Emily May's Reviews > The Eternal Return of Clara Hart
The Eternal Return of Clara Hart
by
For the past few years, I've been gradually moving away from reading YA. I used to love it, but I've increasingly felt like the same old themes and characters are being recycled, and that very few offer something to engage me. I, myself, have been moving increasingly away from being a "young adult" so I put it down to that a bit, too.
However, it seems that a compelling, well-written and devastating YA novel can still drag me in and destroy me.
The Eternal Return of Clara Hart uses the Groundhog Day trope to look at themes of culpability, toxic "lad" culture (I guess that would be "bro" culture in the US?) and the possibility of growth and change. I think this latter theme is very important when talking about boys and lad culture, because too many people are happy to believe that certain negative traits are ingrained and immutable. Boys will be boys and all that. But boys, like girls, choose how to act. What to say and what not to say. What to see and what to look the other way from.
Spence finds himself in a loop. Each day he wakes in his car, Clara Hart hits his car, Anthony throws a party, Clara goes upstairs, Clara dies. Each day there are slight variations, but each day Clara ends up dead. What is Spence missing? How can he keep Clara alive?
It is fun and engaging to follow Spence as he pieces things together, ponders Nietzsche's eternal recurrence, tries his best to change things and fails. But it is also a very dark read. In addition to the poignant themes at the centre of the story, Spence is also struggling with grief after his mother's death. His relationship with his father is fraught, neither knowing quite how to connect with the other in their grief.
I know some won't like the end, but it felt exactly what it should be.
by

Consequences. We have to live with ourselves no matter what. Crack after crack at this day, but I'm always me at the end. That's the tragedy.
For the past few years, I've been gradually moving away from reading YA. I used to love it, but I've increasingly felt like the same old themes and characters are being recycled, and that very few offer something to engage me. I, myself, have been moving increasingly away from being a "young adult" so I put it down to that a bit, too.
However, it seems that a compelling, well-written and devastating YA novel can still drag me in and destroy me.
The Eternal Return of Clara Hart uses the Groundhog Day trope to look at themes of culpability, toxic "lad" culture (I guess that would be "bro" culture in the US?) and the possibility of growth and change. I think this latter theme is very important when talking about boys and lad culture, because too many people are happy to believe that certain negative traits are ingrained and immutable. Boys will be boys and all that. But boys, like girls, choose how to act. What to say and what not to say. What to see and what to look the other way from.
Spence finds himself in a loop. Each day he wakes in his car, Clara Hart hits his car, Anthony throws a party, Clara goes upstairs, Clara dies. Each day there are slight variations, but each day Clara ends up dead. What is Spence missing? How can he keep Clara alive?
It is fun and engaging to follow Spence as he pieces things together, ponders Nietzsche's eternal recurrence, tries his best to change things and fails. But it is also a very dark read. In addition to the poignant themes at the centre of the story, Spence is also struggling with grief after his mother's death. His relationship with his father is fraught, neither knowing quite how to connect with the other in their grief.
I know some won't like the end, but it felt exactly what it should be.
Sign into Å·±¦ÓéÀÖ to see if any of your friends have read
The Eternal Return of Clara Hart.
Sign In »
Reading Progress
December 30, 2023
– Shelved
January 4, 2024
–
Started Reading
January 6, 2024
–
Finished Reading
Comments Showing 1-17 of 17 (17 new)
date
newest »

message 1:
by
soda
(new)
Jan 07, 2024 07:41AM

reply
|
flag


Not at all! It is man-hating to say that boys are programmed to sexually assault and harass women. I believe boys are much smarter and more capable than that.
Genuinely, what do you mean by "boys will be boys"?

Thank you! Hope you "enjoy" it also, though that may be the wrong word :)


Nobody deserves sexual assault. I never said masculinity was toxic; I said lad culture is toxic, which it is. To be honest, I've never found anyone who has been able to give a solid definition of "masculinity" anyway, toxic or otherwise, so I've stopped using it. You still haven't explained what you think "boys will be boys" means.
But you have made it clear that we will never see eye to eye. "gender confused sissies" makes it pretty obvious where you're getting your information. Goodbye.

He once observed that in most cultures, coming of age rituals for boys was usually dangerous, demanding and demeaning. The point being, you are not your momma's boy any more, you must find your way among and under males.
Girls, on the other hand were more typically set in a space, alone urged to contemplate that by becoming women (experiencing their Menarche) they were in touch with and part of the magic in nature.
All of this is so I can ask about: “But boys, like girls, choose how to act.� The business of choice is waved about like some kind of magic. I fear it is very misused or maybe misunderstood by the users. True a person can always choose to throw themselves off the nearest cliff, but does that have any functional meaning? Some do and will, most will be constrained by some combination of a instinct to survive and huge society pressures against suicide. So it goes when expecting people, male or female to approach any decision point as if they had the freedoms implied by that statement.
That ability to chose implies a community that teaches or abides a lot of freedoms that most do not. One can chose to stand out from the many on Japan. It can be done, but it is not only frowned upon but almost explicitly a taboo decision. In the US there is a ‘free the nipple� movement, widely regarded as something between a joke and a crime. Madam, I have no objection if you wish to go topless in public, but I have no money to offer you towards bail, nor will I condemn all of the things you are likely to hear.
Choice exists. It is real. But like the universe itself, it is subject to constraints and being shaped by forces external and internal.

I think you make my point quite well for me, Phrodrick. I absolutely agree. The barrier between boys/men and their choices is social and cultural, not innate. That is precisely why we need to change a culture that throws around "boys will be boys" like all male behaviour is inevitable.

Thank you!

Thank you!"
I hope you like it too, Brooke! A friend of mine pushed it to the top of my TBR and I'm so glad she did :)

Also, you never reviewed The Book that Couldn't Burn. I was looking forward to your review of Sword Catcher but then it disappeared from your lists. You are one of the coolest and most reliable reviewers I know of.



Also, you never reviewed The Book that Couldn't Bur..."
Thank you. I am not really interested in YA fantasy anymore unless it's by an author I've already enjoyed. I wanted to give Cassandra Clare another chance after never getting into Mortal Instruments, but then I read some so-so reviews. Think maybe she's just not for me.

Ooh, that's a blast from the past. I really enjoyed Before I Fall back in the day, though can't say this immediately brought it to mind so I imagine they're quite different. But it's been so long I can't be sure... curious to see what you think.

Yes, I agree. I've found a lot of the blurbs sound virtually identical with names changed. I'm just not someone who enjoys reading the same thing over and over.
