Jr Bacdayan's Reviews > The English Patient
The English Patient
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In the early precepts of the morning, before the spherical fire illuminates from the east, there lies a mist resembling a giant white sheet engulfing the plain of Florence when viewed from the vista of Villa San Girolamo. Villa San Girolamo: a resort of renaissance, a nunnery, a fortress, a makeshift hospital, a shelter to four scarred and broken silhouettes in darkness, a testament to the arduous effects of time and the slow decomposition of the past.
How do you pick up the pieces? How do you stop the nightmares? How do you recover from the grip of death? How do you carry on? Can a shadow still be pulled out of darkness?
Four enigmas: a nurse, a thief, a sapper, an English patient. Entities, barely human, all broken by their grim experiences of war, of life. All of them building walls to hide in, exteriors of detachment, distractions of duty, ebbs of morphia, and memories of the past. All living as if in a daze, a mystical dream of false pretenses and unaccepted truths. Blind, burned, deaf, thumb-less, numb. Breathing but not living.
“She entered the story knowing she would emerge from it feeling she had been immersed in the lives of others, in plots that stretched back twenty years, her body full of sentences and moments, as if awaking from sleep with a heaviness caused by unremembered dreams.�
“…Even the idea of a city never entered his mind. It was as if he had walked under the millimeter of haze just above the inked fibers of a map, that pure zone between land and chart, between distances and legends, between nature and storyteller. The place they had chosen to come to, to be their best selves, to be unconscious of ancestry. Here, apart from the sun compass and the odometer mileage, and the book, he was alone, his own invention. He knew during these times how the mirage worked, the fata morgana, for he was within it.�
They follow this path, this mirage in the dessert of certain death treading in a slow, painful gait. Until one day something draws them out, something awakens them from their deep dream-riddled sleep. What awakens them? I will not divulge this information. I leave you to bask yourself in the painful beauty of this mystifying masterpiece. Michael Ondaatje is a diviner of literature. He manipulates poetic prose and turns it into an engulfing atmosphere of subtle feeling, subtle but never wavering. He creates an oasis of crushed lives and broken dreams. He illustrates darkness and leaves you to feel your way out. It is a painful journey yet it is beautiful through and through.
“How can you smile as though your whole life hasn't capsized�
After their awakening they all live their separate lives. The web of dreams undone. The mist lifted. Three of them survive, one succumbs to darkness, to dreams. Years pass, only to realize that they survive, but they never recover. That they were broken, but never fixed. They woke up, but they never stopped dreaming. What's done cannot be undone. Some wounds never heal.
You smile to mask the pain.
How do you pick up the pieces? How do you stop the nightmares? How do you recover from the grip of death? How do you carry on? Can a shadow still be pulled out of darkness?
Four enigmas: a nurse, a thief, a sapper, an English patient. Entities, barely human, all broken by their grim experiences of war, of life. All of them building walls to hide in, exteriors of detachment, distractions of duty, ebbs of morphia, and memories of the past. All living as if in a daze, a mystical dream of false pretenses and unaccepted truths. Blind, burned, deaf, thumb-less, numb. Breathing but not living.
“She entered the story knowing she would emerge from it feeling she had been immersed in the lives of others, in plots that stretched back twenty years, her body full of sentences and moments, as if awaking from sleep with a heaviness caused by unremembered dreams.�
“…Even the idea of a city never entered his mind. It was as if he had walked under the millimeter of haze just above the inked fibers of a map, that pure zone between land and chart, between distances and legends, between nature and storyteller. The place they had chosen to come to, to be their best selves, to be unconscious of ancestry. Here, apart from the sun compass and the odometer mileage, and the book, he was alone, his own invention. He knew during these times how the mirage worked, the fata morgana, for he was within it.�
They follow this path, this mirage in the dessert of certain death treading in a slow, painful gait. Until one day something draws them out, something awakens them from their deep dream-riddled sleep. What awakens them? I will not divulge this information. I leave you to bask yourself in the painful beauty of this mystifying masterpiece. Michael Ondaatje is a diviner of literature. He manipulates poetic prose and turns it into an engulfing atmosphere of subtle feeling, subtle but never wavering. He creates an oasis of crushed lives and broken dreams. He illustrates darkness and leaves you to feel your way out. It is a painful journey yet it is beautiful through and through.
“How can you smile as though your whole life hasn't capsized�
After their awakening they all live their separate lives. The web of dreams undone. The mist lifted. Three of them survive, one succumbs to darkness, to dreams. Years pass, only to realize that they survive, but they never recover. That they were broken, but never fixed. They woke up, but they never stopped dreaming. What's done cannot be undone. Some wounds never heal.
You smile to mask the pain.
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Reading Progress
October 10, 2013
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Started Reading
October 10, 2013
– Shelved
October 11, 2013
–
67.0%
October 12, 2013
–
Finished Reading
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Kalliope
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rated it 4 stars
Oct 12, 2013 06:31AM

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Thank you!

+1
Profoundly captured!
What's done cannot be undone. Some wounds never heal.
You smile to mask the pain.
Couldn't be more beautifully expressed :)


"A testament to the arduous effects of time and the slow decomposition of the past."
Your words sing the most heartfelt and moving fugue. Bliss to my ears and my soul.


Thank you, Kalliope. I left out a lot I guess, but I just wanted to focus on what was for me the "soul" of the novel.

Thank you!"
Super thank you, Lynne. Is it just me or are you always on the move? Haha. Enjoy a book for me there in France. One day I hope to have the satisfaction of reading a book there too. Something French I suppose. Perhaps Flaubert or Hugo. Ha! I'm already dreaming. Anyways, have a splendid stay.

+1
Profoundly captured!
What's done cannot be undone. Some wounds never heal.
You smile to mask the pain.
Couldn't be more beautifully expressed :)"
Say, I rarely see you in goodreads these days. Been missing your awesome reviews a lot. Really glad to see you back. :) Thank you, Rakhi!

Hullo, lit bug. Well, I recommend you give it a shot. It has long been in my reading list too before I finally read it. Regretted not reading it earlier. So, thank you. Appreciate your words.

Dolors, how kind of you. Thank you! I have a genuine smile on my face right now. I hope to return the favor very soon. :) I've seen the movie as well, it's beautiful in its own way. But I'd have to say that they're quite different. For me, the movie drifted a little from the message of the book. I loved the movie, but the haunting beauty of the book burns through the soul. I can't wait to hear what you think of this if you review it. I know it'll be a marvelous review. Dolors never disappoints. Again, thank you.

Samadrita, thank you. I think you'll like this novel better though. For me, the novel and movie are different things. Ultimately, the message and the atmosphere of the book aren't done justice by the movie. I hope you give it a chance. :)


Wow, Stephen. You just turned my already good day into a great day. Thank you for that. I guess you're right. I do feel that the movie did a bit of disservice to the book by creating a misconception about it. But then again it is also one of the reasons why a lot of people were introduced to the novel. Depends on how you look at it. Also, the book did win the Booker prize, so it isn't all bad. Haha. Seriously though, I agree that it's one of the best contemporary novels around. Once again, thank you.