Manny's Reviews > ōܲ
ōܲ (Asian Saga, #1)
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Japanese people tell me that it's all nonsense: samurai were not in fact ready to commit seppuku at the slightest provocation. They had a strong sense of honor, but were also interested in staying alive. Well, fancy that. Though I'm embarrassed to admit that I believed it when I read the book.
I wish a Japanese author would return the compliment, and write a similarly bogus historical blockbuster about a Japanese hero visiting Europe during the late 16th century and helping Queen Elizabeth I sort out the Spanish Armada, or whatever. If it already exists, someone needs to translate it!
I wish a Japanese author would return the compliment, and write a similarly bogus historical blockbuster about a Japanese hero visiting Europe during the late 16th century and helping Queen Elizabeth I sort out the Spanish Armada, or whatever. If it already exists, someone needs to translate it!
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Reading Progress
Started Reading
January 1, 1982
–
Finished Reading
January 3, 2009
– Shelved
September 28, 2010
– Shelved as:
japanese
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Manu
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Jul 13, 2012 05:36AM

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Having studied Japanese and lived in Japan, I always found this to be an entertaining western look at the same stories which have been told for the last 400 years i Japan.


I found that the Honor System for Seppuku was held in high accord; am I mistaken?
There were severed heads and ceremony for seemingly just cause; although, my memory is aged 21 years.


Of course, we have no evidence that Kalarippayattu was existing at that time. Kerala, as a state, most definitely was not. And any girl from the region is unlikely to have been called Mira, as the name became popular only after became an icon all over India.
But as Justin said above, just because I am from Kerala I need not know whether the above facts are historically accurate, as I would have to live in the fifth century to be sure of that. But I would humbly suggest that it would apply to the author too.
Did James Clavell live in 16th Century Japan, at any time in his career, I wonder?

gladly sire "
I suppose dialogue like that is hard to understand from a certain viewpoint and maybe Clavell exaggerated, but by all accounts he was a fascinated with Japan and studied its history and customs deeply


Eight academic scholar of Japanese history, culture, language, and literature contributed individual essays to a paper entitled “Learning from Shogun.� The scholars point out the “Western fantasy� of Shogun versus reality; but the fantasy was based on actual events and individuals, e.g., Blackthorne was based on William Adams; Mariko was based on Hosokawa Gracia; Toranaga was based on Tokugawa Ieyasu; Buntaro was based on Hosokawa Tadaoki, etc. The scholars agree that Shogun is basically a Western romance fantasy and facts are embellished, but overall, they seem to agree that as a historical fiction, Shogun is a fairly accurate depiction of feudal Japan in the 1600.






I read books written in English about Chinese history by white “experts,� and it’s laughable how shallow it is.
Manny wrote; "Japanese people tell me that it's all nonsense."
Must have missed where this was called something other than fiction. But, hey, those hundreds of year old Japs never lie.
Must have missed where this was called something other than fiction. But, hey, those hundreds of year old Japs never lie.

Well there is such a book by Shusaku Endo named The Samurai


It is clearly not the same mirror plot as Clavel's, this being an official expedition from Japan to Europe, and it appears more meditative than adventurous.




It's interesting that none of the academics, who contributed to Learing From Shogun, addressed its extreme treatment.
(though it's possible I overlooked any objections)
OK, I checked. It seems I'd forgotten. Henry Smith stated (p 94-95):
"If anything, Shogun underemphasizes the specific practice of seppuku, or ritual suicide by disembowelment"
and goes on to say:
"we really know very little about the history and psychological structure of what is after all a very bizarre custom."
"In actual practice, seppuku tended with time to become more and more a matter of formality, with the cutting of the abdomen abbreviated or even eliminated, and death coming with decapitation by the second...This was particularly true during the Tokugawa period, when seppuku became essentially a form of execution reserved for members of the samurai class. Yet the fact remains that the practice survived for many centuries, and Western eyewitness accounts from the nine-teenth century confirm that samurai were indeed able to disem-bowel themselves without flinching. Seppuku survived as a tradition in the modern military class and was given a spectacular revival in the rigorously traditional suicide performed by the writer Mishima Yukio in 1970."
"Given its uniqueness and long survival in practice, seppuku perhaps deserves closer attention by scholars of Japan."
None of this speaks to what "Japanese people" said about the frquency and circumstances of the act - though it seems that Smith believes that Japanese study of it is lacking.
Anyway this is availble here:

Seppuku survived as a tradition in the modern military class and was given a spectacular revival in the rigorously traditional suicide performed by the writer Mishima Yukio in 1970.

My understanding is that "Memoirs of a Geisha" is also full of nonsense
Edward Said wrote about the western susceptibility to mythical concerts of "Orientalism" per the Middle and Near East. Perhaps the Far East, as well.

It's possible that my Japanese informants were wrong, though they seemed pretty sure of themselves.
Interesting! Though based on seeing Paul Schrader's Mishima, I have my doubts about
Seppuku survived as a tradition in the modern military class and was given a spectacular revival in the rigorously traditional suicide performed by the writer Mishima Yukio in 1970.
Thanks for mentioning the film. The wiki article suggests an interesting, if extreme man.
On further reflection, your Japanese informants may well be sincere - though not necessarily reliable - 400 years after Iyeasu's consolidation of power.
(this is not to say Clavell is reliable, either - and I belive he did the usual disclaimer: "this is a work of fiction")
We imagine that we understand our ancestors - cultural and national. In the U.S., for example, the founders are characterized by some as "racist" - even though the concept (as we understand it) may have only begun to emerge then.
(Britian had yet to abolish slavery in 1776)
Japanese concepts of honor may well have been shaken by their surrender and subsequent occupation in 1945 (?)
There may well be an opportunity for "scholar at a distance" on this matter - Smith's short treatment suggests so.
Michael wrote:
Edward Said wrote about the western susceptibility to mythical concerts of "Orientalism" per the Middle and Near East. Perhaps the Far East, as well.
The Japanese, themselves, may also be susceptible to their own modern myths regarding their cultural/national past - and not just those concerning honor and its manifestations.
Again, in the U.S., we debate the notion of American Exceptionalism.
"Opponents" on this particular myth seem to exclude both the ugly and the truly exceptional about America.
In particular America has tried an "exceptional" modern political experiment. Not from whole cloth, however. Ours is a hybrid, which started "on the rock" well before the Mayflower Compact.



Why? I'm not going to trust the average American's understanding of American history over a that of a German who has a PhD in the subject.




To be frank I'm too lazy to look up and cite all this so take it with a grain of salt, though it should be easy enough to fine.
I mean to say I agree with you and your friends assertions about seppuku


Sala, all I'm doing is suggesting a marketing opportunity for an enterprising Japanese author of clunky bestsellers. And given my recent discovery that Shakespeare was Italian, why shouldn't the defeat of the Spanish Armada have been the work of a Japanese citizen?
