Madeline's Reviews > The Catcher in the Rye
The Catcher in the Rye
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In my hand I hold $5.
I will give it to anyone who can explain the plot of this book (or why there is no plot) and make me understand why the hell people think it's so amazing.
I will give it to anyone who can explain the plot of this book (or why there is no plot) and make me understand why the hell people think it's so amazing.
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Reading Progress
Finished Reading
September 24, 2007
– Shelved
July 11, 2008
– Shelved as:
the-list
July 2, 2009
– Shelved as:
kids-and-young-adult
December 29, 2009
– Shelved as:
ugh
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Cynthia
(last edited Aug 25, 2016 12:43PM)
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rated it 3 stars
Sep 26, 2007 02:02PM

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is that 5 spot still on the table? i'm hella broke.

But when I read it in high school, I just looked at the page and saw "Blah blah bullshit bullshit blah blah emo bullshit. Crumby."
Your $5 prize will have to be split between you and the other dozen people who've tried explaining this book to me. Expect your 14 cents to arrive in the mail within 6-8 weeks.



I think, like Anthony says above, Catcher's a story of disillusion -- a primal loss of innocence, which is even pointed out sharply twice in the narrative itself (Mr A tells Holden he's 'heading for a terrible fall,' and Holden actually falls and passes out in the restroom). I think it's not so much about 'alienation' (which everyone says) as loss, the natural loss which takes place in life every moment as a result of the passage of time. Holden indeed is losing Phoebe, his classmates, the girl he loves and the girl he dates, his place in society, everything; and at then at the end he's locked away in some kind of hospital (I think it might've been clearer when it was published he's probably being isolated on suspicion of TB; nowadays readers tend to assume he's in a mental hospital), telling it all to us and an unseen sympathetic narrator (_not_ his older writer-brother, in whom he's disillusioned too -- who _hasn't_ let Holden down?) like some kind of modern teenage boy Scheherazade, trying to preserve his own life in the medium of a story. But it doesn't work; he has nowhere to go.
I think the American educational system's attempt to map it onto all psyches as a parable of Everyteen is mistaken. The book is really specifically, to me, about loss and nostalgia, as in that famous part when Holden thinks even if you could go back to the Museum as a child and nothing had physically changed, _you_ would be different. There's no holding onto anything. The whole action of the plot is him trying to reclaim various bits of his past -- his childhood home, his sister Phoebe, his favourite teacher, the guy who plays the piano (don't remember his name). Jane and D.B. and nearly everyone else he misses are just as gone as Allie.
Buddy Glass says in another Salinger book 'The Great Gatsby was my Huckleberry Finn,' and I think Gatsby permeates this book (Holden even reads it, along with Isak Dinesen and Thomas Hardy). 'Can't repeat the past -- of course you can!' Both Holden and Gatsby try their damndest to recapture the past (Jane and Sally are sort of a combination Daisy) and the final sentences of both books focus on the fatality of nostalgia:
Gatsby believed in the green light, the orgastic future that year by year recedes before us. It eluded us then, but that's no matter--tomorrow we will run faster, stretch out our arms farther....And one fine morning....
So we beat on, boats against the current, borne back ceaselessly into the past.
D.B. asked me what I thought about all this stuff I just finished telling you about. I didn't know what the hell to say. If you want to know the truth, I don't know what I think about it. I'm sorry I told so many people about it. About all I know is, I sort of miss everybody I told about. Even old Stradlater and Ackley, for instance. I think I even miss that goddam Maurice. It's funny. Don't ever tell anybody anything. If you do, you start missing everybody.
It's interesting to me you liked F&Z but not Holden - Zooey strikes me as being very like Holden,* in his speech patterns and yearning and cynicism. He's kind of like a grown-up Holden who found something to do, and Fanny is more like the lost Holden, finding consolation not in her friends or studies or lover. (Even the structure of the books matches up - Franny more or less confesses herself to Zooey as Holden does to the unseen doctor. Zooey's is the answering confession Holden doesn't get back.) The reversal is that instead of Holden getting an emotional wordless epiphany in Phoebe's presence watching her on the carousel (symbol of childhood, and he doesn't caution her against trying to grab the ring, which is what children do) -- typical of Salinger's early work which also happens in several short stories -- Franny (and the reader)'s directed to her epiphany by the very verbal Zooey.
In fine it's like Wolfe said - you can't go home again, you can't go back to your childhood or youth or family or whatever, and the effort to do so is fatal, psychologically if not physically. (I haven't read Proust so I don't know how well his quest 'in seach of lost time' goes but IIRC it's not presented as tragic. That seems to be perhaps a rather American view.)
*
(If you look at Salinger's published uncollected work there's an interesting overlap between his characters -- John 'Babe' Gladwaller knows the Caufield brothers and his little sister Mattie is a dead ringer for Holden's sister Phoebe, and Franny has also always struck me as a grown-up Phoebe, and then Buddy Glass is jokingly presented as the author of Catcher and Bananafish, as well as supposedly writing F&Z and Seymour, so maybe I'm not as mistaken in thinking there's a -- well, family similarity?)





The Catcher in the Rye is about WW2. It is a story within a story. Holden (which is the name of a car) is just a vehicle to "understand" the WW2. See my review. When you understand that Salinger couldn't say what he knew about this war so he wrote it as a children's book... Just like Felix Salten in Bambi (not the Disney version, which is probably why Salinger didn't get his published.
Salinger tells you this is nit a David Copperfield story. So don't read it like it is about Holden. Hint: look at the first page of David Copperfield to understand "Caiulfields" name.
I hope you will reread it again. This time when you get to the Merry go round play the music Salinger said was playing, and see if that makes sense or if he is using this book to tell you about money, power and war.

Holden's younger sister, Pheobe, represents both innocence and genuineness to Holden, and because of this (and the fact that he's already lost one sibling) he is the most focused on protecting her innocence.The ending of the book shows that Holden has grown from who he was in the beginning because he allows Pheobe to ride the carousel even though he's scared of her falling while trying to grab the gold ring, which is symbolic of Holden accepting that he can't protect her forever and it's better for both of them if he just lets go sometimes.


Seems like you owe that person $5.



Good work, buddy.


Hard pass.

Me? I hate the book. It's phony, as Holden would say.
I really enjoy your writing, btw.



BUT anyway Holden still a egocentric hypocritical phony and the book sucks.




Just because you don't understand something doesn't mean everyone shouldn't read it. It isn't about the plot... It is about the wonderful characters. ex. prostitute=lack of innocence. People really need to dig deeper and look at the characters to understand why this is such an amazing book!

When i first read this book i was hugely disappointed. How could this be a "classic". I nearly chunked it in the garbage.
I changed my mind when a teenager i asked said he would read it again. I thought i must have missed something. I slogged through the book again. Right at the end there is a carousel that is playing the song"Smoke Gets In Your Eyes". If you are not familiar with this song i invite you to listen to it. It is not a happy song.
In fact it was recorded at Abby Road during the war to play to the Germans at the end of the war.
Salinger had a rough assignment during the war! I think that The Catcher in the Rye is an allegory to tell us about War and Power.
Their is so much in The Catcher that it took Salinger 10 years to write it.
Hint, the first paragraph mentionsDavid Copperfield David Copperfield. Read the first page of that book and you will learn something about Holden Caulfield!
Now investigate little further. Read about the history of Holden. A car factory in Australia. Why were they tooling up to make war machines in 1931, way before Hitler came to power.
Oh yeah, who bought the Holden factory. Interesting that every car mentioned in The Catcher is by this car manufacturer, except one. Can you remember which one and what country that car was from.
There are references to books and movies in The Catcher. You must read and watch them all if you are going to piece the "code" together. Why did Salinger have to write a book about ww1 and WW2 (and there is even some references to the civil war) in code?
Because it was a popular war and the victors get to write the history, but Salinger saw a different side to war. Truth is short change in war.
What is also interesting is that Salinger went to Poland for his family business interest before the war. What was he doing?
Read The 39 Steps
Pheobe watched the movie 10 times. Both the movie and the book are reference in The Catcher (like how he got a good goodbye)
Or just for fun read Romeo and Juliet from Holden's point of view. Reason everything through the filter of WW1 and WW2.
But the most frustrating thing was the amount of time he spent talking about ducks. Give me a break. Went through the whole book looking for an explanation....
Then i Google ed
WW2 ducks
Go ahead read about it....who made them. Starting to see the point of the book? Brilliant!




Igor