Matt's Reviews > Frankenstein
Frankenstein
by
It was a dark and dreary night in the summer of 1816, which was not really a summer ...
This is how Frankenstein begins. However, not the story in the book, but the story of the book. On that night, Mary Wollstonecraft Shelley (then 19 years of age), her husband, the poet Percy Bysshe Shelley, and their neighbor, none other than the famous English poet Lord Byron, were discussing the possibility of reanimating a corpse with electricity, thereby giving life to a lifeless subject. This discussion stroke a spark in Mary which eventually brought life to Frankenstein. First, it was only a short story Mary told her family and friends, from which she then worked out the novel, which was published for the first time in 1818 (then anonymously).
Frankenstein is the story of the mad scientist who, driven by ambition and thirst for knowledge, builds a creature composed of body parts, gives life to it, only to leave it to its own devices, disgusted by the abhorrent results of his efforts. A fatal error that all parties must bitterly regret later in the course of the story.
Frankenstein is generally associated with the horror genre. I don't object this classification, but I think it has also elements of many other genres. Adventure and travel, friendship, family and romance, everything is represented. The approach of the scientist (who is referred to in this book as a Natural Philosopher) gives the whole thing a touch of science fiction (although this term probably wasn't invented at that time). Interestingly enough, the author has moved the story to the past, namely to an anonymous year 17__ of the previous century.
The bookends to this story is a kind of letter-diary-narrative of an English adventurer who rescues Frankenstein of death in the Arctic Ocean. In gratitude, Frankenstein tells him his story. This first-person narrative of Frankenstein is the main part of the book. Embedded in this is another first-person narrative from the perspective of the "monster" and in there is a mini family story of people encountered by the monster on his trip. This sounds complicated, but in fact it's not. At least not more than the modern day form of several parallel story lines. I enjoyed this form of narrative a lot. It has something of a Scheherazade story telling to it.
As a non-native speaker I had slight difficulties with the language in the beginning. The novel is, after all, almost two hundred years old and the then English is a lot different from today's. But gradually I was able to overcome these difficulties. The expression is, probably not unusual for the time, mainly naturalistic / romantic, possibly influenced by Lord Byron. Dialogs are rare, and they sound more like monologues. But once you get involved with the thoughts and expressions of the protagonists, at some point, it's fun to dive into the story and swim along. That's one of the objectives when reading novels, is it not?
I'm sure Mary Shelley hasn't meant for her book to be made into film (the first silent movie being 75+ years down the road). Nevertheless there are numerous cinematic versions of this novel. Most of them apparently are way off the original content of the book. I bought the 1994 movie (directed by Kenneth Branagh, starring Branagh and Robert de Niro) because it's said that this is the closest one to the book. We'll see. In addition to films there are all kinds of things available. I made a quick search for "Frankenstein" on Amazon and got results in virtually all departments. Books, Films, Music, Clothing, Shoes you name it. Even in the Baby department I found a "Funny Frankenstein Infant Bodysuit". If this isn't an indication of how influential this story has become, I don't know what is.
This book surly is part of important world literature that every serious reader should read at least once.
PS The subtitle "The Modern Prometheus" opened the gate to many thoughts I have about the underlying meaning of the story. Seldom I jotted down so many notes while reading a book. But to elaborate on this would be more like writing an interpretation and not a review.
This work is licensed under a .
by

It was a dark and dreary night in the summer of 1816, which was not really a summer ...
This is how Frankenstein begins. However, not the story in the book, but the story of the book. On that night, Mary Wollstonecraft Shelley (then 19 years of age), her husband, the poet Percy Bysshe Shelley, and their neighbor, none other than the famous English poet Lord Byron, were discussing the possibility of reanimating a corpse with electricity, thereby giving life to a lifeless subject. This discussion stroke a spark in Mary which eventually brought life to Frankenstein. First, it was only a short story Mary told her family and friends, from which she then worked out the novel, which was published for the first time in 1818 (then anonymously).
Frankenstein is the story of the mad scientist who, driven by ambition and thirst for knowledge, builds a creature composed of body parts, gives life to it, only to leave it to its own devices, disgusted by the abhorrent results of his efforts. A fatal error that all parties must bitterly regret later in the course of the story.
Frankenstein is generally associated with the horror genre. I don't object this classification, but I think it has also elements of many other genres. Adventure and travel, friendship, family and romance, everything is represented. The approach of the scientist (who is referred to in this book as a Natural Philosopher) gives the whole thing a touch of science fiction (although this term probably wasn't invented at that time). Interestingly enough, the author has moved the story to the past, namely to an anonymous year 17__ of the previous century.
The bookends to this story is a kind of letter-diary-narrative of an English adventurer who rescues Frankenstein of death in the Arctic Ocean. In gratitude, Frankenstein tells him his story. This first-person narrative of Frankenstein is the main part of the book. Embedded in this is another first-person narrative from the perspective of the "monster" and in there is a mini family story of people encountered by the monster on his trip. This sounds complicated, but in fact it's not. At least not more than the modern day form of several parallel story lines. I enjoyed this form of narrative a lot. It has something of a Scheherazade story telling to it.
As a non-native speaker I had slight difficulties with the language in the beginning. The novel is, after all, almost two hundred years old and the then English is a lot different from today's. But gradually I was able to overcome these difficulties. The expression is, probably not unusual for the time, mainly naturalistic / romantic, possibly influenced by Lord Byron. Dialogs are rare, and they sound more like monologues. But once you get involved with the thoughts and expressions of the protagonists, at some point, it's fun to dive into the story and swim along. That's one of the objectives when reading novels, is it not?
I'm sure Mary Shelley hasn't meant for her book to be made into film (the first silent movie being 75+ years down the road). Nevertheless there are numerous cinematic versions of this novel. Most of them apparently are way off the original content of the book. I bought the 1994 movie (directed by Kenneth Branagh, starring Branagh and Robert de Niro) because it's said that this is the closest one to the book. We'll see. In addition to films there are all kinds of things available. I made a quick search for "Frankenstein" on Amazon and got results in virtually all departments. Books, Films, Music, Clothing, Shoes you name it. Even in the Baby department I found a "Funny Frankenstein Infant Bodysuit". If this isn't an indication of how influential this story has become, I don't know what is.
This book surly is part of important world literature that every serious reader should read at least once.
PS The subtitle "The Modern Prometheus" opened the gate to many thoughts I have about the underlying meaning of the story. Seldom I jotted down so many notes while reading a book. But to elaborate on this would be more like writing an interpretation and not a review.
This work is licensed under a .
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Reading Progress
February 12, 2013
– Shelved
March 10, 2013
– Shelved as:
media-ebooks
August 11, 2013
–
Started Reading
August 14, 2013
–
35.0%
"I recall an exchange between Mulder and Scully of the X-Files (Episode 5X6 "The Post-Modern Prometheus")
MULDER: But, given the power, who could resist the temptation to create life in his own image?
SCULLY: We already have that ability, Mulder. It’s called "procreation.""
MULDER: But, given the power, who could resist the temptation to create life in his own image?
SCULLY: We already have that ability, Mulder. It’s called "procreation.""
August 17, 2013
–
75.0%
"I'm no bible expert, but isn't there some kind of contradiction in these:
Genesis 1:27
And God created man in his own image, in the image of God created he him; male and female created he them.
Genesis 2:7
And Jehovah God formed man of the dust of the ground, and breathed into his nostrils the breath of life..."
Genesis 1:27
And God created man in his own image, in the image of God created he him; male and female created he them.
Genesis 2:7
And Jehovah God formed man of the dust of the ground, and breathed into his nostrils the breath of life..."
August 18, 2013
–
Finished Reading
November 9, 2014
– Shelved as:
canonical-goodreads
April 30, 2015
– Shelved as:
before-forever-banned
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Sharon
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rated it 4 stars
Aug 23, 2013 08:18AM

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It's a sad creature in any case. Left alone by his "father" and bewildered.
The thing about Prometheus btw: Everyone knows he stole the fire from the Gods. But he also made man in the first place, out of mud if I remember correctly. Then Zeus got mad at him, and then there is Pandora and her box sent down to Earth. It all fits together. Frankenstein sort of unleashed his creature without really thinking about the consequences, like a thing from Pandora's box. There's this saying I thought about: Quidquid agis, prudenter agas et respice finem which means Whatever you do, do cautiously, and look to the end. I just which people today would consider it more often, but they don't.

Geht es also um männliche Hybris? Zumindest auch!
Shelley hatte da, wenn ich mich richtig erinnere, bereits eine Fehlgeburt erlitten. Auch das könnte in solche Überlegungen hineinspielen.
Ich fand es auch amüsant, dass Frankenstein die beschauliche Schweiz verlässt, um sein Monster zu erschaffen - und wohin treibt ihn sein Forscher-Ehrgeiz, natürlich ins DEUTSCHE Ingolstadt. Auch vor den deutschen Gräueln des 20. Jahrhunderts war Deutschland ganz offenbar ein adäquater Schauplatz für Größenwahn. Faust lässt grüßen.

Und da fällt mir doch sofort diese Szene aus einer Folge von Akte-X ein (THE POST-MODERN PROMETHEUS). Der verrückte Wissenschaftler Pollidori hat Mulder und Scully in seinem Labor gezeigt, wie er Fruchtfliegen gen-manipulierte, so dass sie z.B. drei Augen haben, oder Beine auf dem Rücken wachsen. Mulder war hinreichend fasziniert und fragt Pollidori, ob man das auch an Menschen durchführen könne:
MULDER: Could that be done in humans?
POLLIDORI: That would go against every scientific convention.
MULDER: But could it be done?
POLLIDORI: Theoretically.
(Later, MULDER and SCULLY from a third story barred window watch POLLIDORI leave the "castle.")
MULDER: (to SCULLY) Good night, Dr. Frankenstein.
SCULLY: Despite what you might think, Mulder, designer mutations like these are virtually impossible in humans.
MULDER: That’s not what I just heard.
SCULLY: Mulder, even if they could, no scientist would even dare to perform this kind of experiment on a human.
MULDER: Well, then why do them at all?
SCULLY: To unlock the mysteries of genetics, to understand how it is that even though we share the same genes we develop arms instead of wings. We become humans instead of flies or monsters.
MULDER: But, given the power, who could resist the temptation to create life in his own image?
SCULLY: We already have that ability, Mulder. It’s called "procreation."
____

Den "Gender-Aspekt" hätte ich wohl auch nicht gesehen, wenn ich nicht vor der Frankenstein-Lektüre über diese Lesart gelesen hätte inkl. ein paar biografischer Details über Mary Shelley.

Dann kannst Du den Witz von oben auch nicht verstehen. Dazu muss man die beiden FBI-Agenten Mulder und Scully gut kennen und ihre Stimmen im Ohr haben. Ich kann die Serie nur empfehlen!



Diese Nacht wurde übrigens in Ken Russells Film GOTHIC (mit Gabriel Byrne als Byron!) schön schaurig in Szene gesetzt.
Zu den zeitgeschichtlichen ( und wissenschaftlichen) Hintergründen, hat mir dieses Buch ganz gut gefallen: /book/show/1...
Dass man durch Anlegen elektrischer Impulse sogar sezierte Frösche zum Zucken brachte, hat die Gemüter damals gar sehr fasziniert ;)

Das Buch hört sich echt spannend an. Danke!
Filme sind nicht so unbedingt mein Ding, aber ich mag Gabriel Byrne und werde mal nach GOTHIC Ausschau halten.


Mein Fehler. Ich hatte den Teil mit dem Link aus Deinem in meinen Kommentar kopiert und dabei ist die Buchnummer nach der 1 abgeschnitten worden. Ãœbrig blieb also ein Link auf Buch Nummer 1 und das ist Harry Potter.

Das Buch hört sich echt spannen..."
Ich fand den Film ist absolut grauenhaft und lächerlich. Ich habe ihn auch geschaut, weil ich G. Byrne schätze und die Frankenstein-Geschichte sowieso.

DER BISS DER SCHLANGENFRAU hat mich beim ersten Ansehen ziemlich irritiert, danach fand ich ihn kultig. Ist eine sehr freie Interpretation des Bram Stoker-Romans THE LAIR OF THE WHITE WORM.
GOTHIC fand ich beim ersten Ansehen sehr gut, beim zweiten Mal fand ich ihn auch "gewöhnungsbedürftig". Ich würde ihn nicht wirklich empfehlen, aber bei Gelgenheit mal anschauen ist okay, finde ich ;)

