Audrey's Reviews > Crank
Crank (Crank, #1)
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** spoiler alert **
I don't want this to come across like I'm desensitized to drugs and how they can screw up someone's life, because I've personally seen that happen to many times to ever underestimate the power of addiction. And while I think it's important that YA authors write about these topics in an honest and eye-opening way, I don't think that Hopkins did that, even though her story is based on first-hand experience with meth. I felt that much of her writing was cliche, in terms of language and description. I felt that her characters fell into stereotypical patterns (and could Chase's "dialogue" have been any cheesier?) The form does add some appeal to the novel, though again, I've seen that done before and done much better. Some of these issues, I think, are because of the form's limits (it's hard to develop secondary characters at all when you're writing first person poetry), but others are just limitations of the story itself. I think that there was a lot going on with Kristina that wasn't caused by the drugs -- sure, meth amplified those things, but there were other issues at the root of her bad choices and I thought the author really glossed over them (maybe because she wanted to be able to lay all these problems at the feet of the "monster" rather than take some responsibility herself? I'm not sure.)
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Reading Progress
Started Reading
January 1, 2009
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Finished Reading
January 5, 2009
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Irisjade
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rated it 3 stars
Apr 19, 2010 01:08PM

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Interestingly, I made the same observation--that the addiction was more the main character than Kristana (or Bree, for that matter). I grew up in a small meth-riddled town and can tell you such is often the case with addicts--often what they say and do has more to do with their addiction than with the person. At risk of being melodramatic, it's like they die and become their dependancy. And it's harrowing to watch. So the lack of character development, be it intentional or not, resonated with this as Hopkins' most brutally poignant commentary.





I feel that Hopkins chose these "limitations" purposefully and used them to tell the story that she wanted to. For me, it added a level of immersion that I don't think would have been possible without the dreamlike poetic form.