Zanna's Reviews > Dawn
Dawn (Xenogenesis, #1)
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I was utterly compelled. When I got to the end, I was so hungry for the next book I was actually frustrated not to have it to hand. The last book I enjoyed nearly this much was The Lathe of Heaven so I guess I need to give in and accept that speculative fiction with feminist consciouness is my true love.
I love that Lilith is angry with her captors, that she doesn't lose her drive to be free, ever. In many ways I felt the book was about consent - what does consent really mean when your options are constricted, when you know you are powerless? Lilith uses violence - for the first time - to prevent a rape. The victim was kicking and screaming in the grip of her captors, who urged 'it's your duty, you don't have the right to resist'. Lilith says 'nobody here is property, nobody has the right of use of anyone else's body' but this assertion is almost ironic considering the group's predicament. Butler does not spend time giving Black Feminism 101. Come on reader, you can do that work on your own. The material is here: control of fertility, stolen children, Lilith's weary expectation of forced breeding. The nuances of love and male violence. Even the misgendering of the Oankali has feminist resonance - the ooloi are read as male because they appear in authoritative roles and because they arouse men's sexual jealousy. Butler takes her investigation of consent to a whole new level through the Oankali's ability to read human chemistry but not thought, to the idea of chemical consent.
I love that Butler takes emotion seriously at all levels and fills Lilith's dilemma with conflict, with arguments for both sides. The Oankali have saved the species, regenerated the destroyed Earth, they are culturally attractive. When they offend human scruples, they almost know not what they do; sexual shame is alien to them. We are not expected to accept the assertions of Jdaya and Nikanj 'I know you, I've studied you...' this is the White man's voice, and the epistemology it rests on is challenged in the way the story unfolds: you've studied my history, but you haven't lived it, so you don't know it as I do. You've studied my body, but you can't read the whole of who I am there. On the other hand - how dispiritingly disappointing the other awakened humans are! One of the hardest things to accept about the book is its pessimism about humanity. It was impossible not to agree that the humans need help; the argument in my heart is how to feel about the price.
I wouldn't have fought for my freedom at all I think, which is a bit worrying. Bring the Oankali I say! I am already a vegan anarcha-eco-feminist; I am ready for the non-sexist non-hierarchical life-venerating invaders. Butler won't countenance such uncritical acceptance. The Oankali are not anarchists in my view, because they coerce, not vegans, because they use other animals (including humans). They are compelled, as we are, though differently, by their genes. I am reminded of Daniel C Dennett's writing on genes and their agendas - when Jdaya says I am as committed to the trade (of genes) as you are to breathing, I don't quite believe - I think it may be closer to the commitment to breeding. This leads me to a big question her book left me with - what about me? I'm not heterosexual. This possibility of sexual diversity among the Oankali (who are of three sexes) is not mentioned, but the same is true of the human group. Butler tells us 'there were no voluntary vegetarians' but is silent on the possibility of same-sex desire. Maybe I'll find out in the next book. I can hardly wait!
I love that Lilith is angry with her captors, that she doesn't lose her drive to be free, ever. In many ways I felt the book was about consent - what does consent really mean when your options are constricted, when you know you are powerless? Lilith uses violence - for the first time - to prevent a rape. The victim was kicking and screaming in the grip of her captors, who urged 'it's your duty, you don't have the right to resist'. Lilith says 'nobody here is property, nobody has the right of use of anyone else's body' but this assertion is almost ironic considering the group's predicament. Butler does not spend time giving Black Feminism 101. Come on reader, you can do that work on your own. The material is here: control of fertility, stolen children, Lilith's weary expectation of forced breeding. The nuances of love and male violence. Even the misgendering of the Oankali has feminist resonance - the ooloi are read as male because they appear in authoritative roles and because they arouse men's sexual jealousy. Butler takes her investigation of consent to a whole new level through the Oankali's ability to read human chemistry but not thought, to the idea of chemical consent.
I love that Butler takes emotion seriously at all levels and fills Lilith's dilemma with conflict, with arguments for both sides. The Oankali have saved the species, regenerated the destroyed Earth, they are culturally attractive. When they offend human scruples, they almost know not what they do; sexual shame is alien to them. We are not expected to accept the assertions of Jdaya and Nikanj 'I know you, I've studied you...' this is the White man's voice, and the epistemology it rests on is challenged in the way the story unfolds: you've studied my history, but you haven't lived it, so you don't know it as I do. You've studied my body, but you can't read the whole of who I am there. On the other hand - how dispiritingly disappointing the other awakened humans are! One of the hardest things to accept about the book is its pessimism about humanity. It was impossible not to agree that the humans need help; the argument in my heart is how to feel about the price.
I wouldn't have fought for my freedom at all I think, which is a bit worrying. Bring the Oankali I say! I am already a vegan anarcha-eco-feminist; I am ready for the non-sexist non-hierarchical life-venerating invaders. Butler won't countenance such uncritical acceptance. The Oankali are not anarchists in my view, because they coerce, not vegans, because they use other animals (including humans). They are compelled, as we are, though differently, by their genes. I am reminded of Daniel C Dennett's writing on genes and their agendas - when Jdaya says I am as committed to the trade (of genes) as you are to breathing, I don't quite believe - I think it may be closer to the commitment to breeding. This leads me to a big question her book left me with - what about me? I'm not heterosexual. This possibility of sexual diversity among the Oankali (who are of three sexes) is not mentioned, but the same is true of the human group. Butler tells us 'there were no voluntary vegetarians' but is silent on the possibility of same-sex desire. Maybe I'll find out in the next book. I can hardly wait!
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Reading Progress
June 11, 2014
– Shelved as:
to-read
June 11, 2014
– Shelved
December 18, 2014
–
Started Reading
December 19, 2014
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Finished Reading
December 21, 2014
– Shelved as:
feminism
December 21, 2014
– Shelved as:
bechdel-pass
January 15, 2015
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I only read the first paragraph of your review because I just started reading and want to avoid spoilers but knowing that the last book you loved was The Lathe of Heaven, which is a fucking masterpiece, I'm even more excited to read this now.













I especially love the point that you made over how consent is portrayed throughout the story. I was not fully conscience of what it actually meant while I was reading the book but your review enlightened me making me realize of how big of a part consent actually took in the story. Now that I think about it, Lillith never had the chance or liberty to choose her actions such as being the teacher of the next human race or even conceive a child. This all ties back to consent and how Butler chose to make it one of the major themes of the book. I was very intrigued with the last point that you made in your review which was “would I fight for my freedom?� because I also saw myself thinking that question while reading the book. As a reader you saw the story unfold from the outside perspective therefore your emotions might be different from what you might actually feel if you were part of it. Therefore it was a difficult question to answer because at least in my opinion I would not see myself going back to earth if the only thing that was waiting for me was nothing. Thank you for your awesome review on the book.
possibly because in Jewish fable Lilith was the first woman, equal in strength to Adam and unwilling to submit sexually to him and be an unequal partner. Adam then complained to God, who then created Eve and banished Lilith. Or so that story goes...can't remember where I came across it.