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At some point in high school, a usually supercilious teacher stands in front of a group of highly suggestive students and holds up a copy of The Great Gatsby waxing poetic about how it is such a marvelous masterpiece.

And—make no mistake—it is. After the eager, young students read The Great Gatsby, the inevitable conclusion is that no piece of literature will ever come close to reaching this impossibly high standard. What isn’t always readily apparent is twofold.

One. The Great Gatsby wasn’t Fitzgerald’s first novel. It was his third after his debut novel, This Side of Paradise, and then The Beautiful and Damned. He also churned out plays and short stories. He developed his writing skills over the years.

Two. The Great Gatsby didn’t just magically flow from the tip of Fitzgerald’s pencil. There were several drafts of The Great Gatsby, and Fitzgerald wrote this book over a span of years; it took nearly three years for The Great Gatsby to go from the planning phase to ultimate publication. Three years.

As early as June 1922, Fitzgerald began planning The Great Gatsby according to Matthew Bruccoli in F. Scott Fitzgerald’s The Great Gatsby: A Literary Reference (page 53), and in October 1922, Fitzgerald moved to Great Neck, Long Island (West Egg), the primary setting for the book. In a letter dated to Willa Cather, Fitzgerald said that he was “in the middle of the first draft A Lost Lady [Willa Cather’s novel] was published.� A Lost Lady was published in 1923. Finally, The Great Gatsby was published on April 10, 1925.

Fun Fact: In the very earliest versions of The Great Gatsby, Daisy was named Ada, and Nick was named Dud.

In the manuscript of The Great Gatsby, you can see that the famous quotes weren’t quite refined yet. For example, in the manuscript, “an extraordinary aliveness to life, an alert vitality such as I have never found in any human person and which it is not likely I shall ever find again,� doesn’t quite stir the soul as much as, “an extraordinary gift for hope, a romantic readiness such as I have never found in any other person and which it is not likely I shall ever find again.�

The manuscript mentions psychic radio, garbage men, and dope. None of which found their way into the published version.

The manuscript also shows where Fitzgerald struggled—there are many drafts of the confrontation scene between Tom and Gatsby. Further, in the manuscript, Daisy was much more into Gatsby, confiding in Nick that she plans to leave Tom in a couple of months and then she shows up at Gatsby’s house with her things packed, ready to run away with him. Later, Fitzgerald wrote in a letter that he could never quite nail Daisy’s reaction. However, I would argue that the published version is ideal because it mimics the authentic feel of love where one may know his or her own feelings but is not completely sure if the other person fully reciprocates.

Instead of setting impossibly high standards, the manuscript makes writing more accessible. With perhaps enough versions and revisions, greatness is within reach. Or one can hope.

The Green Light at the End of the Dock (How much I spent):
Hardcover Text � $240 from SP Books

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