booklady's Reviews > Silence
Silence
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booklady's review
bookshelves: 2009, biography, classic, crime, fiction, hagiography, historical-fiction, religion, theology, spiritual, worth-reading-over-and-over
Apr 13, 2009
bookshelves: 2009, biography, classic, crime, fiction, hagiography, historical-fiction, religion, theology, spiritual, worth-reading-over-and-over
Silence is a modern classic by Shusaku Endo. On the cover a crucified Jesus hangs from Japanese writing characters. My friend, Carol, recommended this book to me awhile back and I've had it sitting on my bookshelf. Then during Holy Week while I was finishing Fr. Neuhaus� Death on a Friday Afternoon, he mentions the heroic struggles of the European missionaries who gave their all to travel around the world to share the Gospel message. Sometimes it just seems appropriate to leave off one book and seek out another, as if you are being led to it.
Silence tells a fictionalized story of what may have happened to two Portuguese priests who ventured onto mainland Japan during the persecution of the Christians around 1643. The story is told � brilliantly and poignantly � through the eyes of one Sebastian Rodrigues. The all important thing was to suffer and die a glorious martyr’s death. It was unthinkable that those who did not know Christ could devise any suffering, whether it be physical, mental, emotional or even spiritual which would lead the true believer to recant—but then this was before the days of Vietnam and the Japanese POW camps. Then it was believed no pain, deprivation, imprisonment, torture of oneself or one’s fellows—however prolonged, could ever be so bad it couldn’t be endured for love of God. It was simply a matter of one’s faith and will.
Silence is about the silence of God. I was 96 pages into the book before it occurred to me to keep track of all the times Shusaku Endo used the word, ‘silence�, ‘silent� or ‘silently�, as well as words about sound. I had a feeling it was central to the story. From then until the end of the book (page 191) I counted fifty-one more times; I may have missed a few. It might have been a silly exercise—like something a high school English teacher would have you do—but I didn’t mind. And it focused my reading just when plot action came almost to a halt and most everything which was ‘happening� was in the main character’s mind, or as experienced through his senses.
Silence is a powerful book. It seems to have as much to say about East meets West as it does about evangelization, martyrdom and the true voice of God. It is one Christian man’s search for the meaning of ‘the mud swamp Japanese in me�. ‘Japan is a mud swamp because it sucks up all sorts of ideologies, transforming them into itself and distorting them in the process.� (p. xv) Sound like another country we all know and love?
Silence will leave you different than it found you. 'Be still (silent?) and know that I am God.' (Psalm 46:10)
Silence tells a fictionalized story of what may have happened to two Portuguese priests who ventured onto mainland Japan during the persecution of the Christians around 1643. The story is told � brilliantly and poignantly � through the eyes of one Sebastian Rodrigues. The all important thing was to suffer and die a glorious martyr’s death. It was unthinkable that those who did not know Christ could devise any suffering, whether it be physical, mental, emotional or even spiritual which would lead the true believer to recant—but then this was before the days of Vietnam and the Japanese POW camps. Then it was believed no pain, deprivation, imprisonment, torture of oneself or one’s fellows—however prolonged, could ever be so bad it couldn’t be endured for love of God. It was simply a matter of one’s faith and will.
Silence is about the silence of God. I was 96 pages into the book before it occurred to me to keep track of all the times Shusaku Endo used the word, ‘silence�, ‘silent� or ‘silently�, as well as words about sound. I had a feeling it was central to the story. From then until the end of the book (page 191) I counted fifty-one more times; I may have missed a few. It might have been a silly exercise—like something a high school English teacher would have you do—but I didn’t mind. And it focused my reading just when plot action came almost to a halt and most everything which was ‘happening� was in the main character’s mind, or as experienced through his senses.
Silence is a powerful book. It seems to have as much to say about East meets West as it does about evangelization, martyrdom and the true voice of God. It is one Christian man’s search for the meaning of ‘the mud swamp Japanese in me�. ‘Japan is a mud swamp because it sucks up all sorts of ideologies, transforming them into itself and distorting them in the process.� (p. xv) Sound like another country we all know and love?
Silence will leave you different than it found you. 'Be still (silent?) and know that I am God.' (Psalm 46:10)
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Quotes booklady Liked

“If we did not believe that truth is universal, why should so many missionaries endure these hardships? It is precisely because truth is common to all countries and all times that we call it truth. If a true doctrine were not true alike in Portugal and Japan we could not call it true.”
― Silence
― Silence

“I do not believe that God has given us this trial to not purpose. I know that the day will come when we will clearly understand why this persecution with all it's sufferings has been bestowed upon us -- for everything that Our Lord does is for our good. And yet, even as I write these words I feel the oppressive weight in my heart of those last stammering words of Kichijiro in the morning of his departure: "Why has Deus Sama imposed this suffering on us?" and then the resentment in those eyes that he turned upon me. "Father", he had said "what evil have we done?"
I suppose I should simply cast from my mind these meaningless words of the coward; yet why does his plaintive voice pierce my breast with tall the pain of a sharp needle? Why has Our Lord imposed this torture and this persecution on poor Japanese peasants? No, Kichijiro was trying to express something different, something even more sickening. The silence of God. Already twenty years have passed since the persecution broke out; the black soil of Japan has been filled with the lament of so many Christians; the red blood of priests has flowed profusely; the walls of churches have fallen down; and in the face of this terrible and merciless sacrifice offered up to Him, God has remained silent.”
― Silence
I suppose I should simply cast from my mind these meaningless words of the coward; yet why does his plaintive voice pierce my breast with tall the pain of a sharp needle? Why has Our Lord imposed this torture and this persecution on poor Japanese peasants? No, Kichijiro was trying to express something different, something even more sickening. The silence of God. Already twenty years have passed since the persecution broke out; the black soil of Japan has been filled with the lament of so many Christians; the red blood of priests has flowed profusely; the walls of churches have fallen down; and in the face of this terrible and merciless sacrifice offered up to Him, God has remained silent.”
― Silence

“I, too, stood on the sacred image. For a moment this foot was on his face. It was on the face of the man who has been ever in my thoughts, on the face that was before me on the mountains, in my wanderings, in prison, on the best and most beautiful face that any man can ever know, on the face of him whom I have always longed to love. Even now that face is looking at me with eyes of pity from the plaque rubbed flat by many feet. « Trample ! » said those compassionate eyes. « Trample ! Your foot suffers in pain ; it must suffer like all the feet that have stepped on this plaque. But that pain alone is enough. I understand your pain and your suffering. It is for that reason that I am here. »
« Lord, I resented your silence. »
« I was not silent. I suffered beside you. »”
― Silence
« Lord, I resented your silence. »
« I was not silent. I suffered beside you. »”
― Silence

“Sin, he reflected, is not what it is usually thought to be; it is not to steal and tell lies. Sin is for one man to walk brutally over the life of another and to be quite oblivious of the wounds he has left behind.”
― Silence
― Silence

“It is easy enough to die for the good and beautiful; the hard thing is to die for the miserable and corrupt.”
― Silence
― Silence

“But pity was not action. It was not love. Pity, like passion, was no more than a kind of instinct.”
― Silence
― Silence

“Man is a strange being. He always has a feeling somewhere in his heart that whatever the danger he will pull through. It's just like when on a rainy day you imagine the faint rays of the sun shining on a distant hill.”
― Silence
― Silence

“There are neither the strong nor the weak. Can anyone say that the weak do not suffer more than the strong?”
― Silence
― Silence

“We priests are in some ways a sad group of men. Born into the world to render service to mankind, there is no one more wretchedly alone than the priest who does not measure up to his task.”
― Silence
― Silence

“The reason why darkness terrifying for us, he reflected, is that there remains in us the instinctive fear the primitive man had when there was as yet no light.”
― Silence
― Silence
Reading Progress
Started Reading
April 6, 2009
–
Finished Reading
April 13, 2009
– Shelved
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I agree with you. I think that the words used throughout the novel all contribute specifically towards the main message, noise probably being the concept. I didn't realize that "silence" was being used so many times until I got to the last few chapters. Shusaku Endo did a really great job with diction. :)
Thanks for the recommendation