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3.5 stars. I was impressed with The Thorns, even if I found the execution a bit messy and predictable.

Using a dual timeline structure, Dawn Kurtagich introduces readers to Bethany Sloan. In the “now�� chapters, Bethany is a successful writer living with her loving husband Bruce in London. She’s struggling with writer’s block, agonizing over how to finish her award-winning series of novels, when her school friend Stacey re-enters her life. As teenagers, Stacey and Bethany met at a remote boarding school in South Africa, and in the “then�� chapters it swiftly becomes clear that their friendship was far from healthy. In fact, it was toxic: marked by obsession, bullying, and abuse. With Stacey back in her life, Bethany is forced to confront the trauma of her adolescence once and for all.

The Thorns is an incredibly dark book, dealing overtly with themes like abuse of all kinds (physical, sexual, emotional, substance), self-harm, and mental health crises. Through the characters of Bethany and Stacey, Kurtagich reveals the dark heart of girlhood, in all its cruelty and vulnerability. The narrative, inspired by Kurtagich’s own experiences at boarding school, feels intensely personal. She completely captures the mindset of a teenage girl struggling with self-worth and how to relate to an expanding world of increasingly adult experiences. Bethany is one of those characters who you want to both hug and lecture about making better choices, but she is sympathetic all the way through. And The Thorns is an incredibly atmospheric book, with an arid, desolate setting that perfectly complements the book’s overarching themes.

I was intrigued by the “urban legend�� feel of the description �� the frightening “Glass Man�� and his cruel games �� but sadly, he barely makes an appearance in the book. In fact, the Glass Man references have no bearing on the plot at all, and I’m not sure why they were even included…maybe to add a horror element? But this isn’t a scary book, and while it’s deeply psychological and incredibly dark, it doesn’t really read like a thriller. It’s a coming-of-age novel more than anything else, about how every emotion is experienced in the extreme, how everything feels simultaneously confusing and upsetting and glorious, and how the mind copes and seeks to protect itself when dealing with trauma at such a pivotal point in a young woman’s development. The book feels a bit crowded with all of this going on, somewhat hectic and overwrought. I predicted the final twist very early on, and I think many readers will.

This won’t be a book for every reader, but if you are willing to travel with the author into some incredibly dark corners of the human psyche, it’s a worthwhile, meaningful read in the end, despite a few hiccups. Thank you to Thomas & Mercer for the early reading opportunity.