Jim Fonseca's Reviews > Life of Pi
Life of Pi
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[Revised, pictures and shelves added 2/28/23]
For years I noticed this book on display, particularly its cartoonish paperback cover. Was it a children's book? This Pi stuff -- was it something about math? (Was it plagiarized? See story at end.)
It's a castaway story and like all castaway and shipwreck stories it's about human endurance, indomitable spirit and man vs. nature. The things that distinguish this story from Robinson Crusoe or Tom Hanks in the movie Cast Away, is that the main character (Pi, short for Piscine) is trapped in a lifeboat with a Bengal tiger.

Pi is Indian and he's multi-religious - a true believer in Christianity, Islam, and Hinduism. He comes from a family of zookeepers who were transporting their animals by freighter. This is how he wound up with a tiger in his lifeboat.
It's an inspiring book, but drags in spots -- more than 200 days at sea is a lot of fish and storm stories. I kept waiting for the multi-religious theme to play a real role in the story but it did so only peripherally, so the plot seems a bit disconnected from that theme.
In the end, we are offered two stories: one of murder and cannibalism and one of a journey in the lifeboat with animals. A key line comes at the end of the book as a throwaway: 'Which story do you prefer? So it is with God.' It's a decent read and an interesting plot but as I revise this review, with hindsight, I'm downgrading my rating from 4 to 3.
Life of Pi won the 2002 Booker prize and was a huge seller worldwide � 12 million copies and 1.5 million ratings on GR. But here’s a story I came across when I reviewed another book, The Strange Nation of Rafael Mendes, by Brazilian Jewish author Moacyr Scliar. Here’s the (paraphrased) story from the NY Times obituary for Scliar in 2011 and from Wikipedia:

Scliar wrote a novel, Max and the Cats, about a Jewish youth who flees Nazi Germany on a ship carrying wild animals to a Brazilian zoo. After a shipwreck the boy ends up sharing a lifeboat with a jaguar. The book achieved fame twice over. Critically praised on its publication in 1981, it touched off a literary storm in 2002 when the Canadian writer Yann Martel (b. 1963) won the Man Booker Prize for Life of Pi, about an Indian youth trapped on a boat with a tiger. Mr. Martel’s admission that he borrowed the idea led to an impassioned debate among writers and critics on the nature of literary invention and the ownership of words and images. Martel admitted he got the idea by reading a review of Scliar’s book but said he never read the book itself. “In a certain way I feel flattered that another writer considered my idea to be so good, but on the other hand, he used that idea without consulting me or even informing me,� Mr. Scliar told The NY Times. “An idea is intellectual property.�
Top image is a still from the movie on npr.org
The author from theguardian.co.uk
For years I noticed this book on display, particularly its cartoonish paperback cover. Was it a children's book? This Pi stuff -- was it something about math? (Was it plagiarized? See story at end.)
It's a castaway story and like all castaway and shipwreck stories it's about human endurance, indomitable spirit and man vs. nature. The things that distinguish this story from Robinson Crusoe or Tom Hanks in the movie Cast Away, is that the main character (Pi, short for Piscine) is trapped in a lifeboat with a Bengal tiger.

Pi is Indian and he's multi-religious - a true believer in Christianity, Islam, and Hinduism. He comes from a family of zookeepers who were transporting their animals by freighter. This is how he wound up with a tiger in his lifeboat.
It's an inspiring book, but drags in spots -- more than 200 days at sea is a lot of fish and storm stories. I kept waiting for the multi-religious theme to play a real role in the story but it did so only peripherally, so the plot seems a bit disconnected from that theme.
In the end, we are offered two stories: one of murder and cannibalism and one of a journey in the lifeboat with animals. A key line comes at the end of the book as a throwaway: 'Which story do you prefer? So it is with God.' It's a decent read and an interesting plot but as I revise this review, with hindsight, I'm downgrading my rating from 4 to 3.
Life of Pi won the 2002 Booker prize and was a huge seller worldwide � 12 million copies and 1.5 million ratings on GR. But here’s a story I came across when I reviewed another book, The Strange Nation of Rafael Mendes, by Brazilian Jewish author Moacyr Scliar. Here’s the (paraphrased) story from the NY Times obituary for Scliar in 2011 and from Wikipedia:

Scliar wrote a novel, Max and the Cats, about a Jewish youth who flees Nazi Germany on a ship carrying wild animals to a Brazilian zoo. After a shipwreck the boy ends up sharing a lifeboat with a jaguar. The book achieved fame twice over. Critically praised on its publication in 1981, it touched off a literary storm in 2002 when the Canadian writer Yann Martel (b. 1963) won the Man Booker Prize for Life of Pi, about an Indian youth trapped on a boat with a tiger. Mr. Martel’s admission that he borrowed the idea led to an impassioned debate among writers and critics on the nature of literary invention and the ownership of words and images. Martel admitted he got the idea by reading a review of Scliar’s book but said he never read the book itself. “In a certain way I feel flattered that another writer considered my idea to be so good, but on the other hand, he used that idea without consulting me or even informing me,� Mr. Scliar told The NY Times. “An idea is intellectual property.�
Top image is a still from the movie on npr.org
The author from theguardian.co.uk
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Reading Progress
June 14, 2012
–
Started Reading
June 17, 2012
–
Finished Reading
October 5, 2013
– Shelved
February 28, 2023
– Shelved as:
action-adventure
February 28, 2023
– Shelved as:
canadian-authors
Comments Showing 1-49 of 49 (49 new)
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message 1:
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Lilo
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rated it 5 stars
Jul 13, 2017 09:17PM

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Thanks Lilo, I have not seen it yet

Thanks Lilo, I have not seen it yet"
You MUST see it!
And then, I'd appreciate if you could tell me if you have any idea how they could shoot the scenes on the boat (yes, I know it is a trained tiger--still!) without the leading human actor being eaten (or at least, shred to pieces) by the tiger.
I have never seen any comparable scenes with wild animals in a movie. I have watched many of these scenes over and over, trying to find out how they could have used tricks to shoot these scenes, but did not find any answers.
I also liked the much clearer ending of the movie
better than the ending of the book, which I had found a bit unclear.
Run and get the movie from the library, so that you can watch it tonight. You won't regret it.

Thanks Lilo, I have not seen it yet"
You MUST see it!
And then, I'd appreciate if you could..."
Ah, maybe they "doped up" the tiger? !!!


And the tiger in the film was 85% CGI. ;)

And the tiger in the film was 85% CGI. ;)"
LOL on the CGI!

Thanks Emelia

I haven't read that Linda, but I know the story as I imagine you do too. I happened to have read and reviewed Scliar's "The Strange Nation of Rafael Mendes" - which is a good book itself, and in that review I wrote this:
Scliar was a Brazilian Jewish physician and author who had an interesting connection to Martel’s The Life of Pi. Here’s the story about a novel of Scliar’s published two decades before Martel’s book (this is from the NYT’s obituary for Scliar in 2011):
“Max and the Cats,� about a Jewish youth who flees Nazi Germany on a ship carrying wild animals to a Brazilian zoo and, after a shipwreck, ends up sharing a lifeboat with a jaguar, achieved fame twice over. Critically praised on its publication in 1981, it touched off a literary storm in 2002 when the Canadian writer Yann Martel won the Man Booker Prize for “Life of Pi,� about an Indian youth trapped on a boat with a tiger. Mr. Martel’s admission that he borrowed the idea led to an impassioned debate among writers and critics on the nature of literary invention and the ownership of words and images. “In a certain way I feel flattered that another writer considered my idea to be so good, but on the other hand, he used that idea without consulting me or even informing me,� Mr. Scliar told The New York Times. “An idea is intellectual property.�

I haven't read that Linda, but I know the story as I imagine you do ..."
In this interview, he says it wasn't so much that he used the idea, because writers have been borrowing from each other/in dialogue for centuries. It was the way he blew it off that bothered Scliar.

I haven't read that Linda, but I know the story as I ima..."
so Martel has no class.



It's what broke my heart! "Computer generated images"......the day i found out that Rivendell, the land of the elves in the film "Lord of the Rings" was all CGI and not a real place in NZ that i could visit, was a sad day indeed. . ..

yes I guess it caused quite a flap in the book world

I guess a lot of it was done by computer animation"
There weren't enough peopke in NZ to supply that orc army ! :P

I didn't know that they could do THAT MUCH with computer-generated images.
Is computer animation the same as CGI? I thought the former was just having cartoon characters move as has been done in Disney movies.
Well, I am certainly "behind the hill" with all technology. And being an ESL reader, I also am not up-to-date with abbreviations.

I didn't know that they could do THAT MUCH with computer-generated images.
Is computer animation the same as CGI? I thought the former was just having cartoon characters ..."
Sorry to bust the abbreviations out; that one's been around for a few years, so thought it was more mainstream by now.
If I understand it correctly, animation is drawing/creating something that doesn't exist. What they did with the orc army in LOTR was to film a group of, say, 100 people. Then they simply copied that group and somehow "pasted" it in. It's way more complex than that, but I do know that when I re-watch the film now and then, I"m always looking for the "seams", that place where the group ends and the copy begins. Can never see it. I can't remember whether or not this was also done with Gibson's "Braveheart" armies.....I want to say that it wasn't. As for my dear Rivendell, it was a table-sized model (a very large model at that), plus a couple of studio sets. Sigh.......

Thank you for all the technical information. I didn't se any of the other movies you mentioned. I want to watch "The Life of Pi" again at some time and look for the "seams". I probably won't see them because I already looked the first time for some signs of trickery but could not spot any.

Thank you for all the technical information. I didn't se any of the other movies you mentioned. I want to watch "The Life of Pi" again at some time and look for the "seams". I probably wo..."
Hi,
I really don't know too much about it. You wouldn't see any "seams" with the tiger, because there's only one tiger. If they'd had to create an army of tigers, then you'd look for "seams". Or (I haven't seen the film), the meerkat scene, perhaps.
Here's a quick view of what they do (the dots on the actors' clothing and faces are there to capture their facial expressions, and that's transferred over). Includes Life of PI and other TV shows and films. Apparently, out of the top 50 highest grossing films, 49 used CGI.
This one is on LIfe of Pi, also short (two minutes long)
Similar, and also short. Hope this doesn' t ruin the magic for you, but you can appreciate how much more difficult that acting is than you ever thought!
And more specifically, the tiger itself:

Since you mentioned the LoTR films...think about how much different they would be if they didn't have computers to do all that work for them. The armies would certainly be less impressive, or they wouldn't be able to do those pulled back shots where you can see the entire army. It took decades for them for finally make Tolkein's beloved books into movies because it just wasn't possible before CGI. The dragons, the trolls, the massive armies, the magical cities...none of that was possible to create from scratch by man alone. (Watching Return Of the King last week, I noticed some scenes (Eowyn and Merry riding into battle) are a bit cringey with the effects even now. The technology is always advancing.)
Life of Pi, too, wouldn't have been possible to make as a film without using such effects. A tiger is a tiger, no matter how tame. Not to mention is would not be humane at all to put a tiger in a lifeboat in the middle of the ocean.
Thanks for the info on that original story, Jim and Linda. I had no idea! Martel just lost a ton of respect from me.

Since..."
I think I notice it most when Legolas goes swinging up onto one of those mastodon-like creatures and, after finishing them off, goes sliding down its trunk, catches air, and skids to a landing.
Not to mention Gollum and Smaug! But yes, I'm still feeling guilty :(

Don't feel guilty. The magic is there even knowing that it is all trickery. I wanted it to be trickery anyway. I did not wish the human actor endangered. Neither did I wish the tiger endangered, terrified, or harassed. (I love cats of all sizes. [We have 19 1/2 ordinary house cats.] Actually, I love all animals.)
And thank you for the YouTube links. I will have my husband to finally--FINALLY!--install speakers to my monitor so that I can watch the scenes.

Don't feel guilty. The magic is there even knowing that it is all trickery. I wanted it to be trickery anyway. I did not wish the human actor endangered. Neither did I wish the tige..."
I remember something about kitties on another thread, Lilo! I'm the same, all animals except sharks and special love for cats, horses, monkeys.....:)
The last link above really does talk about how much work went into every hair, every muscle on that tiger.
Ironically, a short time before they won an award for those visual effects, the company went bankupt. Apparently, they see very little of the money that these blockbusters make. Just on the front end, I guess.......

Don't feel guilty. The magic is there even knowing that it is all trickery. I wanted it to be trickery anyway. I did not wish the human actor endangered. Neither did I ..."
In case you might have wondered about the 1/2 cat, it is a feral. :-)
I love all animals except sharks, crocodiles, and all stinging, pinching (earwigs!), and biting insects.
I must see these YouTube videos. I'll make sure my husband installs the speakers tomorrow. (I had them installed 2 years ago, but the electric cords were always getting in my way. So I had asked my husband to remove them until he has time to install them properly, which never happened.)

I checked my public library system for Max and the Cats. As usual, nothing, zip, nada. LOL You'd think with the huge Portuguese speaking population of Mississauga that it would be carried.


This movie is one of the few I would like to watch a 2nd time.

Sorry your library doesn't have it Frank. Like mine I guess, translations of foreign novels are very limited. In my case, it's mostly what I read. In Florida where I am the libraries used to have access to a nationwide interlibrary loan system. Now they have gone to a Florida-only system. All the libraries tend to have the same books, so that has greatly limited options.

I've not seen the movie yet

Thanks Jonathan, I'll have to ck out the movie


I hope you enjoy it the second time around!


It could be trimmed quite a bit I thought


He had to be pretty brash even to attempt it, Bill. How much variation can there be in the plot? It would be like me saying 'I'm going to write a book about an old man who hooks a giant fish and struggles with it alone for several days, but I'll make sure it looks like an original story.' We could say he was 'foolish' to do so, but since he sold 1.5 million copies, foolish is not the right word, lol. Coincidentally, just this morning, I saw in a news feed that it will be made into a stage play.


Federico, yes I deep see anything deep in it. I may have missed it. I actually started thinking it must be a Young Adult book


Hi Heather, since you liked Pi maybe you would like Scliar's Max and the Cat that Pi copied. I haven't read Max but I did read Scliar's The Strange Nation of Rafael Mendes and I thought it was pretty good.