Eddie Watkins's Reviews > The True Deceiver
The True Deceiver
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I like Tove Jansson鈥檚 brand of wisdom. It鈥檚 not a 鈥渉ard won鈥� wisdom of the sort that has grown from the rubble of cynicism, betrayal, and defeat. It鈥檚 a clear-eyed wisdom that has never lost its innocence; a wisdom that plays even as it sees through to the dark heart of people and things. It鈥檚 the wisdom of solitude and barrenness that attracts company and fertility but doesn鈥檛 need them; content to know but not participate overmuch, radiating a warmth from its detachment.
This is a late novel by Jansson, published in 1982, a good decade after the last Moomin book, and is something of an oblique manifesto of this wisdom. It鈥檚 the story of two women that plays out with eerie similarities to Bergman鈥檚 Persona - two women of (initially) radically different temperaments who through close proximity push each other to crisis and change of perspective, passing through each other as this occurs, and all transpiring in a small Scandinavian house. But the agent of change in The True Deceiver is a willful action by one of the women, a possibly sociopathic, yet very beguiling and fascinating character, a calculating loner whose heart is devoted to the welfare of her simple-minded brother. She forces change upon the other woman who for a lifetime has been sheltered from the world and its vagaries by her success as an artist.
It鈥檚 a cat and mouse game that proceeds with fairy tale touches (the Big Bad Wolf and the Flowery Rabbit) that only enhance its glaring realism. And once again after reading one of Tove Jansson鈥檚 鈥渁dult鈥� novels, I am not only marveling at her narrative subtlety and evocativeness, and her effortless ability to use the natural cycles of the seasons as a plot device (this book proceeding from deep Winter freeze to the beginnings of a great Spring thaw), but also at the Finnish practice of carelessly dumping their garbage in the sea. This practice of garbage disposal plays a major role in this novel, as all the baggage of the artist character is lugged out onto the ice and piled up to await the Spring thaw when the ice will crack and all her unnecessary possessions will sink away, leaving room for her life to change even as it remains the same.
This is a late novel by Jansson, published in 1982, a good decade after the last Moomin book, and is something of an oblique manifesto of this wisdom. It鈥檚 the story of two women that plays out with eerie similarities to Bergman鈥檚 Persona - two women of (initially) radically different temperaments who through close proximity push each other to crisis and change of perspective, passing through each other as this occurs, and all transpiring in a small Scandinavian house. But the agent of change in The True Deceiver is a willful action by one of the women, a possibly sociopathic, yet very beguiling and fascinating character, a calculating loner whose heart is devoted to the welfare of her simple-minded brother. She forces change upon the other woman who for a lifetime has been sheltered from the world and its vagaries by her success as an artist.
It鈥檚 a cat and mouse game that proceeds with fairy tale touches (the Big Bad Wolf and the Flowery Rabbit) that only enhance its glaring realism. And once again after reading one of Tove Jansson鈥檚 鈥渁dult鈥� novels, I am not only marveling at her narrative subtlety and evocativeness, and her effortless ability to use the natural cycles of the seasons as a plot device (this book proceeding from deep Winter freeze to the beginnings of a great Spring thaw), but also at the Finnish practice of carelessly dumping their garbage in the sea. This practice of garbage disposal plays a major role in this novel, as all the baggage of the artist character is lugged out onto the ice and piled up to await the Spring thaw when the ice will crack and all her unnecessary possessions will sink away, leaving room for her life to change even as it remains the same.
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Reading Progress
Started Reading
January 1, 2010
–
Finished Reading
January 19, 2010
– Shelved
October 28, 2014
– Shelved as:
finnish-fiction
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No Flowery Rabbit in fairy tale lore that I'm aware of, but the artist character illustrates children's books and populates her realistic depictions of moss with rabbits covered with flowers. The rabbits kind of represent her unreality in the face of the Big Bad Wolf as represented by the other character's unflinching realism.
I just capitalized it to make it seem fairy taleish.

Tove = the embrace of clouds above a still lake, or the calx on the face of a mirror in a half-lit room.

It probably is better than Summer Book, but they go so well together it's better not to pick one over the other.

even moomins exhibit sociopathic behavior. mild, but it is there...


I like that Jesus quote, Eddie ("Be wise as serpents and innocent as doves"). I gonna have to remember that one. Do you remember where it is in the Bible?

Beautiful.
Is there a "Flowery Rabbit" fairy tale you're referring to? I'm not familiar with that one, but it's been a long time since I last cracked open a book of fairy tales. Or was it something in the story that evokes a fairy tale feeling?