Lisa's Reviews > Things Fall Apart
Things Fall Apart (The African Trilogy, #1)
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Lisa's review
bookshelves: 1001-books-to-read-before-you-die, favorites, so-good-it-hurts, unforgettable
Jun 25, 2014
bookshelves: 1001-books-to-read-before-you-die, favorites, so-good-it-hurts, unforgettable
My son and I had a long talk about this novel the other day, after he finished reading it for an English class.
Over the course of the study unit, we had been talking about Chinua Achebe's fabulous juxtaposition of different layers of society, both within Okonkwo's tribe, and within the colonialist community. We had been reflecting on aspects of the tribe that we found hard to understand, being foreign and against certain human rights we take for granted, most notably parts of the strict hierarchy and the role of women. And we had been angry together at the inhumane arrogance and violence of the Europeans, who were only in charge based on their technological development level, not on cultural superiority. We had thought about the roles of men and women, and of individuals in their relation to their families and social environment. We had touched on the hypocrisy of religious missions.
I had dwelt on the title and its beautiful context, the poem by Yeats, more relevant now than ever:
"Turning and turning in the widening gyre
The falcon cannot hear the falconer;
Things fall apart; the centre cannot hold;
Mere anarchy is loosed upon the world,
The blood-dimmed tide is loosed, and everywhere
The ceremony of innocence is drowned;
The best lack all conviction, while the worst
Are full of passionate intensity."
We had compared Okonkwo to the skilled falcon, and the ruthless Europeans to falconers killing and destroying without reason. And "The best lack all conviction..." - a sad truth in an era of a radicalised political climate.
We agreed that the novel was excellent, timeless and universally important.
And then came the last paragraph...
If a novel can make a 14-year-old genuinely upset, angry, and frustrated to the point of wanting to slap a fictional character, then the author has managed to convey a message, I'd say. He got me engaged as well, and I could feel my nausea towards the Commissioner re-emerge instantly when reading his arrogant final thoughts, after the tragic showdown:
"The story of this man who had killed a messenger and hanged himself would make interesting reading. One could almost write a whole chapter on him. Perhaps not a whole chapter but a reasonable paragraph, at any rate. There was so much else to include, and one must be firm in cutting out details. He had already chosen the title of the book, after much thought: The Pacification of the Primitive Tribes of the Lower Niger."
The discussion between my son and myself focused on how the commissioner managed to marginalise a whole life, which we had breathlessly followed in the preceding pages, to a mere paragraph in a text of his own vain invention, with zero relation to the true circumstances. My son claimed it was one of the best endings he had ever read - for the sudden change of perspective that disrupted the story and made it stand out in sharp contrast.
Then we continued talking.
Best endings? Which ones could possibly compete?
First one up was One Day in the Life of Ivan Denisovich. Its last sentence also puts individual suffering into a wider perspective, in this case a time frame:
“The end of an unclouded day. Almost a happy one. Just one of the 3,653 days of his sentence, from bell to bell. The extra three were for leap years.�
Neither my son nor I will ever get over that counting of three extra days for leap years...
Second up was All Quiet on the Western Front, in which the death of the narrator is reported in a last paragraph that indicates that the main character's life is of so little importance that newspapers wrote there was "Nothing New on the Western Front". His so-called heroic death drowned in the meaningless mass dying, his suffering was completely without purpose in the bigger machinations of politics on national level. And yet, he had been so incredibly alive and opinionated and experienced, just the day before...
Then the last one we could think of (mirroring our shared reading experience), was the horrible case of a last sentence showing the victim's complete identification with the tyrant, the falcon loving the falconer, Orwell's closing line in 1984:
"He loved Big Brother."
The brutality of the comparison made my son say:
"At least Okonkwo made his final choice on his own."
As sad as it is, we felt grateful for that. But what a brave new world, that has such people in it!
Must-read. Must-talk-about!
Over the course of the study unit, we had been talking about Chinua Achebe's fabulous juxtaposition of different layers of society, both within Okonkwo's tribe, and within the colonialist community. We had been reflecting on aspects of the tribe that we found hard to understand, being foreign and against certain human rights we take for granted, most notably parts of the strict hierarchy and the role of women. And we had been angry together at the inhumane arrogance and violence of the Europeans, who were only in charge based on their technological development level, not on cultural superiority. We had thought about the roles of men and women, and of individuals in their relation to their families and social environment. We had touched on the hypocrisy of religious missions.
I had dwelt on the title and its beautiful context, the poem by Yeats, more relevant now than ever:
"Turning and turning in the widening gyre
The falcon cannot hear the falconer;
Things fall apart; the centre cannot hold;
Mere anarchy is loosed upon the world,
The blood-dimmed tide is loosed, and everywhere
The ceremony of innocence is drowned;
The best lack all conviction, while the worst
Are full of passionate intensity."
We had compared Okonkwo to the skilled falcon, and the ruthless Europeans to falconers killing and destroying without reason. And "The best lack all conviction..." - a sad truth in an era of a radicalised political climate.
We agreed that the novel was excellent, timeless and universally important.
And then came the last paragraph...
If a novel can make a 14-year-old genuinely upset, angry, and frustrated to the point of wanting to slap a fictional character, then the author has managed to convey a message, I'd say. He got me engaged as well, and I could feel my nausea towards the Commissioner re-emerge instantly when reading his arrogant final thoughts, after the tragic showdown:
"The story of this man who had killed a messenger and hanged himself would make interesting reading. One could almost write a whole chapter on him. Perhaps not a whole chapter but a reasonable paragraph, at any rate. There was so much else to include, and one must be firm in cutting out details. He had already chosen the title of the book, after much thought: The Pacification of the Primitive Tribes of the Lower Niger."
The discussion between my son and myself focused on how the commissioner managed to marginalise a whole life, which we had breathlessly followed in the preceding pages, to a mere paragraph in a text of his own vain invention, with zero relation to the true circumstances. My son claimed it was one of the best endings he had ever read - for the sudden change of perspective that disrupted the story and made it stand out in sharp contrast.
Then we continued talking.
Best endings? Which ones could possibly compete?
First one up was One Day in the Life of Ivan Denisovich. Its last sentence also puts individual suffering into a wider perspective, in this case a time frame:
“The end of an unclouded day. Almost a happy one. Just one of the 3,653 days of his sentence, from bell to bell. The extra three were for leap years.�
Neither my son nor I will ever get over that counting of three extra days for leap years...
Second up was All Quiet on the Western Front, in which the death of the narrator is reported in a last paragraph that indicates that the main character's life is of so little importance that newspapers wrote there was "Nothing New on the Western Front". His so-called heroic death drowned in the meaningless mass dying, his suffering was completely without purpose in the bigger machinations of politics on national level. And yet, he had been so incredibly alive and opinionated and experienced, just the day before...
Then the last one we could think of (mirroring our shared reading experience), was the horrible case of a last sentence showing the victim's complete identification with the tyrant, the falcon loving the falconer, Orwell's closing line in 1984:
"He loved Big Brother."
The brutality of the comparison made my son say:
"At least Okonkwo made his final choice on his own."
As sad as it is, we felt grateful for that. But what a brave new world, that has such people in it!
Must-read. Must-talk-about!
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Reading Progress
Finished Reading
June 25, 2014
– Shelved
August 9, 2014
– Shelved as:
1001-books-to-read-before-you-die
May 3, 2017
– Shelved as:
favorites
May 3, 2017
– Shelved as:
so-good-it-hurts
May 3, 2017
– Shelved as:
unforgettable
Comments Showing 1-49 of 49 (49 new)
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Loved your review. No matter how many times I read it, the final pages always make me misty-eyed.

Me too, Greg! I have also read it both alone and with students, and it is equally powerful every time! Discussing it with my own kid added another dimension to it.

Me too, Lucy! Me too!" And I completely agree with you with regards to Yeats' poem - I keep thinking of that line 'the falcon cannot hear the falconer' - it feels very pertinent at present. (Think I need to read both the poem and Achebe's book again now!)


Oh, I will have to reread those two endings, Violet! I read the books and liked them, but do not recall the last sentences...

Thank you, Adina!

Thank you, Fionnuala! I am very pleased that you liked it as it came straight from my heart...

Thank you for mentioning your favorite endings from other books! I'm going to check them out.

Thank you ..."
Happy to hear that, Irina!

Tack, Berit! Jag tror du kommer att gilla den...


Thank you, Adina!
Dearest Lisa, the novel and your beautifully touching write-up aside, how nourishing the vision of you and your son in this particular setting is! Sharing literature, living it passionately through unveiling and surrendering our emotions to it, having our children right by our side when we discover whole new worlds of meanings and vulnerabilities hiding in books � this is priceless. Absolutely morally elevating.

We have to keep trying, right? There is so much to despair about in the world that every moment we create to counterbalance that is a blessing. This is one of my most cherished memories. And that, as we both know, is worth more than gold! Giving my son Nervous Conditions now. He'll love it.

I literally caught my breath. A tragic, beautiful, heart wrenching ending that people would do well to ponder.



Thank you for your comment, Edidiong. And I agree with you - the missed Nobel for Chinua Achebe is one of the many mistakes the notoriously annoying Swedish Academy stands for. And yes, regardless of a country's problems, there is never any justification for the actions of the European/Christian colonisation. A superb novel in any case.

this book really moved me, as well, for all of the reasons you so clearly shared with your son. i have had the privilege of living and working in Achebe's part of the world in the '70s and in the '10s. The brutal slash of colonialism, the absolutism of it & the treatment of women - all remain huge, open and unhealed wounds.
No one writes of it as he does. Thanks for this.

this book really moved me, as well, for all of the reasons you so clearly shared with your son. i have had the privileg..."
Thank you, Dianne!


Watching a movie draft from the novel would be one of the most interesting part of reading Achebe's book.


Thank you so much!


We must, we must

Indeed! Now more than ever...





Thank YOU! I love reading wirh my kids, and you can imagine my joy now that we like the same books... The other two are catching up fast, with their own favourites...