Mirnes Alispahić's Reviews > Another Country
Another Country
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People don't have any mercy. They tear you limb from limb, in the name of love. Then, when you're dead, when they've killed you by what they made you go through, they say you didn't have any character. They weep big, bitter tears - not for you. For themselves, because they've lost their toy.
For James Baldwin, love is the only human possibility, terrifying, but nevertheless the only one we have and there is no law or person who can tell us who we should love. If we lie about it, we live in a lie, building an immaculate colored facade for society as chaos unfolds inside. Love is sometimes another country that we don't know about, as Baldwin so aptly put it.
Love, just like in Giovanni's Room, is the foundation of Baldwin's third novel, "Another Country", upon which he builds further topics he knew a great deal about, racism, class differences, and human relations. Through a group of friends and their connections, Baldwin shows to what extent he was a good observer, a connoisseur of people and, above all, how vast his knowledge was of the inner mechanism that animates us all.
Through the prism of sexuality and love Baldwin brings the story of Cass, a housewife in a seemingly perfect marriage whose illusion is shattered after she realizes she got into the relationship for the wrong reasons, that it was her ticket to leaving an environment where she didn’t feel at home; about Vivaldo, an unpublished writer struggling with his novel and his sexuality, a man who is in a toxic relationship with his best friend's sister because that's how he channels feelings for him, and guilt makes him believe in love, a feeling unknown to him; about Ida, a young African-American woman who carries with her resentment over the death of her brother, over the color of her skin and that of her lover, a girl who tries to get out of the mud of racism without choosing ways to do so; about Rufus, once a promising musician, now only a shadow of his former self wandering the streets of the city eaten away by guilt for his deeds because he was left without love due to repressed sexuality and became a monster he never wanted to be; about Eric, a fugitive and a returnee.
Each of these characters has their own story and a different idea of love, but none of them can say that they really know what true love is because they hide behind lies, behind marriage, behind sexuality, behind skin color. Suppressed feelings drive them to the edge of the abyss.
"Another Country" is not a geographical term, but a symbol of alienation due to the norms imposed by society, all that Baldwin went through in the 13 years he wrote that book. A novel that was a brave move at the time of its publication, but whose themes are still relevant today, 60 years after its publication, which speaks volumes about its quality.
For James Baldwin, love is the only human possibility, terrifying, but nevertheless the only one we have and there is no law or person who can tell us who we should love. If we lie about it, we live in a lie, building an immaculate colored facade for society as chaos unfolds inside. Love is sometimes another country that we don't know about, as Baldwin so aptly put it.
Love, just like in Giovanni's Room, is the foundation of Baldwin's third novel, "Another Country", upon which he builds further topics he knew a great deal about, racism, class differences, and human relations. Through a group of friends and their connections, Baldwin shows to what extent he was a good observer, a connoisseur of people and, above all, how vast his knowledge was of the inner mechanism that animates us all.
Through the prism of sexuality and love Baldwin brings the story of Cass, a housewife in a seemingly perfect marriage whose illusion is shattered after she realizes she got into the relationship for the wrong reasons, that it was her ticket to leaving an environment where she didn’t feel at home; about Vivaldo, an unpublished writer struggling with his novel and his sexuality, a man who is in a toxic relationship with his best friend's sister because that's how he channels feelings for him, and guilt makes him believe in love, a feeling unknown to him; about Ida, a young African-American woman who carries with her resentment over the death of her brother, over the color of her skin and that of her lover, a girl who tries to get out of the mud of racism without choosing ways to do so; about Rufus, once a promising musician, now only a shadow of his former self wandering the streets of the city eaten away by guilt for his deeds because he was left without love due to repressed sexuality and became a monster he never wanted to be; about Eric, a fugitive and a returnee.
Each of these characters has their own story and a different idea of love, but none of them can say that they really know what true love is because they hide behind lies, behind marriage, behind sexuality, behind skin color. Suppressed feelings drive them to the edge of the abyss.
"Another Country" is not a geographical term, but a symbol of alienation due to the norms imposed by society, all that Baldwin went through in the 13 years he wrote that book. A novel that was a brave move at the time of its publication, but whose themes are still relevant today, 60 years after its publication, which speaks volumes about its quality.
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Reading Progress
April 7, 2022
–
Started Reading
April 7, 2022
– Shelved
April 11, 2022
–
20.98%
"“But it’s not possible to forget anybody you were that hung up on, who was that hung up on you. You can’t forget anything that hurt so badly, went so deep, and changed the world forever. It’s not possible to forget anybody you’ve destroyed.�"
page
94
April 19, 2022
–
58.71%
""People don't have any mercy. They tear you limb from limb, in the name of love. Then, when you're dead, when they've killed you by what they made you go through, they say you didn't have any character. They weep big, bitter tears - not for you. For themselves, because they've lost their toy.""
page
263
April 25, 2022
–
Finished Reading
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s.penkevich
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Mar 01, 2023 02:25PM

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When I was reading "Giovanni's Room", my first Baldwin's novel, I was speechless with the ease his sentences flow. The depth of his writing. Then I read "Another Country" which left me wanting more. Baldwin was a great writer, that's for sure.

When I was reading "Giovanni's Ro..."
Oooo okay, I'm going to finally read Giovanni's Room then. Every June I declare I am going to read it for Pride Month and then...somehow never have haha.
The flow is a good way to put it. It wasn't until writing his sentences on here that I realize how heavily punctuated they are--so much direction with dashes and commas, which I think helps drive it like a drum beat more than anything? There's almost a Faulkner vibe to how well he can work a long sentence without feeling long.

When I was reading..."
Don't wait Pride month. Just read it :D People classify it as a LGBT literature, but Baldwin himself was against it, and I agree. Literature shouldn't have labels of any kind. At least I'm not put any. A good novel is a good novel, regardless of anything. If anything, that was a brave novel written by someone who had the guts to write it. It's not only about sexuality. Baldwin puts other things as well.
Some authors have this rhythm when writing, and I simply enjoy it. Can't but marvel at their talent. And envy them a bit.


Good point. Was reading him talk about how for Room he worried he couldn’t tackle both being Black and being queer at the same time and still publish, so it’s interesting to see that Another Country he took on both themes. Though I guess it took him over a decade to finally finish and he said he really struggled with writing it and kept wanting to abandon it. Makes me appreciate Another Country even more for how well the two themes are really balanced effectively. But yea, certainly brave novels to write and publish.
Agree on literature not needing labels as well. It seems with social media that is becoming more and more prevalent too, like tiktok loving to classify books by tropes, but seems more self-serving on marketing than the book and Author.

I believe you'll fall in love with his writing as soon as you start reading him, Ilse. This or Giovanni's Room. Whichever you choose first, you won't go wrong.

When you read something like that, it's kind of rude toward the author to stick a label onto his work. I mean, he wrote the novel for 13 years, damn it. You can't just come and label it, to put all of that into one or two words to define it.
Yeah, social media are degrading everything, more or less.

You're welcome, Jaidee. I just hope you're going to love it as much as I did. It's really hard not to like it.