Roman Clodia's Reviews > Creation Lake
Creation Lake
by
by

Now Longlisted for the Booker 2024
Rachel Kushner is that cool girl novelist who's also deeply smart and thoughtful. This book is closer to The Flamethrowers than The Mars Room but what they all share is an anarchic energy and a wayward trajectory epitomised by an unruly, unbound female protagonist-narrator (I'm discounting here Kushner's finding-her-feet-as-a-writer book Telex from Cuba).
Kushner's women have a kind of androgyny about them: they're sexy - here self-consciously and manipulatively so - but they also operate in environments that are more often gendered masculine: here as an ex-FBI-style agent now independent and possibly a bit rogue; in other books as part of a motorbike speed-racing group, and in prison.
The mood of this novel is unmoored: 'Sadie Smith', our protagonist, is operating under a pseudonym as she infiltrates a kind of eco-commune in France who may or may not be planning acts of violence. But Sadie's clients are shadowy and morally questionable - is she working for a government agency or for big corporate business interests who want to paint protesters as criminals and terrorists?
This sense of disorientation permeates the text and is complicated by the presence of Bruno's voice: a man with a troubling twentieth century past whose theories of Neanderthal man and whose retreat into the caves of France paint him initially as something between a crank and a cult guru but whose thoughts on how to live under late-stage capitalism form a parallel narrative to the main storyline - and seem to become increasingly judicious and perceptive.
This is not, I'd say, a book for readers who want a clear pull-through and who are uncomfortable with ambiguities at all levels. But for me, this is a fascinating exploration of where we are today, where we have come from and how we might be at a form of crossroads in terms of where our future lies. All that wrapped up (but never neatly or tidily) in a questing, searching, probing narrative that asks serious questions without making itself earnest.
Yep, Kushner is right up there on my list of exciting writers working today.
Many thanks to Random House, Vintage for an ARC via NetGalley
We've ceased to locate ourselves in a larger system, a grand design. We've cut the rope, my children.
Rachel Kushner is that cool girl novelist who's also deeply smart and thoughtful. This book is closer to The Flamethrowers than The Mars Room but what they all share is an anarchic energy and a wayward trajectory epitomised by an unruly, unbound female protagonist-narrator (I'm discounting here Kushner's finding-her-feet-as-a-writer book Telex from Cuba).
Kushner's women have a kind of androgyny about them: they're sexy - here self-consciously and manipulatively so - but they also operate in environments that are more often gendered masculine: here as an ex-FBI-style agent now independent and possibly a bit rogue; in other books as part of a motorbike speed-racing group, and in prison.
The mood of this novel is unmoored: 'Sadie Smith', our protagonist, is operating under a pseudonym as she infiltrates a kind of eco-commune in France who may or may not be planning acts of violence. But Sadie's clients are shadowy and morally questionable - is she working for a government agency or for big corporate business interests who want to paint protesters as criminals and terrorists?
This sense of disorientation permeates the text and is complicated by the presence of Bruno's voice: a man with a troubling twentieth century past whose theories of Neanderthal man and whose retreat into the caves of France paint him initially as something between a crank and a cult guru but whose thoughts on how to live under late-stage capitalism form a parallel narrative to the main storyline - and seem to become increasingly judicious and perceptive.
This is not, I'd say, a book for readers who want a clear pull-through and who are uncomfortable with ambiguities at all levels. But for me, this is a fascinating exploration of where we are today, where we have come from and how we might be at a form of crossroads in terms of where our future lies. All that wrapped up (but never neatly or tidily) in a questing, searching, probing narrative that asks serious questions without making itself earnest.
Yep, Kushner is right up there on my list of exciting writers working today.
Many thanks to Random House, Vintage for an ARC via NetGalley
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Reading Progress
July 16, 2024
– Shelved
July 22, 2024
–
Started Reading
July 26, 2024
–
17.4%
"'But none of these eruptions had resulted in the overthrow of capitalism in any of the advanced industrial nations of the entire European continent - not a single one.'"
page
71
July 27, 2024
–
31.37%
"'Some kind of lunatic, a man who lived in a cave and ranted about cave frequencies, but his descriptions of the region were being confirmed one after the other.'"
page
128
July 27, 2024
–
60.54%
""The Hotel Maurice is like a theatre stage," Vito says, "where we watch the important men of France order a very expensive hamburger.""
page
247
July 27, 2024
–
Finished Reading
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endrju
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rated it 4 stars
Jul 27, 2024 06:26AM

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It didn't work for me and doesn't feel like Kushner had found her voice yet.


I found it the opposite - but you know that from my review!


