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"If you feel like it, come with me. I will tell you a story."

I should stop fooling myself thinking that there's ever getting better at bracing through these WWII stories... or any war stories for that matter, whether they are based on real events or completely fictional. But then, they are some of the most important books anyone can ever read, capable change one's whole belief systems and priorities in life while improving the reader's ability to empathize tremendously. For me, The Book Thief turned out to be one such exceptional story.

"Like most misery, it started with apparent happiness."

When it comes to enjoying a story, different readers obviously look for different things from plot to style of writing, complex/ interesting characters, world building, the flow, and many more. What's strange about The Book Thief is, while it has nothing special going on in terms of aforementioned characteristics (may be with the exception of the beautiful writing), the book affects the reader in a most profound way. I believe it's because of the undistorted nature of the underlying story, leading up to a heartbreaking, yet perfectly realistic ending. When you realize the events are not further from the truth, it's quite easy to become overwhelmed with emotions here. But I believe that's the whole point of a story like this.

"The human child - so much cannier at times than the stupefying ponderous adult."

"A DEFINITION NOT FOUND IN THE DICTIONARY - Not leaving: an act of trust and love, often deciphered by children."

But that doesn't mean the story is lacking in anyway when it comes to characters or storytelling. Though Zusak is not attempting to go out of the way to create and outstanding main character, the realistic development of Liesel Meminger is absolutely beautiful; it's hard not to fall in love with her. The secondary characters are equally wonderful, though that ending makes it all the more difficult to brace against, having being acquainted with them that well.

"Presents#1-#13: A smashed ball. One ribbon. One pinecone. One button. One stone. One feather. Two newspapers. A candy wrapper. A cloud. One toy soldier. One miraculous leaf. A finished whistler. A slab of grief."

One thing I might not be in the majority here is the narrator, the Death. I didn't hate it by any means, but for me, it didn't seem completely necessary to use such point of view, though I understand the author's intention to introduce a unique perspective. But on the plus side, the reader do get some advance warnings about certain disappointment down the line. It was a little strange at times, coming across those 'spoiler' type warnings, like the ones related to Rudy. At first, I had assumed may be it was the author being considerate, allowing the readers to brace themselves. But the actual ending came with an unbelievable shock, making the warnings about Rudy - though still quite painful - becoming only a fraction of the disappointment. It was an unforgiving , yet very realistic ending.

"If I beat you, I get to kiss you."

This is the kind of book, which makes one feel like there's not enough stars to do justice. Like I said before, for me, it's not about literary devices when it comes to a book like this. It's all about authentic nature of the story, and the ability to affect the reader in a profound way. The satisfies both of these things perfectly. The Book Thief easily made it to my all-time-favorites and I believe this should be read by everyone. As far as the emotions go, this not an easy read, especially towards the end, but it's worth the effort.

'That's my papa's accordion.' Again. 'That's my papa's accordion.'

But sometimes, when you come across something like above, no matter how hard you try, there's no alternative but to cry... you wouldn't be able find solace in knowing that this is fiction.

"I have hated the words and I have loved them, and I hope I have made them right."