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“Once we have broken free of the prejudices of our own provincially limited ecclesiastical, tribal, or national rendition of the world archetypes, it becomes possible to understand that the supreme initiation is not that of the local motherly fathers, who then project aggression onto the neighbors for their own defense. The good news, which the World Redeemer brings and which so many have been glad to hear, zealous to preach, but reluctant, apparently, to demonstrate, is that God is love, the He can be, and is to be, loved, and that all without exception are his children. Such comparatively trivial matters as the remaining details of the credo, the techniques of worship, and devices of episcopal organization (which have so absorbed the interest of Occidental theologians that they are today seriously discussed as the principal questions of religion), are merely pedantic snares, unless kept ancillary to the major teaching. Indeed, where not so kept, they have the regressive effect: they reduce the father image back again to the dimensions of the totem. And this, of course, is what has happened throughout the Christian world. One would think that we had been called upon to decide or to know whom, of all of us, the Father prefers. Whereas, the teaching is much less flattering: "Judge not, that ye be not judged." The World Savior's cross, in spite of the behavior of its professed priests, is a vastly more democratic symbol than the local flag.”
― Joseph Campbell, The Hero With a Thousand Faces

“Full circle, from to tomb of the womb to the womb of the tomb, we come”
― Joseph Campbell, The Hero With a Thousand Faces

“Let me recall at this point Nietzsche’s statements regarding classic and romantic art. He identified two types or orders of each. There is the romanticism of true power that shatters contemporary forms to go beyond these to new forms; and there is, on the other hand, the romanticism that is unable to achieve form at all, and so smashes and disparages out of resentment. And with respect to classicism likewise, there is the classicism that finds an achievement of the recognized forms easy and can play with them at will, expressing through them its own creative aims in a rich and vital way; and there is the classicism that clings to form desperately out of weakness, dry and hard, authoritarian and cold. The point I would make - and which I believe was also Nietzsche’s - is that form is the medium, the vehicle, through which life becomes manifest in its grand style, articulate and grandiose, and that the mere shattering of form is for human as well as for animal life a disaster, ritual and decorum being the structuring forms of all civilization.”
― Joseph Campbell, Myths to Live By

“We must be willing to get rid of
the life we’ve planned, so as to have
the life that is waiting for us.

The old skin has to be shed
before the new one can come.

If we fix on the old, we get stuck.
When we hang onto any form,
we are in danger of putrefaction.

Hell is life drying up.”
― Joseph Campbell, A Joseph Campbell Companion: Reflections on the Art of Living