Brownbetty's Reviews > Eragon
Eragon (The Inheritance Cycle, #1)
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Two or three years ago, everywhere I went there was some display attempting to sell me Eragon, by Christopher Paolini. It was obviously a bad book without opening the cover: the back cover carries a quote from the book, and an endorsement by Anne McCaffrey, and I'm pretty sure I could get that woman to supply a blurb for a double mint wrapper to the effect of "I couldn't put it down! An author ... to watch for!" The quote is "Wind howled through the night, carrying a scent that would change the world." Please note, the author has just claimed that the world is going to be changed by a smell. Which would actually be an interesting book, sadly, not this one. I know this, because that quote is the first sentence of the book, and what the author means is "Wind howled through the night, carrying a scent giving warning of the coming of persons who would set in motion events that would change the world." I know, it lacks a certain something.
Better the eighty percent of the pit of voles, but still, undeserving of being published.
I do not blame Paolini for writing a bad book. People write, and sometimes, they write badly. But I do blame the editor, and his publishing house. This book is crap, and it should have been obvious to anyone who read it. The main character's most interesting bit of characterization and only vestige of personality is that he collects rocks, and this is only mentioned in one paragraph. He's a transparent sue. Everyone acts as if they have just acquired their motivations and history on a 3x5 card before walking on for their scene.
The plot is a clumsy clunker that is foreshadowed on page 22. He has never known his father, and his mother refused to answer questions about him! Do you think this will turn up again later? His name is Eragon. Like dragon, but with an E. An old man pops in to tell what in a better novel would be suspiciously appropriate myths and folktales every time Eragon needs to know what is going on.
Descriptive sections are often incomprehensible, as for example, "His hand was numb, his fingers paralysed. Alarmed, he watched as the middle of his palm shimmered and formed a diffuse white oval." The only reason I know what the author is intending to say there is because I have read enough fantasy to recognize the Mystical Mark.
Our hero makes decisions that make no sense, simply because they are necessary to move the plot forward. Obstacles like hiding a dragon from those living in your house are hand waved away in two paragraphs. Things that oughtn't be obstacles, like buying groceries, are, just to build sympathy with the protagonist by inserting baseless discrimination.
Why publish this!? Were they incapable of finding something more deserving? Was this book even edited? Is he someone's nephew? Publishing this book is an insult to readers and a disservice to writers everywhere, including Mr. Paolini. It's like telling someone they look great when they have spinach in their teeth. Dammit!
Better the eighty percent of the pit of voles, but still, undeserving of being published.
I do not blame Paolini for writing a bad book. People write, and sometimes, they write badly. But I do blame the editor, and his publishing house. This book is crap, and it should have been obvious to anyone who read it. The main character's most interesting bit of characterization and only vestige of personality is that he collects rocks, and this is only mentioned in one paragraph. He's a transparent sue. Everyone acts as if they have just acquired their motivations and history on a 3x5 card before walking on for their scene.
The plot is a clumsy clunker that is foreshadowed on page 22. He has never known his father, and his mother refused to answer questions about him! Do you think this will turn up again later? His name is Eragon. Like dragon, but with an E. An old man pops in to tell what in a better novel would be suspiciously appropriate myths and folktales every time Eragon needs to know what is going on.
Descriptive sections are often incomprehensible, as for example, "His hand was numb, his fingers paralysed. Alarmed, he watched as the middle of his palm shimmered and formed a diffuse white oval." The only reason I know what the author is intending to say there is because I have read enough fantasy to recognize the Mystical Mark.
Our hero makes decisions that make no sense, simply because they are necessary to move the plot forward. Obstacles like hiding a dragon from those living in your house are hand waved away in two paragraphs. Things that oughtn't be obstacles, like buying groceries, are, just to build sympathy with the protagonist by inserting baseless discrimination.
Why publish this!? Were they incapable of finding something more deserving? Was this book even edited? Is he someone's nephew? Publishing this book is an insult to readers and a disservice to writers everywhere, including Mr. Paolini. It's like telling someone they look great when they have spinach in their teeth. Dammit!
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Reading Progress
Started Reading
January 1, 2004
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Finished Reading
August 12, 2007
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Comments Showing 1-50 of 132 (132 new)
message 1:
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Brownbetty
(last edited Aug 25, 2016 01:33PM)
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Nov 05, 2007 09:18AM

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This was famously self-published by the young author's parents, and one of his readers happened to be the son or nephew of a big honcho in publishing, who raved about it. So we get two camps: those who think people who don't like it are just jealous, and those who insist bad writing shouldn't be published, and age is no excuse.
Frankly, the "debate", such as it is, is more interesting than the book itself.


I liked how the book opened up and I usually never read the prologue and when you went on how it was a "clumsy clunker" you completely lost me.
Then when you said "Descriptive sections are often incomprehensible, as for example, "His hand was numb, his fingers paralyzed. Alarmed, he watched as the middle of his palm shimmered and formed a diffuse white oval." I understood that line with ease. I can understand you having a problem with the repeat of what was basically said with "his fingers paralyzed" But in all it was comprehensible to me cause I used my imagination.
Oh then when you said "Our hero makes decisions that make no sense". He's human for crying out loud we all make decisions that make no sense. Actually they do make sense just not to other people. I really hope you read the whole of the story and yes some parts where disappointing but in all it was a good book as well story.
This book also targeted mainly the teenagers and not really the adult category, so if your an adult then I understand why you'd hate it.



I think you right on that point. The feeling I got through the book as I read it was, "Well this is nice Star Wars with Dragons."
Could not possibly agree more with you, Brownbetty. It was a terrible book, like a dumbed-down version of something else.

I was recommended the book by a relative, who thinks whatever is popular is good. I was told that the author was young when he wrote it and very talented. At the time, I wasn't aware of the conditions surrounding the publication of the book and thought it must be amazing.
When I started reading Eragon I was completely disappointed. I had higher expectations and instantly thought that this writing was similar to the writing my friends and I had done years ago. I didn't get past the first few pages. I then looked up Eragon, learned the story behind the book and was furious that I had bought the book.
I confirmed my suspicions about the writing style with a writing buddy I had stayed in contact with. I sent her a few paragraphs from the beginning and she said it sounded like a bad forum role play.
I think the writing is typical of a fifteen year old. It certainly wasn't anything brilliant and I can't say anything for the plot since I never touched the book again.
I know it wasn't Christopher's fault and what I read about how his family encouraged him and promoted his work was kind of enduring. However, I feel insulted, as a reader and writer, by Random House/Knopf and, if I had a little less restraint, I might like to demand an apology.

Instead of signing any sort of 'Breaking Dawn' petition over what an atrocity that book was, I sort of wonder if there shouldn't be one for this whole series.




message 18:
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Love (#1 BEATLES FAN IN THE ENTIRE UNIVERSE)
(last edited Mar 03, 2009 11:55AM)
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rated it 5 stars



The thing is, just because a person created something under difficult circumstances doesn't make it worthwhile. If a blind man paints a picture of a landscape and I can sort of tell what it is, does that make it a great piece of art? Regardless of Paolini's age or circumstances, I have to regard the book on its own merits, and on its own merits the book is a derivative, poorly-written, rambling mess. That it's a derivative, poorly-written, rambling mess created by a young person doesn't change what it is.




But that is how writers see there books, they see them as movies in there head that must be writtin, they see them as lives that must be lived. They don't just write randomly about nothing there are worlds in there heads that scream for freedom and that is just that writers interpretation of the story not a book made just for you give it a chance read it again I garentee that you'll like something in it. and even if you don't like it don't slander it just becaue it isn't something that suits your fancy Other people live for these books and love them dearly

actually he was homeschooled and had graduated college before really writing the book whaile still in school he just had the ideas

I did like the book, but it's full of flaws.

Even you and I could write 491 pages... of incompetent trash. But that would just be a waste of time. A bad-quality book is bad, even if its author or its length is indeed extraordinary.
Personally, I want to blame Paolini, not his editors or publishers. Doesn't it seem kind of arrogant of him to think that the shallow-ish stuff he thought up as a fifteen-year-old was worthy of becoming a book? I mean, even if he'd edited and changed it to death when he became older, some things just can't improve unless you rethink the entire story, which I feel like he didn't do.

I haven't read the book yet, but I haven't heard much good about it. You know, other than OMG!!! It rulez!!!!!!!1! You suck if you hate it!!!!!!!!!111111

The book is loaded with plot-holes, two-dimensional characters, no originality whatsoever, and a borderline-sociopath god-mode Marty-Stu for a protagonist.
Well done Brownbetty! A masterpiece!

The book is loaded with plot-holes, two-dimensional characters, no originality whatsoever, and a borderline-sociopath god-mode ..."
I agree with this, not only that, but the borrowed elements from many other books, some not as well known, is pretty much a way to say, THIS BOOK IS BAD.
For all people who think Eragon is bad, go to

Its really annoying when ppl write bad reviews for books....
And please don't try to press your opinion on me, I happen to really like this book!

A few people mentioned that the name Eragon is derived from Dragon, replacing the D with an E. It's also a reference to The Lord of the Rings, Aragorn. I don't know if that was the author's intention, but that is the first thing that came to my mind.
To Kendall: It can be annoying when people write a bad review for a book you loved but hey, it is an opinion. People have different opinions. That's okay.

SO MANY ELEMENTS WERE STOLE FROM DAVID EDDINGS.
If you haven't read any of his books, they are amazing. The insignia on Eragon's hand is the same as the one one the main character of the Belgariad, by David Eddings. Even the way magic is used is the same.

I understand what you are saying, but it really ticks me of when people talk about how awesome Paolini is when he stole so many things. Many ideas he stole were from lesser known novels, and it makes me mad to see him as more successful than some much better writers. Also about the why don't you write something better, don't say this. Think about movie reviewers etc.



I am not twelve and I read alot, but I loved this book maybe it is full of plot holes ect, however I read it cover to cover in a night. I went to work the next day obviously a little out of it. If a book like this gets someone reading than in my opinion that is an accomplishment.
I am not twelve nor is this my first book, I read alot, I loved this book and it's subsequent sequels. I think if you read it with the heart of a teenager it's very enjoyable. That Paolini wrote this when he was fifteen is to some remarkable and to others obnoxious but to me if this book gets some kids interested in reading as a whole than that is a great accomplishment.