欧宝娱乐

Elizabeth Gilbert's Pilgrims (first published in 1997) has come in for a fair bit of criticism on 欧宝娱乐 -- mainly, I think, because it is so different from her humongous bestseller Eat, Pray, Love. I get the impression many readers go into this collection of short stories expecting it to be a re-tread of themes discussed in Eat, Pray, Love, only to be fiercely disappointed and unforgiving when they find out it isn't. It's a pity many readers can't judge the book on its own merits, for Pilgrims is an accomplished collection of short stories. In my opinion, it showcases Elizabeth Gilbert's gifts as a writer better than does Eat, Pray, Love, but I guess it doesn't contain enough soul-searching and navel-gazing for the average fan of that book.

The twelve stories contained in Pilgrims are refreshingly diverse and unsentimental. They are set all over the USA, and feature a wide range of characters: directionless fifteen-year-old boys, brilliant and less brilliant magicians, brassy cowgirls, shy artists, incestuous bar owners, punch-happy protective older brothers, overambitious porters, pretentious students who like to pretend they're British aristocrats, and so on. The situations in which Gilbert puts these characters are equally diverse, but they do have a few things in common. For one thing, many stories revolve around characters learning important things about themselves, frequently finding things they did not even know they were looking for. For another thing, they all share a certain sympathy and compassion. No matter how silly or downright stupid some of Gilbert's characters are, the author never stoops to judge them, treating them instead with a tolerance that borders on respect. I like that, just like I like the fact that Gilbert never feels compelled to tell her characters' whole histories. The twelve stories in Pilgrims are not miniature novels; instead they are slices of life that start in medias res and end there. They capture a moment in time rather than a story, and as far as I'm concerned, they capture it well -- no need for more background or closure.

The best thing about Pilgrims is Elizabeth Gilbert's fabulous ear for dialogue. Readers familiar with Eat, Pray, Love will know that Gilbert excels at writing lively and witty dialogue. In Pilgrims she does an even better job of it, sketching complete (and again, very diverse) characters by means of short, frequently absurd exchanges. Many of her dialogues are quirky as hell, but they suit the characters and situations so well that they always feel genuine and right. As a beginning novelist, I quite envy Gilbert for the ease with which she gives all her characters a voice of their own, but I digress...

As I was saying, Pilgrims may not appeal to the millions of navel-gazing self-seekers who ate up Eat, Pray, Love , but those who like original and unsentimental slices of life with good characterisation and vivid dialogue should appreciate it a lot. I know I did!