too weak to fight off their illness. Despite this, as always, some medical professionals still stumbled upon common sense observations about which treatments led to more reliable results and quietly practiced better medicine.
- Army surgeons, like Albert, could not generally be promoted to the highest medical ranks in the army unless they had degrees from Oxford or Cambridge (neither of which actually had a medical program at the time) as well as a membership with the College of Physicians in London. This led to intense acrimony between surgeons and physicians, partially justified by stories of inept aristocratic physicians whose theoretical knowledge made them worse than useless in hospitals. Nevertheless, some surgeons with the means (like Albert) acquired physician credentials after returning to England, in order to remedy the lack of respect they had been shown during the war.
- English hospitals and medicine during the early Napoleonic Wars are understood to have been horrific, with very high mortality rates. Ironically, previous wars had long since led to a better understanding of how to run hospitals sensibly—but almost all of these lessons had since been forgotten and required relearning. There is evidence that some surgeons and physicians on the English side understood the necessity of good hospital and patient hygiene, but were woefully under-equipped and under-resourced to offer it until far later in the war, when Wellington and his advisors dedicated more effort to reforming hospital logistics.
INTENSELY AWFUL FACTS ABOUT REGENCY ERA WORKHOUSES
- The first recorded instance in Britain of the term "workhouse" dates back to 1631. In 1601, something very similar was known as a "house of correction", per the Elizabethan Poor Law. Both of these institutions were always envisioned as a place where those "unwilling to work" would be forced to do so. From the very beginning, workhouses have had a tradition of hard labour and inhumane punishments.
- The Cleveland Street Workhouse was a real workhouse, originally built in 1775 and known by several different names throughout history (among them the Covent Garden Workhouse and the Strand Union Workhouse). Charles Dickens spent five years living next to this exact workhouse, partially during his adolescence in the Regency era, and it is suspected that he based Oliver Twist on several of the things which he witnessed during that time. (view spoiler)
- During the Regency era, the workhouses were already desperately crowded, between ongoing enclosure, grain tariffs, industrialisation, and the recent war—and several of the worst workhouse conditions normally attributed to the Victorian era were actually already present in the Regency era. As mentioned in the epilogue, (view spoiler) Master Ricks observes that (view spoiler) , however, and this is somewhat prophetic, as (view spoiler)
FUN FACTS ABOUT HALF A SOUL
- A great deal of this novel was written during work lunches at a nearby cafe, about thirty minutes at a time.
- The first scene I came up with for the book was (view spoiler) . This scene remains almost entirely unchanged in the final draft.
- The Regency Faerie Tales were originally published independently. They were later picked up by Orbit for rerelease, with fresh edits and lovely new covers.
- Theodora's half a soul is indeed a metaphor for neurodivergence. She shares many of my own neurodivergent qualities, along with a few from my friends.
- Some people theorise that children historically suspected to be stolen by faeries were in fact neurodivergent all along, and that faerie involvement was simply a fanciful method of explanation for this phenomenon. I love this idea, and therefore enjoy calling myself faerie-cursed.
- At one point, Lord Hollowvale (view spoiler) This is another reference to this bit of folklore. (view spoiler)
- The original draft of Half a Soul was even darker in tone. (view spoiler) Ultimately, despite the fact that I found this plot development to be realistic, I decided it was slightly too much. I believe I still have the redacted scene in my notes somewhere.
- Mr Albert Lowe's personality is based partially on one of my husband's tabletop roleplaying characters. If I'm somewhat in love with him, therefore, readers will need to forgive me.
- For anyone confounded by the last line of the novel, in light of the messages about self-acceptance: (view spoiler)
AMUSING FACTS ABOUT THE REGENCY ERA
- Regency vocabulary being slightly different, "dress" connotes an entire outfit or style of dress, while "gown" or "frock" connotes an actual article of clothing. In every book, I have always had to do an entire editing pass purely dedicated to fixing this difference, as it's far too easy to mix up while writing.
- Lord Hollowvale's five coats are not nearly as outlandish as reasonable people would probably like to believe. In fact, there was a style during the Regency era where wealthy men would wear two coats at once. One suspects that the only reason human aristocrats stopped at two was pure logistics; thankfully, faeries have no such limitations.
- The faerie obsession with English culture is based on the English aristocracy's obsession with East Asian culture, and its collection of arbitrary East Asian objects. If English aristocrats can marvel over Chinese teacups, it seems only fair that faeries should marvel over English gravy boats.
- A real hazard of Regency era balls was the candlelight. Not only did it make balls incredibly hot and stifling, it also posed a danger to women and their gowns. At least one woman is recorded to have died from burns after catching herself on a candle at a ball. (view spoiler)
- During this time, the waltz had recently been introduced to society, but it was still considered slightly scandalous. The Regency waltz uses a different dancing position than the modern waltz, with which I am actually very practised—and for the life of me, I can't imagine how that tangle of arms actually worked.
- Ladies at balls were expected to be polite and not hog the same dance partner indefinitely. This led to the understanding that a woman who danced twice with the same man was possibly infatuated beyond good sense and decorum, and probably about to become engaged to said man (if she wasn't already).
- Visitation between households of means had fairly strict social rules which would be dizzying to anyone who had not grown up surrounded by them. (view spoiler) Men were not supposed to write letters to women in whom they were interested, but were allowed to send flowers, perhaps with a name card.
- Traditional English magical beliefs from around this period included such things as the four humours, dowsing, alchemy (both literal and metaphorical), necromancy/nigromancy (which I absolutely omitted from this book, due to its often gruesome ingredients), ritualised prayers and commands to both angels and demons, and several miscellaneous concepts like tobacco being used to reveal black magic and evil spirits. I decided to humour historical magicians and make it all real, and proceeded from there.
FAR LESS FUN FACTS ABOUT REGENCY ERA MEDICINE
- English medicine during the Regency era was... questionable. Physicians believed that sicknesses came from "miasma" and that bad smells could lead to illness. Sometimes, at least, this resulted in the right actions for the wrong reasons. (view spoiler) Several well-respected physicians almost certainly killed people with their treatments, rather than helping them; nevertheless, many people paid physicians a small fortune for the privilege of being bled until they were too weak to fight off their illness. Despite this, as always, some medical professionals still stumbled upon common sense observations about which treatments led to more reliable results and quietly practiced better medicine.
- Army surgeons, like Albert, could not generally be promoted to the highest medical ranks in the army unless they had degrees from Oxford or Cambridge (neither of which actually had a medical program at the time) as well as a membership with the College of Physicians in London. This led to intense acrimony between surgeons and physicians, partially justified by stories of inept aristocratic physicians whose theoretical knowledge made them worse than useless in hospitals. Nevertheless, some surgeons with the means (like Albert) acquired physician credentials after returning to England, in order to remedy the lack of respect they had been shown during the war.
- English hospitals and medicine during the early Napoleonic Wars are understood to have been horrific, with very high mortality rates. Ironically, previous wars had long since led to a better understanding of how to run hospitals sensibly—but almost all of these lessons had since been forgotten and required relearning. There is evidence that some surgeons and physicians on the English side understood the necessity of good hospital and patient hygiene, but were woefully under-equipped and under-resourced to offer it until far later in the war, when Wellington and his advisors dedicated more effort to reforming hospital logistics.
INTENSELY AWFUL FACTS ABOUT REGENCY ERA WORKHOUSES
- The first recorded instance in Britain of the term "workhouse" dates back to 1631. In 1601, something very similar was known as a "house of correction", per the Elizabethan Poor Law. Both of these institutions were always envisioned as a place where those "unwilling to work" would be forced to do so. From the very beginning, workhouses have had a tradition of hard labour and inhumane punishments.
- The Cleveland Street Workhouse was a real workhouse, originally built in 1775 and known by several different names throughout history (among them the Covent Garden Workhouse and the Strand Union Workhouse). Charles Dickens spent five years living next to this exact workhouse, partially during his adolescence in the Regency era, and it is suspected that he based Oliver Twist on several of the things which he witnessed during that time. (view spoiler)
- During the Regency era, the workhouses were already desperately crowded, between ongoing enclosure, grain tariffs, industrialisation, and the recent war—and several of the worst workhouse conditions normally attributed to the Victorian era were actually already present in the Regency era. As mentioned in the epilogue, (view spoiler) Master Ricks observes that (view spoiler) , however, and this is somewhat prophetic, as (view spoiler)
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Reading Progress
Finished Reading
April 17, 2020
– Shelved
April 17, 2020
– Shelved as:
faeries
April 17, 2020
– Shelved as:
historical-fantasy
May 26, 2020
– Shelved as:
romance
May 26, 2020
– Shelved as:
magicians
May 26, 2020
– Shelved as:
fantasy
August 21, 2020
– Shelved as:
young-adult
August 21, 2020
– Shelved as:
social-justice
December 26, 2022
– Shelved as:
historical-romance
December 26, 2022
– Shelved as:
regency-era
December 26, 2022
– Shelved as:
historical-fiction
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I'm so glad you enjoyed it! Yes, the English aristocracy seems to have obsessed over different countries at different times, and it can be interesting to see how these waves came and went. I believe the Egyptian Revival you mention was already going strong in the Regency era, though I'm only aware of it in the loosest, most generalised sense.









I really enjoyed the gravy boat scene and prior to it had a feeling that the faeries were marveling over and putting the English on display just as you mentioned in your post. It also reminded me of the obsession the Victorians had with Egypt and natural history. Though there are some years difference between the eras, it is interesting how such similar obsessions with nature, mythology, and culture are present throughout English history. I look forward to reading more of your writing!